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TOS myths and misconceptions...

I'm with yah.

Me too. And I liked AotC and RotS.

I could give a fuck about "the appearence of Jar Jar in TPM" - I didn't actually dislike the character or see him as anything out of the ordinary, as SW characters go - but nonetheless I don't think much of Star Wars from ROTJ onward.
I think fans and detracters alike have misconstrued what GL was trying to accomplish with the SW series. He wanted to recreate the sci-fi serials he enjoyed as a child. And he did.
 
Me too. And I liked AotC and RotS.

I could give a fuck about "the appearence of Jar Jar in TPM" - I didn't actually dislike the character or see him as anything out of the ordinary, as SW characters go - but nonetheless I don't think much of Star Wars from ROTJ onward.
I think fans and detracters alike have misconstrued what GL was trying to accomplish with the SW series. He wanted to recreate the sci-fi serials he enjoyed as a child. And he did.

You can try all you like to pigeonhole why people don't respect Lucas, but it's not as simple as you make it out. There's a tone shift starting in RoTJ where Lucas starts putting more silly gags in the films to the detriment of the dramatic scenes, stuff that's largely absent from or certainly lower-key in Star Wars and Empire. Furthermore, the screen gets filled with pointless characters designed to sell toys. And it's here that we see the first clear signs that Lucas can't figure out how to pay off the situations he's set up.

I'm fine with the films being fairly tales. I'm not fine with the way the films got dumbed down and patronizing. Kids loved Star Wars fine without muppets and burp jokes.
 
I could give a fuck about "the appearence of Jar Jar in TPM" - I didn't actually dislike the character or see him as anything out of the ordinary, as SW characters go - but nonetheless I don't think much of Star Wars from ROTJ onward.
I think fans and detracters alike have misconstrued what GL was trying to accomplish with the SW series. He wanted to recreate the sci-fi serials he enjoyed as a child. And he did.

You can try all you like to pigeonhole why people don't respect Lucas, but it's not as simple as you make it out. There's a tone shift starting in RoTJ where Lucas starts putting more silly gags in the films to the detriment of the dramatic scenes, stuff that's largely absent from or certainly lower-key in Star Wars and Empire. Furthermore, the screen gets filled with pointless characters designed to sell toys. And it's here that we see the first clear signs that Lucas can't figure out how to pay off the situations he's set up.

I'm fine with the films being fairly tales. I'm not fine with the way the films got dumbed down and patronizing. Kids loved Star Wars fine without muppets and burp jokes.

I am not "pigeonholing" anyone. It is a mere statement of fact and any interview with Lucas on the subject will back it up. Do I like the way it was "dumbed down?" Certainly not, but as someone who was in their teens when the films came out, I bought the action figures the same way everyone else did. I won't begrudge the man for making something that I enjoyed. ILM did great work and the films were great entertainment. It was never intended to be hard sci-fi, as much as you seem to think it should have been.

But this is tangent to the conversation: the state of the art of SFX at the time. You can derail this as much as you like. You still can't really prove me wrong.
 
But this is tangent to the conversation: the state of the art of SFX at the time. You can derail this as much as you like.

I never bought into the whole GL thing anyway. The guy made some good films and had a prolific creative mind. He knew how to hire the right people to bring his creation to life and refine his vision..Kinda like GR..

All the GL posturing is simply residual anger over the appearance of Jar Jar in TPM.

So this is all really about the Nyub-Nyub.
^^^As above, you're the one who derailed it with the broad generalizations. Nice try, though.
 
Myth: Mr. Spock had no emotions.

Reality: Mr. Spock had very deep emotions. He tried very hard to suppress them, even deny that he had them, but they found their out into the open regularly, and not just when he was under the influence of something (The Naked Time, This Side of Paradise). He even admitted, in so many words, that he acted emotionally at the end of Galileo Seven. Not to mention his "being moved" by the Romulan Commander in The Enterprise Incident. I know he was "on a mission", but he admitted privately at the very end of the episode that his feelings were genuine.

And I haven't even mentioned, "THE WOMEN!".
This is indeed a very common misconception among non-fans. Another one was exemplified by an ignorant Australian interviewer who started his spoilery report on the world premiere of Star Trek 09 exclaiming that Spock "got the girl" and that this was so unexpected, and then stated that "This is the first time that Spock has had a love interest" :wtf: :vulcan: You can see that he's not the only one if you look through the comments on Youtube to any video that contains any of Spock's love scenes from TOS, quite a few people are surprised.


Non-fans also almost always get surprised at the idea of Spock as a sex symbol, the general public has a myth about Kirk as the hunk of the show and Spock as 'the guy with the ears'. In fact, Spock has always been a huge sex symbol among the female Trek fans

Also, a few online articles and quite a few comments on forums last year reveals that many people who didn't watch TOS have a misconception that Kirk and Uhura had some kind of romantic relationship in TOS. They are used to hearing about their famous "first interracial" kiss and don't know the context.
.

We have to take it for what it is. I don't think it was so much the writers, but the producers who were just too gun shy about showing a female in command in Starfleet. Or the idea simply didn't occur to them as hard as that may be to believe.
Yes. I realize why there was no women in the Original Series for this reason. However, we have to accept the world as it is presented to us. We can't make excuses or change the Prime Universe in Kirk's era unless there was some type of manipulation of the time line or something.
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No, we don't. It's just a TV show, and one that has contradicted itself quite a few times. There's no need to rationalize something that was written or shot a certain way because of the real life circumstances rather than any artistic intent.

And even if you insist on rationalizing everything in order to imagine some sort of coherent fictional universe, there is no need to draw any conclusions about the Starfleet policy based on the lack of women in higher positions in the SF in TOS, any more than we would draw conclusions that there are, say, more whites than Asians in SF just based on the ratio of actors and extras we saw on screen. We only saw a small portion of Starfleet officers in TOS, so if you want to rationalize, theoretically the ratios of male:female in top positions in SF might be very different, and the ratio seen in TOS is just accidental. Or we just might simply accept the fact that what we saw on screen was that way because the show was made in the 1960s.


Vulcans only have sex every 7 years They would be a pretty small society if this were true. Vulcans go through Pon Far every 7 years Actually, nowhere in Amok Time was this schedule mentioned. In fact, Spock makes it pretty clear this was the first time he was experiencing Pon Far ("I hoped I would be spared this, but the ancient drives are just too strong"). It's not until The Cloud Minders that the whole 7 year thing is mentioned, in a piece of dialog that never should have been written. In Amok Time Spock nearly dies because he's too bound by tradition and privacy to tell his closest friend and commanding officer about it - but he happily blabs to Droxine in The Cloud Minders because she's "a work of art." Then Roddenberry himself compounded it during his lectures, interviews, and during the bits recorded on the LP Inside Star Trek. So, I guess it's not a misconception as it was a weird assumption made in a weak script and blown out of context by Roddenberry and fans.
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The whole idea that Vulcans ONLY have sex during Pon Farr was never mentioned in "Amok Time". D.C.Fontana has tried to debunk this myth, saying that the writing staff never intended it this way, but it still persists.
D.C. Fontana said:
Vulcans mate normally any time they want to. However, every seven years you do the ritual, the ceremony, the whole thing. The biological urge. You must, but any other time is any other emotion - humanoid emotion - when you're in love. When you want to, you know, when the urge is there, you do it. This every-seven-years business was taken too literally by too many people who don't stop and understand. We didn't mean it only every seven years. I mean, every seven years would be a little bad, and it would not explain the Vulcans of many different ages which are not seven years apart. [1]


Chekov was created to satisfy arguments from the Soviets that there was no Russian character aboard the Enterprise.

Complete BS. Chekov was created to satisfy the teenage girl quotient who were interested in seeing "heartthrob" Davey Jones of the Monkees. That's why Koenig had to wear a mop-top wig.
I doubt that there were really any arguments from Soviets that GR or the NBC felt compelled to respond to, but there is no doubt that one of the reasons that Chekov was created was to have a Russian character. Sure, they also wanted to have a teenage girl magnet, but why not kill two birds with one stone? I can't see why else he would be called Pavel Chekov, talk with a Russian accent and mention Russia so many times. It's not like Davy Jones was Russian, is it?
 
TOS Myth: Star Trek was an ensemble show.

WRONG. Bill Shatner was the star, Leonard Nimoy and De Kelley were the co-stars. The rest were recurring bit players.
 
TOS Myth: Star Trek was an ensemble show.

WRONG. Bill Shatner was the star, Leonard Nimoy and De Kelley were the co-stars. The rest were recurring bit players.
That's a myth created by the movies, which elevated Scotty, Uhura, Chekov and Sulu to the rank of stars and gave birth to the idea of the "core 7" characters.
 
Chekov was created to satisfy arguments from the Soviets that there was no Russian character aboard the Enterprise.

Complete BS. Chekov was created to satisfy the teenage girl quotient who were interested in seeing "heartthrob" Davey Jones of the Monkees. That's why Koenig had to wear a mop-top wig.
I doubt that there were really any arguments from Soviets that GR or the NBC felt compelled to respond to, but there is no doubt that one of the reasons that Chekov was created was to have a Russian character. Sure, they also wanted to have a teenage girl magnet, but why not kill two birds with one stone? I can't see why else he would be called Pavel Chekov, talk with a Russian accent and mention Russia so many times. It's not like Davy Jones was Russian, is it?

According to Koenig, they had him try several accents, among them a Davy Jonesian English one, before settling on Russian.
 
TOS Myth: Star Trek was an ensemble show.

WRONG. Bill Shatner was the star, Leonard Nimoy and De Kelley were the co-stars. The rest were recurring bit players.

Grace Lee Whitney was also a co-star for the first half of season one in which she appeared! :techman:
Actually, Nimoy was always a star of the show, same as Shatner. Kelley was a co-star in season 1, and a star in seasons 2 and 3. Whitney and everyone else were co-stars - or "featured" actors.

Opening credits for season 1:

STAR TREK created by Gene Roddenberry
--------
William Shatner
--------
Leonard Nimoy as Mr. Spock
Closing credits for The Man Trap:
....
co-starring
Jeanne Ball
---------------------
guest star
Alfred Ryder
-------------
featuring
DeForest Kelley
Grace Lee Whitney
-------
and
George Takei..... Sulu
Nichelle Nichols.... Uhura
Bruce Watson....Green
Michael Zaslow....Darnell
Vince Howard...Crewman
Francine Pyne....Nancy III
Closing credits for The Enemy Within:
featuring
De Forest Kelley
as Dr McCoy

Grace Lee Whitney
as Yeoman Rand
-----
and
George Takei.... as Sulu
James Doohan... as Scott
Edward Madden...as Fisher
Garland Thompson...as Wilson
Jim Goodwin... as Farrell
Closing credits for Charlie X:
...
guest star

Robert Walker
-----------------------
featuring

DeForest Kelley
as Dr. McCoy

Grace Lee Whitney
as Yeoman Rand
------------------

Nichelle Nichols ...as Uhura
Charles J. Stewart... as Captain Ramart
etc.
In season 1, only Shatner and Nimoy were given starring status in the opening credits. Everyone else who was not a guest star was "featuring" (and listed in the closing credits). Kelley and Whitney were given a higher status in the credits than the rest of the supporting cast, but neither were supposed to be the stars.

It was only in season 2 and 3 that Kelley got the starring status.

Season 2 and 3 opening credits:
STAR TREK
created by Gene Roddenberry
------
starring
William Shatner
------
also starring
Leonard Nimoy
as Mr. Spock
------
and
DeForest Kelley
as Dr. McCoy
Amok Time closing credits:

guest star
Celia Lovsky
as T'Pau
-------
also starring
Arlene Martel
as T'Pring
and
Laurence Montaigne
as Stonn
-------
featuring
Majel Barrett....Christine Chapel
George Takei....Sulu
Nichelle Nichols....Uhura
Walter Koenig....Chekov
Byron Morrow.....Admiral Komack

Assignment Earth (the only episode where a guest star was credited right after the opening credits - Robert Lansing as Mr. Seven - closing credits:
co-starring

Terri Garr
as Roberta Lincoln
-------
James Doohan... Scott
George Takei....Sulu
Nichelle Nichols....Uhura
Walter Koenig...Chekov
 
TOS Myth: Star Trek was an ensemble show.

WRONG. Bill Shatner was the star, Leonard Nimoy and De Kelley were the co-stars. The rest were recurring bit players.

Grace Lee Whitney was also a co-star for the first half of season one in which she appeared! :techman:
Actually, Nimoy was always a star of the show, same as Shatner. Kelley was a co-star in season 1, and a star in seasons 2 and 3. Whitney and everyone else were co-stars - or "featured" actors.

My understanding is that the featured actors had contracts. Kirk and Nimoy were contracted to appear in every episode and so had star billing while Kelley and Whitney weren't. In the end, Kelley only missed one episode, while Whitney missed four (prior to being fired half way through the season). The 'bit part actors' were 'day players' who were just hired as an when needed if available. James Doohan was always more than a bit part player but it appears that he didn't have a contract. I think Majel Barrett appeared as a guest star in her first two appearances in the first half of season one. By the second half of season one she was lumped in with the day players.
 
Not quite. DeForest Kelley, James Doohan, Grace Lee Whitney, and George Takei all DID HAVE contracts. IIRC Nichelle Nichols was hired as a day-player, but they hired her a lot (same with Majel Barrett and John Winston). Walter Koenig was on contract starting in the 2nd season. Star Trek was made in the days before all contracted actors appeared in opening credits. The opening credit/closing credit thing is due to the way SAG contracts were in the 60's. The same thing happened with I Dream of Jeannie made around the same time - Bill Daily & Hayden Roarke were both on contract and major characters but they were put in the ending credits. This changed around the late 60's / early 70's timeframe.
 
In the end, Kelley only missed one episode, while Whitney missed four (prior to being fired half way through the season).

Kelley missed three regular episodes in season one: What are Little Girls Made Of?, Errand of Mercy, and The Menagerie, Part II. He's also, of course, in neither of the pilot episodes.
 
The Eugenics Wars probably led directly to World War III, thanks to the power vacuum left by Khan taking off.
To its credit, though. TOS was sometimes intentionally vague about Earth History. They made plenty of misteps talking about what went down in the 1990's but back then that seemed so far into the future.

I suppose you could bust the myth that TOS takes place in the 23rd Century. That was never really nailed down while the series was on the air and not officially "canonized" until TWOK in 1982.
I'm always a bit surprised that they went with the 1990s, only three decades from their present. Given Kahn's age he would have been born in the 1950s. The standard "100 years from the present day" trope would have worked better. And Kirk's line about Khan "sleeping" for 200 years would have fit with the 23rd Century concept.
I think we can also appreciate that back in the day they had little to no inkling that Star Trek would take off in popularity after its cancellation and remain a phenomenon for decades to follow. They more likely thought once the show was done after a few reruns it would be forgotten and any references to the 1990s wouldn't matter.
 
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