Yes. They're trying to have it both ways and they can't.
Yes, they can.
Yes. They're trying to have it both ways and they can't.
(On a related note, it puzzles me how so many writers—including obviously O&K—seem to think the only interesting thing to do with Vulcans is show their emotions bursting out. Perhaps it has to do with the fact that actors like to emote, and relatively few of them are good at playing "stoic"? Or perhaps it's just a little basic human chauvinism...)
Yes. Getting rid of alternate universes/timelines.No but there was a comic miniseries where the DC heros Batman included went back in time did something at the Big Bang and replaced the DC multiverse with just a single universe.
This literally makes no sense.Also I can tell the difference between Dark Knightverse Batman, regular Batman and Kingdom Come Batman and at some point they were all ment to be the same guy (well not Dark Knightverse Batman and Kingdom Come Batman).
Yes. They're trying to have it both ways and they can't.
I think the difference is the pure fact that Paramount had something special that really hadn't been duplicated in TV or any other media: They had a shared universe of six TV series, ten movies and hundreds of tie-in stories. With literally hundreds of different creators playing in the same sandbox. To me I think it was very short sighted that they could not deliver an exciting movie within the existing framework of the franchise.
It was a risky move, granted, but obviously it paid off, creatively and financially.
In the long run, I think we gained more than we lost.
I respect your views Greg and I have enjoyed alot of your work in the past.
So my question is this: Could you have come up with a satisfying, action-packed origin story set in the original continuity? Something along the line of Trek XI, but that worked within the original framework?
Yeah, but there was never an episode of TV Batman were comic book Batman came back in time and altered the timeline to create cartoon Batman.As a kid, I had no trouble understanding that the comic book Batman, the tv Batman, and the cartoon Batman all had their own continuities.
No but there was a comic miniseries where the DC heros Batman included went back in time did something at the Big Bang and replaced the DC multiverse with just a single universe.
Then another comic miniseries that rewrote history so the the guy who killed Batman's parents was never caught.
And then yet another comic miniseries where history was changed again so that the guy who killed Batman's parents was caught.
Also I can tell the difference between Dark Knightverse Batman, regular Batman and Kingdom Come Batman and at some point they were all ment to be the same guy(well not Dark Knightverse Batman and Kingdom Come Batman).
How was I wrong in saying that the original Crisis series attempted to resolve the multiverse issue? What they did after that is irelevant.Except that that the multiverse was restored in the same mini the fixed Batman's history so WRONG!
I don't even know what your point is any more, unless you're trying to tell me that Earth One Superman and Batman are the same person as their present day counterparts. Which is nonsense.Also in case you were not aware their launching Superman Earth One and Batman Earth One soon which are set in another Universe.
You know, right now in the MU, those posters criticizing the movie for not being a clean reboot are criticizing the movie for being a total reboot and Greg Cox is criticizing Batman and every other series that ever dared to allow its characters to be reimagined. Meanwhile, I'm posting exactly what I have here, but with a few more "not"'s.![]()
I don't even know what your point is any more, unless you're trying to tell me that Earth One Superman and Batman are the same person as their present day counterparts. Which is nonsense.
I agree.No. They are Batman/Bruce Wayne and Superman/Clark Kent. And they are recognizably so, not some "other guys".
To say otherwise...is nonsense.
In the nu-verse, you're dating each other.
Personally, I do think of it as an "adaptation" of Star Trek. That doesn't really solve anything, though, because:
A) An adaptation is not the real thing. There have umpty-zillion screen adaptations of Sherlock Holmes — he may be the most-filmed character ever — but the real Holmes is the one who lives in Conan Doyle's stories. Period. Full stop. The real Tarzan is in Burroughs' novels. And the real Star Trek is the version we saw take shape on TV... which was a shared universe, not the work of a single author, but which was a single (relatively) internally consistent fictional construct, nonetheless.
B) It's not a particularly good adaptation. What some see as glaring discrepancies others dismiss as nitpicks, but the fact remains, there are differences from the source material as well as similarities. To my mind, the similarities are superficial, while the differences greatly outweigh them... meaning that this new version doesn't get the benefit of the doubt I would extend to something featuring characters and concepts I could genuinely recognize as the ones I'd come to know.
C) Even setting aside all prior knowledge of the source material (not really possible, but for the sake of argument)... it's not a particularly good film in its own right. The story is weighed down by plot holes and contrivances, the science is idiotic, the dialogue is full of non sequiturs, the characters behave in completely unmotivated ways, and so on.
So when all is said and done, the adaptation simply pales in comparison to the original. IMHO, of course.
Names and jobs, yes: the most superficial characteristics. But they don't actually have the same personalities, or quirks, or looks... not in the film I saw, anyway. The writers instead reduced them to simplified caricatures of the characters we've come to know. Scotty was pure "comic relief." Spock was a foil for Kirk, with little of the internal gravitas that made the character so fascinating. Kirk was virtually unrecognizable, just a stock Hollywood "rebellious young hothead." To me, the only one who was really recognizable as his old self was McCoy... and even there, Urban was burdened with too many "cliché" lines.
Same here. They're like variants or clones or evil twins of the characters I know... similar but not quite right.
I'm not sure quite how much of this to chalk up to my knowledge that it's not the "real" Trekverse, and how much to chalk up to the plain godawful writing. It's a little of both. I'm inclined to think that I could've enjoyed (perhaps even come to love) a really smart, thoughtful, imaginative reboot... but this film didn't give me a chance to test that possibility.
It's a different issue, but I think it's an intertwined one. If the characters and setting were recognizable, it'd be easier to give relate to them and thus give the benefit of the doubt to goofs in the story. (To a certain extent, anyway; ST V was still crap, no matter what.) Conversely, if the filmmakers made lots of changes but the end result was something brilliant, a real improvement over what went before, that would pretty much justify itself as a creative exercise in its own right. This movie, however, had neither set of virtues to recommend it, no strengths on one side to balance weaknesses on the other.
Very succinctly summed up. Really, the only things marking it as Star Trek at all (besides the title) were a handful of character and ship names, a (very) few design elements, and a smattering of words like Starfleet and Vulcan. IOW, the most superficial elements that "brand" the "franchise." The actual substance was something different and far less satisfying.
Kind of like New Coke. Remember that?
That's one more good example. Thank you.
(On a related note, it puzzles me how so many writers—including obviously O&K—seem to think the only interesting thing to do with Vulcans is show their emotions bursting out. Perhaps it has to do with the fact that actors like to emote, and relatively few of them are good at playing "stoic"? Or perhaps it's just a little basic human chauvinism...)
Excactly. NuSpock wasn't even close to Original Spock as far as his personality and emotions. Sure, Spock smiled in "The Cage". And he also had a smattering of emotion in "WNMHGB". But he was still Vulcan. And he still had control over his emotions. It was disheartening to watch NuSpock lose control of his emotions so often. As a child, it was somewhat understandable. But as an adult, not so much. They could have done much better.
Yes. They're trying to have it both ways and they can't.
Yes, they can.
It's just a TV show and some movies, folks.
Yes. They're trying to have it both ways and they can't.
They can.
They did.
They win.![]()
Excactly. NuSpock wasn't even close to Original Spock as far as his personality and emotions. Sure, Spock smiled in "The Cage". And he also had a smattering of emotion in "WNMHGB". But he was still Vulcan. And he still had control over his emotions. It was disheartening to watch NuSpock lose control of his emotions so often. As a child, it was somewhat understandable. But as an adult, not so much. They could have done much better.
Did young TOS Spock watch his mother and planet die in front of him?
In comic books, let's say Batman for example, if they had kept the continuity consistent, Batman would have grown old and died years ago. Inorder to keep things fresh and keep the heroes in their prime, the comic book universe has to be "reset". It couldn't work any other way. .
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