The point has never been how much money they made by being "ballsy" as you call it, but rather how much money they have lost and lose every day by not keeping Janeway and writing the kind of story her fans are dying to read. That's always been the point.
Brit, Pocket Books is
making money on their post-series, Janeway-less licensed fiction because the books - in fact,
all of the post-series VOY novels and TNG's "Before Dishonor" - have sold incredibly well, whereas the old numbered VOY novels always lagged behind the more popular lines (TNG, NF and TOS). We
know the relaubch novels sold beyond expectations because they had to be reprinted many times. So, if Pocket has lost some Janeway fans, and some VOY fans, along the way by their action of killing off the character (or, at least, sending her off to be with the Q for a while), but then
gained thousands of new readers, how is that a loss to Pocket?
The death of Janeway is not hurting Pocket at all. It has brought them new readers.
And what is this phantom Janeway novel that you seem to think so many people want to buy? Haven't we already had two Janeway-centric novels: "Mosaic" and "Captain's Table: Fire Ship"? Now that the
USS Voyager is returned from its TV mission, and Paramount has promoted Janeway to the admiralty (not Pocket's chooice at all), what type of novel are you supposedly looking for? I can see potential for a "Janeway vs the Q Continuum" novel that has been set up by the events of "Before Dishonor", but you want none of that either, because it seems like you won't be happy till Demoted Janeway back in the centre seat of
Voyager, with her Chakotay by her side?
To back up your side, you say she has no fans or that they are few and non existent. You say prove Janeway fans exist.
I don't remember
ever saying that. We know Janeway fans exist, and a few of them have been
here, boasting that they never bought licensed VOY fiction because they have always preferred to write and read each others' fanfic and distribute it free to each other online.
It's the old "K/S fanzine vs licensed TOS fiction" trope all over again! In the 80s, I met lots of feisty "K/S" fans, almost all female, who rejected the idea of reading licensed ST fiction in order to read, write, illustrate, review, buy and sell amateur fanfic that placed (mainly) Kirk and Spock into the types of stories Pocket Books that would
never be allowed to tell. Now it wasn't all racy porn stuff, there were also subdivisions like "hurt/comfort", where one character had o nurse the other back to health, and I guess other stuff that is now called "shipper" fanfic, a term I only learned a few years ago stumbling into some arguments here on TrekBBS.
Thrawn and I
are Janeway fans. Without a doubt, Janeway would be my
favourite VOY character. "Mosaic" and "Captain's Table: Fire Ship" would be my all-time favourite Janeway books. From what I've read of "Full Circle" so far, it's shaping up to be a stupendous book. I got to the end of Kirsten Beyer's preface and had shed my first tear. A lovely scene with Chakotay reacting to some terrible news. (I guess you missed out when you boycotted it.) And the reviews (and sales) have been excellent.
It cannot be proved unless you are ballsy enough to bring her back and write the kind of story we want to read, that would be what would take courage, much more courage than using Janeway in a third rate story based on a much used and now distained comic book trope. A trope that is thought of by a great number of fans, and writers as being anti female.
You're calling Kirsten Beyer's work "third rate" and you've never read a word of it?

Or best-selling author, Peter David's?
Isn't putting a character "in the freezer"
exactly what DS9 did with Ben Sisko at the end of its TV finale? And what "Generations" did with James Kirk at the beginning of that movie? And, in ENT, Trip Tucker was
actually put into a freezer in the finale: we saw Phlox sliding Trip's body into it on a morgue tray!
So this is an
anti-female trope?
It is very interesting that Pocket Books chose Peter David to write the death of Janeway, as he is familiar with the trope and actually tries to defend it as a viable plot devise.
All tropes are viable plot devices! It only depends on the skill of the writer if they pull it off or not. That's called the suspension of disbelief, an essential ingredient for most works of science fiction and fantasy.
You've decided that Peter David did not use his trope well. But it was CBS Licensing that requested that Janeway's death be given a "back door", just in case Paramount wants to use the character again canonically, and then the novels would be forced to follow canon and find a way to resurrect Janeway for future fiction.
But maybe your bizarre reactions to the character's death is what's keeping her dead? It causes
polarized views, controversy and lots of publicity - and publicity sells books.