^The point is, though, if you're going to design sets that are that bland and empty, wouldn't it be cheaper to actually build them?
I have no idea. Maybe, maybe not. Though I'm reasonably confident it'd be a nightmare keeping physical sets so spotlessly clean.
Plus of course some of those rooms are very big and that'd eat up a lot of stage space.
Of course that's true, since V predated ID4 by 13 years. Then again, the moment I first saw the original V back in 1983, I could tell right off that it was imitating Arthur C. Clarke's 1953 novel Childhood's End:
There had been no warning when the great ships came pouring out of the unknown depths of space. Countless times this day had been described in fiction, but no one had really believed that it would ever come. Now it had dawned at last; the gleaming, silent shapes hanging over every land were the symbol of a science man could not hope to match for centuries. For six days they had floated motionless above his cities, giving no hint that they knew of his existence. But none was needed; not by chance alone could those mighty ships have come to rest so precisely over New York, London, Paris, Moscow, Rome, Cape Town, Tokyo, Canberra. . . .
I'm a lifelong fan of Kenneth Johnson's work, but one thing he's not is original.
But in the passage you quote there, even Clarke admits the idea is not terribly original. "Countless times this day had been described in fiction". If Johnson is unoriginal than so is Clarke.
^No, any sensible engineer would design the ship to orbit the planet and send down reasonable-sized landing craft. Contrary to what Star Trek and other shows tend to claim, orbit requires no power at all.
According to this site, they are:
a) between 1-3 kilometers across;
b) far too big to make any sense.
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