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A Hater Revisits nuWho

Regarding Reinette's affection for the Doctor: I wasn't at all surprised by it. The young woman likely entered puberty shortly after her first few glimpses of the dashing slayer of monsters, and probably entertained fantasies about him for quite some time. When he showed up again years later, she didn't hesitate to indulge her appetites knowing full well he'd likely disappear again for a long time.

As to Miss Myles' acting, it strikes me all the French aristocracy were portrayed this way: A bit stiff and proper. Honestly, I never saw anything wrong with her performance, especially given the many bad performances I've seen on other BBC productions over the years, she can hardly be seen as exceptionally poor.

And about that screwdriver, don't forget: sufficiently advanced technology!

C'mon, Bones, bump this one up a star!
 
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The sonic screwdriver lighting a candle isn't really a big deal. If anything, that's one of the more trivial uses. Sound = vibration = heat.
 
BTW, the Fourth Doctor attempted telepathy with Erato in The Creature from the Pit, and Susan communicated telepathically with the Sensorites.
 
Regarding Reinette's affection for the Doctor: I wasn't at all surprised by it. The young woman likely entered puberty shortly after her first few glimpses of the dashing slayer of monsters, and probably entertained fantasies about him for quite some time. When he showed up again years later, she didn't hesitate to indulge her appetites knowing full well he'd likely disappear again for a long time.

As to Miss Myles' acting, it strikes me all the French aristocracy were portrayed this way: A bit stiff and proper. Honestly, I never saw anything wrong with her performance, especially given the many bad performances I've seen on other BBC productions over the years, she can hardly be seen as exceptionally poor.
On the one hand stiff and proper, but on the other hand kissing him like dinner? Maybe it works for you, but it doesn't for me.
C'mon, Bones, bump this one up a star!
It was nealy a three, but the more I thought about it, the more I felt I just couldn't recommend it. For me it's somewhere between Tooth and Claw and Father's Day.
The sonic screwdriver lighting a candle isn't really a big deal. If anything, that's one of the more trivial uses. Sound = vibration = heat.
Perhaps it's not the biggest stupidity it's been put to, but it is new, so it goes on the list.
BTW, the Fourth Doctor attempted telepathy with Erato in The Creature from the Pit, and Susan communicated telepathically with the Sensorites.
Ok. Still...a bloody mind meld though :(
 
For once, I have to agree with suggestions that you're being too hard on this episode, Bones. I am generally in your camp when it comes to a lot of the silliness of modern Doctor Who. But, I found GitF to be one of the most moving, fun, smart episodes written for the series. It genuinely touched the romantic in me, and that is hard to do. It showed that Doctor Who is so much more than a standard scifi show bereft of clever emotions and broad ideas. I believe your instinctual dislike of any romantic notions concerning The Doctor has colored your objectivity. And, Sophia Miles rocked. Sorry.

It's your opinion, and I'm not trying to change it. Just disagreeing for once. I give this one, by your scale, at least 4 stars.

I'm with you on how awesome Mickey's shirt was, though. Proper. :techman:
 
We're complaining about a mind meld... on a Trek board?!

That's it, turn in your Starfleet badge :)
 
BTW, the Fourth Doctor attempted telepathy with Erato in The Creature from the Pit, and Susan communicated telepathically with the Sensorites.
Ah! Thank you, I knew there were more examples.

BTW, the Fourth Doctor attempted telepathy with Erato in The Creature from the Pit, and Susan communicated telepathically with the Sensorites.
Ok. Still...a bloody mind meld though :(
That's essentially what The Fourth Doctor does in The creature from the Pit.
 
Who said Star Trek gets the monopoly on mind melds?

Besides, Star Trek never used mind melds in such a romantic way. Usually it was just a mind meld with a sentient alien pizza or a whale or something. ;)
 
On the one hand stiff and proper, but on the other hand kissing him like dinner? Maybe it works for you, but it doesn't for me.

Given that she lived in the heart of the most regulated and traditional Royal court in the world yet entirely owed her place there to being the King's mistress I'd say the two sides of her make perfect sense.
 
Look at this, another review within a week. Progress.



Rise of the Cybermen (***)

Ah, Rise of the Cybermen. That's a nice title. Back in the old days, almost every serial used to be called "Action/Condition of the Enemy" or "The Noun of Noun". Or the like. So it's good to see that back. Even better, it's got my favourite Doctor Who villains, the Cybermen. So, this is some sort of origin story then? For my beloved Cybermen? On Mondas, right? Right? Let's get started.

So, we open in a lab, and Trigger from Only Fools is in there being introduced to a new invention type thing, with a brain and a metal body. This is one of those good scenes that gives us a lot of information in a short space of time. On the downside though, it ends with one of those hackneyed exchanges along the lines of:
Villain: "And now you will have to die."
Poor Sod: "I'm sorry, I don't follow."
*Villain brings about death of Poor Sod*
In this case, Professor Poor Sod is killed by having the as yet unnamed robotman putting its arm on him, and electocuting him through it. There's an ability you wouldn't want to be used by accident. Don't shake hands with one, just in case. All the more terrifyingly, Trigger (or Lumic as he's actually called) is about to "set sail" for Great Britain.

And it occurs to me now that I've never reviewed the title sequence. Well it's good, I like it. The Tardis buzzing around that vortex and time stopping briefly so we get a close look. Can't say I'm quite so fond of the theme. I'm not Murray Gold's biggest fan (though I don't dislike his work either, rather I think he just needs reining in in places), but I do like the busy orchestralness. For me, the problem is I think the sampling of the original theme is too low in the mix, making it less recognisable as a theme. But that's just me.

So, here we are in the Tardis. The Doctor and Rose are joking about old times and ignoring Mickey. Poor Mickey. Then the Tardis starts blowing up, some safety masks fall from the ceiling like on an aeroplane (could have done without that), and apparently the Tardis just died. While the Doctor goes on about how they're now trapped in some lost dimension, Mickey (trying to earn back his nickname of "the idiot") just goes and opens the door. Luckily enough for him (and us, considering I'd rather not have a whole episode of the Doctor and Rose laughing together like a pair of hyenas while Mickey looks miserable), it's London outside. Also helpfully, there's a clean copy of that day's paper sitting right at the top of a bin. It's the 1st of February that year. Only there are loads of dirigibles in the sky. Meaning they're in that old sci-fi chestnut, a parallel universe. No Mondas then. So no proper Cybermen. Meaning I won't have the same goodwill towards this episode as I did towards Dalek, because they're only Cybermen in name. Doesn't mean it can't be good though.

Also conveniently (beating even that clean newpaper at the top of a clean bin), there's a poster right in front of them with Rose's dad Pete on it. Which is the last thing I want. Rose's daddy issues were dealt with in Father's Day (which was admittedly decent), but I'm not especially interested in another 2 parter of them. After all, this is Rose of series 2. In series 1, despite being about as bright as rubber, she was still a reasonably likeable character. In series 2 however, she's actually become quite unlikeable. Bitching at Sarah Jane, treating Mickey like she clearly doesn't want him around, all this bloody near-romance with the Doctor. I've gone from indifference to actively disliking her. This may seem beside the point, but when there's a character I don't like dealing with issues I've already had my fill of, it'll likely affect the episode adversely for me.

But anyway, here's another thing: this poster. It's Pete selling some healthy drink. But here's the thing: how many people who run their own companies actually appear on their posters? I mean, he's by no means an ugly man, but if you have someone on a picture for such a product at all, it's usually a young and pretty person. Or else you just have a sexy pic of the product itself with some slogan. Of course, we could write it off as this being the way things are advertised on this parallel world and you get Bill Gates and whoever runs Coca-Cola (assuming it's not actually owned by Santa) on posters as well, but it's still a plot convenient parallel world if this is the case. You'd soon grow tired of posters that talk at you whenever you stand near them as well. Especially if you ever have to wait at a bus stop, the last thing you want is Alan Sugar's face expanded to three feet and telling you his latest Amstrad is "bloody good, and I'm no bullshitter". Anyway the Doctor, despite fancying her, tells Rose how he's not properly her dad, and to leave it. Which I'm sure she will. She's no idiot. And this is really Mondas.

Next scene, and a shiny car's pulling up to a big house, the number plateof which reads "PETE 1". Wonder who this could be. Sure enough, out comes Pete with a fairly unimpressive bunch of flowers, and he goes in and meets Jackie. It's her birthday so there's a party being arranged for that night. And they've got a dog called Rose. Ha ha. Also, everyone's got silly silver globes in their ears. Which, of course, is much more convenient than having to lift a mobile phone to the side of your head. Lumic then phones Pete, and tells him his plans have advanced. He's meeting the President of Great Britain. See, it's a parallel world, so we have a President. Pete has to come to the meeting, even though it's Jackie's birthday. Though frankly, if I were married to her, I'd try and be at as many meetings as possible. After their friendly chat, Lumic overrides Jackie's ear pods and gets the security arrangements for her party. Out of her brain, I presume. See, people would have to be bloody stupid to have machinery linked into their brains all the time. Unless this is a special feature of Jackie's ear pod, which she did say Lumic gave her as a present. I suppose we'll find out. Also, while Lumic was getting this data, the ear pods made a sort of Cyberman-like head tube thing. Which may be a bit obvious, but I like it all the same. Then Lumic contacts one of his henchmen, saying he needs more staff, and to go on a recruitment drive. Sinister.

Back with the lead characters, Rose wanders off outside, and Mickey joins the Doctor in the dark and dead Tardis. The Doctor proceeds to act slightly unpleasantly towards him. And what I said earlier about Rose in this series seems to apply to the Doctor a bit as well. In New Earth and The Girl in the Fireplace he wasn't especially likeable, which is the last thing you want from the Doctor. Still, at least it's not as bad as Eccleston going on about "blundering apes", all the while looking like he belongs in a bookies rather than travelling through time and space (which, to digress even further, may explain why most stories that series happened on Earth). Rose has gone to sit on a bench, and then her phone rings. Apparently, in this world the news phones you. The Doctor's got his nice personality in again, and explains to Mickey why the Tardis is dead. The Tardis draws its energy from the universe (whatever happened to Zeiton-7?), and because they're in the wrong universe, it's the wrong kind of energy. Let's pretend that makes sense. When the Time Lords were around, hopping between universes wasn't much trouble, but now it should be impossible. So how they are there is a mystery. Then the Doctor notices there's a little light still on in the Tardis. Which means they've got a little power after all. If nothing else, they should be able to boil the Tardis kettle.

Meanwhile, Mr Crane (Lumic's aforementioned henchman) has gone to invite some poor homeless into his lorry with the promise of lots of free food. Everyone goes in, except for that one off Byker Grove who's not Ant or Dec, and he films the gullible homeless being driven off.

Next we see, the Doctor has pulled the working power cell out, but can't charge it from that universe because it's the wrong sort of energy (erm, alright). So he breathes on it instead. I suppose there's a precedent for the Doctor being full of energy (The Christmas Invasion), but I was under the impression that was only due to his recent regeneration. Instead now, it turns out Time Lords are always full of incredible energy. Well, why not. He did a mind meld in the last episode, so let's just add this to the list of things the Doctor can be that help the plot. He also says this cost him 10 years of his life. Whether this means he should have visibly aged was something I was going to criticise, but after thinking about it, then if we go by what I think - that the Doctor lies about his age these days and was actually 900 in his sixth incarnation as was stated in Revelation of the Daleks - and considering he almost always doesn't regenerate when truly old, then perhaps a single standard Time Lord regeneration actually lasts for 200-300 years before old age necessitates a new regeneration, so 10 years off that wouldn't be a very noticeable difference after all. I know it's largely irrelevant in the scheme of this episode, but I don't see much harm in discussing other aspects of Doctor Who as they come up. So this power cell's now on a recharge cycle, and after 24 hours plugging it into the Tardis will make it work again. Of course, that doesn't make sense much sense at all and just gives the reason for them hanging around (leaving it plugged into the Tardis to charge the whole thing would at least make slightly more sense), but if I look into the details of every sentence like this, I'll be 900 before I'm done.

Now that her phone's logged in to that world's internet equivalent, Rose looks up Pete Tyler. Mickey and the Doctor come and tell her everything's been solved and they can leave in 24 hours, so she says she's found Pete's address and is going to go and see him. Which of course is stupid. Mickey then insists on going off on his own, telling the Doctor he knows he'll follow after Rose rather than him. Which I find quite effective, because (as you may expect of someone who writes long reviews of Doctor Who that nitpick every point) I've known before how it feels to be left out. It's quite a well acted and directed scene in all, the way the Doctor looks back and forth knowing that he obviously will go to Rose, and only calling to Mickey to meet him back there in 24 hours.

We briefly see Lumic's blimp comes in to land now, and the President of Great Britain (Don Warrington! No wonder everything's shiny and nice) and Pete come to meet him. They briefly discuss whether he's insane.

As Mickey wanders around, he walks past some soldiers at some kind of checkpoint (though they just let him past, so who knows what the point of that is), and he finds out there's a 10pm curfew. Maybe this parallel world isn't as nice as all that then. Meanwhile Rose and the Doctor are talking about him. How he was raised by his gran who died 5 years earlier, and the implication that they're a little harsh on him. Then everyone in the street apart from them stops still. They're getting lots of news through the the earpods, meaning they have to stop dead still apparently. Better not leave them in while driving then (which Pete did earlier). Mickey goes to see his gran, who is still alive and is blind, and apparently he's called Ricky in this world. Haha, remember how the Ninth Doctor used to call him Ricky, which was really funny? Haha, and sure enough... But it's quite sweet the way he talks with his gran. Only then a van pulls him off the street, and him off Byker Grove and an oldish woman talk at him like he's Ricky. They seem to be investigating the disappearing homeless and Cybus Industries (Lumic's company, which also runs the ear pods and downloads), and Mickey plays along at being Ricky. Less trouble that way, so he must hope.

Next, we see Lumic telling the President and Pete about his plans to build his robot men with people brains. The President's having none of it though. After he and Pete leave, Lumic gets on the line to Mr Crane. There's some dialogue that could have used some tweaking ("It's irresistible", "Then resist!"?), as he demonstrates how flashing ear pods turn the homeless people into people who'll take orders to turn right and left like an identity parade. Lumic then orders the upgrade, despite not having permission. He's dying y'see and he doesn't want to, so he's building metal bodies for brains to carry on in. Then there's quite a bleak scene as the screams and shouts of people being cut up have "The Lion Sleeps Tonight" played over it. It's quite a good scene actually, as we see shots of empty factory, and a clip of the cutting-up machinery. Quite effective. It zooms out to show Battersea Power Station at night, with zeppelins flying around it.

Following this, Team Ricky (as I'll call them until we get a better name) get out of their van, and go into some room where the real Ricky is. Rather than do a Star Trek VI style "not me you idiot, him!", Mickey just does his best worried face as they point their guns at him.

Then we get to the Doctor and Rose. They sneak into Jackie's party, using the psychic paper to pose as waiters. So during this time, the Doctor apparently decided it was a good idea after all for Rose to see the parallel world version of her parents. See, that doesn't hold up for me. It's obvious to anyone that it's a stupid idea, and yet there they are. For a start, they don't know that they don't have their own Rose, so imagine the trouble that could cause. Obviously that's not something the writer thought of (or else didn't think we'd notice), so we'll have to write it off as being because the Doctor fancies her. During this time, when the Doctor mentions he was talking to another waitress who pointed out that Don Warrington was the President, Rose immediately and irritatingly plays the jealous lover, and calls her thick. Which is beyond the pot calling the kettle black; it's the pot calling the kettle a pot.

Back down Cybus way, we get our clearest view yet of these new Cybermen. Not completely clear though. Lumic calls Mr Crane and tells him to prepare the factory and let the good work begin. And Team Ricky (or the Preachers as they call themselves) have Mickey tied to a chair and stripped down to his boxer shorts. After questioning who he is, they explain their plan to him to bring down Lumic. Though why they'd explain that to someone they suspect may be one of Lumic's agents is anyone's guess. Well, obviously it's for the audience's benefit really. They hear that Lumic's on the move, so they get in the mystery machine and follow.

At the party, the Doctor snoops around on an open, switched on, and unlocked laptop in an unlocked room, and Rose ends up talking to Pete. Probably wasn't a good idea to leave her alone. For some reason, Pete ends up telling her (to him, just a waitress) that him and Jackie are having marital problems and he's moved out. Then he wanders off to ask someone about Torchwood. Probably wants an acting gig on it. At the same time, the Preachers (I prefer Team Ricky) have followed to the house and see the Cybermen stomp out of the truck. As the Doctor watches the Lumic presentation on the laptop (though why it's on there, on the conveniently open and logged in laptop is anyone's guess), and Rose goes off to talk to Jackie. Jackie doesn't take the marital advice well. The Doctor now realises from the computer presentation that these are Cybermen goings on, and then they march up to the house and break the windows. The Doctor manages to explain what this version of Cybermen are to Rose, so we'll have to presume that he got the details from the computer just then, if we're to maintain continuity (because the origin of the real Cybermen is quite different). Of course, all this information being on this handy computer is problematic in itself, but we'll have to go with it.

So we see the Cybermen properly now. And they're really not a patch on the old ones. The proper ones were scary because they were quite close to being human. They had the human build, they had a sad humanish face, but they were also evil yet clever about it. This lot may as well be robots, the way they clunk around. There's no depth or menace about them, and nor do they seem intelligent as did the old ones. And not only do they talk with a silly computer voice, but "delete" is an awful catchphrase. And this isn't about me being resistant to any redesign of classic villains. I thought the updated Dalek was fantastic (even though they look a little ostentatious all being gold; I saw a gunmetal grey version of the redesigned Dalek once, and it looked even better).

A Cyberman says that everyone will get a free upgrade. When the President asks what happens if he refuses (after giving what I think is the first use of "I'm so, I'm so sorry " in the series, probably giving the Doctor the idea for his catchphrase), he gets the arm-shock treatment as shown in the teaser. So as people mill around screaming, the Cybermen start arm-electrocuting random people. But because they're heavy clunkers, they're not too quick about it.

The Doctor and Rose escape out of the window, only to see more Cybermen marching down the hill towards the house. Though there's only about 10 coming towards them in formation, and it would be quite easy to escape to the side. I'm guessing the budget wouldn't stretch to more costumes, allowing more Cybermen to really close in and make it look like there's no escape, but spacing them further apart could have conceivably improved the effect. I suppose we can assume there are meant to be more just off screen, but it looks a bit silly to have the Doctor and Rose run back to the house when it would seem easy enough to run to the side. Pete also makes it out of the window, so him, the Doctor, and Rose run around the building. There's another direction slip-up (of sorts), when the Doctor and Pete keep running further than they should near to some oncoming Cybermen, because though they're offscreen until the point they stop, they would logically have seen them sooner. As they run away, the Preachers run up and try firing at the Cybermen. Of course, this doesn't work because they're not using glitterguns. As they're all eventually closed in on, one of the surrounding Cybermen refuses the Doctor's surrender, and says "maximum deletion, delete, delete, delete!" like a bloody metal idiot. And there's our cliffhanger ending.

So, a good but not great episode in my view. There are more silly things in this episode than I'd like (the Doctor happily going along with Rose to see her parallel world parents, the handy open laptop, the Tardis power cell nonsense, the handy coincidence of the whole thing), and I've made my views clear on the whole Cyberman issue, but this is still worth the watch. It's got an impressive scope, and the bits involving Mickey (a character I like) gave him the spotlight I think he deserves, and added depth to the character. And what's more, I didn't notice any silly screwdriver at all. Of course, it's only really half of the story. It's the second part that'll really decide.
 
It frustrates me because there are a few good elements and has great potential, but this is tempered by the crap bits.

A great opportunity was squandered. This could have been The Genesis of the Daleks for the cybermen, but instead we get all this parallel Earth Cybus nonsense.
 
Indeed. "Rise of the Cybermen"/"The Age of Steel" was inspired by Big Finish's Spare Parts, which IS Genesis of the Daleks for the Cybermen, but the two-parter didn't capture the spirit or the tone of the audio play.
 
Yeah, Marc Platt's thanked in the credits as well. I've not heard Spare Parts, but I've heard it's very good and possibly the best BF audio, so I'd have considered getting him to write the two-parter. Same as with Rob Shearman and Jubilee/Dalek. I think wasted opportunity is exactly right.
 
Who said Star Trek gets the monopoly on mind melds?

Besides, Star Trek never used mind melds in such a romantic way. Usually it was just a mind meld with a sentient alien pizza or a whale or something. ;)


[Homer] ....mmmmm.... whale pizza.... *drools*[/Homer]
 
Ouch, I can't believe it's been as long as two and a half weeks. I need to get my act together with this. Though really, I made the notes for this next episode nearly a week ago, but couldn't bring myself to get it together. It's not that the episode is completely awful, but it's certainly not great either. There's just something unappealing about reviewing it. Despite not being the worst the show has had to offer up to this point, it just feels like a low ebb. Perhaps it's the complete bastardisation of the old show to the new show's ends. Or maybe it's just because it's a fairly poor episode after all. Either way, it's a longer review than usual, which I hope makes up for the long wait for you Bones review fans (I like to believe you exist). So, without further ado...



The Age of Steel (**)

So, we open to a recap from last time. Which, considering the space between these reviews recently, can only be helpful. And it ended with the Doctor, Rose, Team Ricky, and Pete all about to be deleted. However will they get out of this one?

I also recall (just about, it has been a while) that I reviewed the titles last time, but I didn't really mention the Doctor Who logo we had for all those years. To be honest, I'm not too fond of it. It's not an easy thing to put my finger on, but something about it doesn't sit right with me. Looks a bit too comic strip to my eye. Why bother mentioning such a minor thing? Well, I forgot to during the review of the titles last time. Yeah, I'll just move on.

So, the Doctor pulls out that Tardis power cell from his inside pocket, and it fires at all the Cybermen surrounding them and makes them disintegrate. Good to see he kept it with him when he switched clothes. Come to think of it, where did he get those clothes? I guess they were provided when he psychic papered his and Rose's way into the kitchen staff. Which perhaps doesn't make a great deal of sense. I mean, they keep tuxes and stuff lying around for the staff when they turn up, and more than they need at that (considering the Doctor and Rose would have been additional)? And where are his proper clothes? It's not really important I suppose. But this Tardis power cell, that's not so easily overlooked. In this case, it's been exactly what the plot needed it to be. As I said last time, it doesn't make a whole lot of sense the way this charging works, but leaving it in the Tardis to charge the whole thing would make it more feasible. Instead, being charged somehow means that it'll fire its energy at several Cybermen when you pull it out of your pocket. Its not a weapon of course, so how it knows to target them or indeed fire at all is a mystery. It's like pulling a AA Duracell out of your pocket and it somehow turning into a taser that recognises anyone nearby who wishes you harm and immediately fires directly at them. You could argue that it targets the Cybermen because they're metal (for all the sense that makes), but then we'll have to assume no one was wearing a belt or anything.

So what's-her-name out of the Preachers (may have to resort to calling her Annie Lennox) pulls up in the van and picks them up. Some more Cybermen are marching towards them, but they're not much of a threat. They'll have to wait for the redesign with the gun in their foreheads before they can deal with anyone who can move away from them quicker than 5 miles per hour. We also see Jackie in the house's basement, hiding from some Cybermen. Having her be the only one who makes it to a place in the house where she can hide from the Cybermen may seem convenient, but we'll see how it plays out.

So, almost everyone important's chatting in the van. Pete's not popular with the Preachers. He's been doing things for Lumic, but after some more talk it turns out he's not a traitor, and the Preachers aren't really all that known to the authorities. The Doctor also uses the sonic screwdriver to disable some earpods in case Lumic's listening through them. So that's going on the list, ruining any hope for a two-parter without the screwdriver.

There's then some dialogue so incredibly poor from a Cyberman when Lumic asks what they think about that it's a good thing they quickly cut to the next bit. Lumic uses the earpods to get everyone to start walking somewhere or other. Including Jackie, so at least we don't have to suffer a plot of her cunningly hiding or anything like that. The Doctor points out how silly human beings are for walking around with things in their ears that can control their brains at any time. And he's right, it is silly. So silly that it wouldn't happen. I mean, pretty much everyone having a very unstylish device that links directly into their brains and can ultimately control them? Someone would have done a study or something. And Nokia would have made a more stylish rival. I know, parallel world, but still.

So there's a brief but welcome reference to the proper Cybermen (and I'd much rather be watching them), and the extended Team Ricky make plans and split up. There's even more weak dialogue as Noel Clarke acts opposite himself with a fawning Mickey happy to be told by Ricky that if he hangs around with the Doctor and Rose (who Ricky's known for even less time, perhaps an hour at most in fact) then he must be alright. As if this wasn't bad enough, when some Cybermen march towards them, Mickey says "Cybermen!". I mean, bloody hell. They split, we see a bit more of these Cybermen marching around, and we see that they have even less claim to being superior to humans when they have to physically stop and turn to do a corner. I mean, bloody hell. So the Doctor, Rose, Pete, Byker Grove Boy, and Annie Lennox are hiding behind some bins and there's a clichéd attempt at tension when some Cybermen stop right near them. This is relieved when the Doctor points his screwdriver at them, we hear a beep, and they march off. What was that (/I mean, bloody hell)? You may criticise the old ones for their gold allergy, but these just got Jedi mind tricked by the screwdriver. And it's here that I'm reminded again that these Cybermen may as well just be robots. There's nothing about them that makes them anything more, apart from the fact we're told they have human brains inside. They all act the same, like witless grey prats waiting for orders and programmed to march in formation.

But anyway, to a better scene as we see some people marching into a factory where, presumably, they'll get Cyberised, and there's an announcement over the tannoy that reject stock will be incinerated. Though if the Cybermen are all of one mind as one of the bloody metal idiots said earlier, then why are they announcing it like that? Well, whatever, it's suitably bleak. Then Ricky gets killed. Some Cybermen catch up to him as he fails to climb a fence in time. That's handy: none of the problems of having to have two Noel Clarkes in shot for the rest of the episode. And here it occurs to me that nothing really feels at stake here. I mean, it's not even taking place in our universe. Even if the Cybermen do take over this planet, never mind. So long as the Doctor gets the Tardis out of there, there's no way the Cybermen are going to get over to our's. Right? So what's the point, really? To introduce an inferior form of Cybermen and tell an origin story for them that's not as good as the one which the old ones used to have? Maybe it'll still be worth it, but at this point it's difficult to care much.

Over at Lumic-central (for want of the effort of making up a better term), Mr Crane (Lumic's henchman) is telling Lumic that he's volunteering for the upgrade. Then he attempts to kill Lumic by pulling out his wheelchair tubes and stuff, until a Cyberman kills him quickly. If he really thought this was a bad idea, he should have tried something a lot sooner. And if he only just came around to the idea that this Cyberman business isn't quite all that, then he could have done with a better plan (like, a gun or something). It's not as if Lumic wouldn't keep himself guarded. And I wouldn't have thought killing Lumic would achieve much at this point anyway. In a way though, Crane's attempt nearly worked, because having some tubes pulled got Lumic a bit wheezy, so he's going to be forced into an upgrade by his well-meaning Cyberpals.

Mickey catches up to everyone else now (why did they split up?) and after finding out Ricky is dead, Jake (him off Byker Grove) calls Mickey a nothing. Poor Mickey. So they all go to the top of a convenient hill and have a look at Battersea Power Station. That's where it's all going down. Then they make plans. Pete and Rose are going to go through the front door wearing fake earpods, the Doctor (yeah, he's still in it) and Annie Lennox are going to go through the convenient underground cooling tunnels, and Jake and Mickey are going to take out the transmitter for the earpod signal, which is on Lumic's zeppelin. The Doctor having determined the transmitter's location by pointing the screwdriver in its general direction. It's like they're trying to make up for the previous episode's screwdriver lack (though lack sounds negative, perhaps "good behaviour" would be more appropriate); that's 3 silly uses in 15 minutes.


Continued below...
 
(The Age of Steel review, part II)


Getting down into the tunnels, the Doctor mentions he'd like a hot dog. Definitely not a vegetarian any more then. There's a jump moment anyone could see coming when he shines the torch ahead and there's a row of Cybermen leading down the tunnel. The Doctor immediately realises they've already been converted and have been put on ice. How does he know that from 1 second of looking at them? Also, why would new Cybermen be "put on ice"? You'd have thought that if you were taking over the country, the more on hand the better. We also see Pete and Rose do their serious faces as they join the queue to get upgraded, and Jake and Mickey go over a wall to get the the zeppelin. So how did they get up there? We saw earlier that it's right at the top of the building on the roof, so I suppose the writer was hoping no one would wonder how they got up there, but it makes no sense. With all the trouble the other two teams are going to to get inside, it's absolutely stupid to just show them at the top of the building with no explanation of how they got up there. They knock out the two guards with a strong equivalent of smelling salts (I'm guessing these guards have earpods that especially didn't make them do the deathwalk then), and go up the ladder to the airship. Though if they've got Cybermen to spare having a nap down in the tunnels, you'd have thought they'd have posted some to guard the transmitter. They're not much good at chasing things or turning corners, but they'd seem to be built for standing guard. I suppose the writer wouldn't have been able to work out a way to get Jake and Mickey past two Cybermen.

So the Doctor and Mrs Moore (Annie Lennox) are wandering along the creepy tunnel of Cybermen and having a nice old chat. She used to work for Cybus Industries until she found something she shouldn't, and Mrs Moore isn't her real name (just as I start calling her it...). As they're walking along, they trip a switch or something, and the Cybermen very slowly come alive. Not all at the same time mind, but rather in the order of the ones they've just gone past. So if the one at the end had come around at the same time as the first one (which would logically happen), the Doctor and Eurythmics would have been doomed. They manage to get to the end and up the ladder just in time, and a quick pointing by the sonic screwdriver seals the otherwise completely loose hatch down. I know I always make a lot of the screwdriver use, but this one looked particularly silly to me. They just manage to get the hatch down, and then one second of screwdriver pointing at it means it's sealed. Considering the strength you'd assume one of these Cybermen has, it'd have to be a really powerful welding to mean they can't get through.

Next we cut back to Pete and Rose who are further along in the line, and they drop the act dangerously close to a Cyberman. There's some interesting CGI of the cutting tools that get the brains out and a wider view of the factory. Again, it's suitably bleak and leaves just enough to the imagination. Then the Cyberman with Jackie's brain in it (can't imagine that's going to make Cyberleader any time soon) recognises Pete and says hello and how it has his wife's brain. This handy coincidence means Pete and Rose drop the act and get captured. Because he's been rather useful to Cybus before now, Pete and Rose get escorted to Cyber Control, rather than just killed. Why Rose is taken along as well is anyone's guess. The writer probably couldn't think of an actual reason for her not to get killed there and then. Up in the blimp, it seems there are no further guards, just an empty Cyberman. Causing Jake to exclaim "Cyberman!". Yeah, good one. Really, who'd say that? Obviously it's a kids' show so he can't give the probable response of "Fuck!" or some other single syllable profanity, but still. And why there'd be an empty, pointless Cyberman suit there of all places is anyone's guess, beyond an excuse for another lame jump moment.

Meanwhile, the Doctor and Mrs Moore get apprehended by a Cyberman (handy this is one of the rare times when one walks around alone), and she knocks it out by throwing an "electro-magnetic bomb" at it. Useful. Does every woman have one in her handbag? There's some bad continuity when the way the Cyberman falls down doesn't appear to go with the way it ends up lying on its back, but it needs to be that way up so the Doctor can have a poke around. He does this by screwdriving the logo at the front off, and helpfully the emotional inhibitor is right underneath it (rather than in a logical place like near the head). Somewhere in this caper, the inhibitor got disabled, so after having waited for the Doctor to stop talking, there's an attempt at tragedy when the Cyberman starts talking about how cold it feels. Of course, cold's a sensory stimulus rather than an emotion, but by now it's clear the dialogue was written by a twit. Anyway, this Cyberman doesn't have just any old sob story, it's a woman who was about to get married. Gets you right in your heart of steel. We get the first use of the now well-worn "I'm so sorry" by Tennant, and then the Doctor euthanises her. With the screwdriver, of course. Hang on, isn't that a bit of a murder? So she probably won't be best pleased that she's a metal body now, but still, shouldn't it be up to her whether she wants to die altogether? And does that mean she suddenly has no memory of everything between the emotions going and coming back? Shouldn't she say "Ah! My feelings are back. Bloody hell, what a miserable old life.". Indeed, would this loss of emotion really turn people into mindless robots like this? This is actually stupidity to rival most RTD-penned scripts. Also, I'm still not really sure of Lumic's motives in all this. If it's so people can live forever, then fair enough, but why stop emotions? Maybe it's because he's just a stereotypical, one-dimensional madman villain.

The Doctor then works out the solution to the episode: if they can get the cancellation code to the emotional inhibitors and feed it throughout the system, then all the Cybermen would die of sadness. Well hang on. As convenient as that is, why would the emotional inhibitors have a cancellation code? And even if they did, why would it be the same for each one? And feed it throughout the system? So just hearing the code would make all the Cybermen die of misery? It's not quite a deus ex machina in the way that the Time Vortex in The Parting of the Ways was, but it's still not great. Anyway, Mrs Moore then gets armshocked from behind (as it were) by a surprise Cyberman (one who must have the even more recent upgrade of not clunking loudly when he walks) and killed, and the Cyberman tells the Doctor how they've detected his binary vascular system, which is interesting to them, so they lead him away. Of course, they needn't have told him why they're taking him away instead of just killing him, but that's so the audience knows. How they detected his heart situation I'm not sure (the greyberk in question said "sensors"), but the ones who were about to kill him at the end of the previous episode clearly didn't notice or didn't care.

Over on the blimp, the transmitter controls are sealed. So they attempt the next best plan: crash the blimp. Of course, if the transmitter really is that well-protected, there's no guarantee this would disable it either, but I suppose it's worth a shot. So Mickey uses that amazing computer knowledge he has sometimes to try and set the controls to autopilot the blimp into a crash, and doing this sets off a little blinking light near the empty Cyberman, as was seen when they came alive in the cooling tunnel earlier. Over at Cyber Control, the Doctor's back with Rose and Pete. Again, there is absolutely no reason why the Cybermen would have kept Rose alive. Unless they fancy her too of course. Then we're introduced to the Lumic Cyberman, who has been designated Cybercontroller. They say he's superior, but I'm not sure why. If anything, he's inferior, because he still needs to sit down. Beyond that, he just has lights in his eyes and you can see brain through his head casing. On the blimp, the empty Cyberman comes alive for an unknown reason. Well, the reason is because Mickey tripped the alarm, but from everything else we've heard, it's not really a Cyberman until it has a brain in. And if they're designed with having a human brain in mind (no pun intended), then why would this one be able to come alive? He comes after Mickey, and Mickey tricks him into punching right into the transmitter. Which disables it and electrocutes the Cyberman. Fairly clever (indeed, the cleverest thing in the whole episode I think), but then the only reason for there to be a mindless robot Cyberman up there is because the plot needs it. So all the marching people realise what's going on and they run away. Lumic then tells how he's got Cyberfactories on seven continents, and that they'll just take the world by force. As he's explaining how he'll bring peace and unity to the world, Mickey decides to put the Cybercontrol (may as well alloneword it) CCTV up on the blimp TV. For a laugh, I guess. I mean, he's destroyed the transmitter, so the logical thing to do would be to try and escape before some Cybermen realise they're up on the blimp, but the plot doesn't need him being logical. Then the Doctor prances around in a way that none of the other nine would, while giving a speech about how emotions are alright really. Even the ones that hurt. At least this scene does shed light on Lumic's motives a little better though. In eliminating all emotions, he also gets rid of all the bad ones. But still, after saying the Doctor can't stop him, Lumic lets him carry on bouncing around the room chattering while giving oblique instructions to the conveniently watching Mickey. Even though one of the Cybermen could easily just kill him. So, Mickey gets the code incredibly easily somehow, texts it over to Rose, she chucks her phone to the Doctor who whacks it into a port, and apparently just having this 7 digit number on the screen makes all the Cybermen fall about sadly. Some of their heads even blow up. I'm still not convinced just giving them their feelings back would make them fall around and blow up, but this episode's well past the point of being worth it now. So Lumic shouts delete, and the building starts blowing up (what, he gave the building a bloody autodestruct?) which means the Doctor, Rose, and Pete can't escape, so they head for the roof where the handy blimp is. Cyberlumic hasn't started emoing out like all the other Cybermen though, and he follows to the roof. Mickey throws down a rope ladder, and everyone gets on, including Lumic at the bottom. Pete screwdrivers the rope (which decides to take its time in an attempt to create tension, meaning it's a case of the screwdriver working less well than you'd expect for the sake of the plot), and at the last minute the bottom of the ladder falls away, including Cybertrigger with it. Then blimp flies off happily.

Back at the Tardis, it's all working fine (handy). No further explanation needed, apparently. Rose talks to Pete, and he leaves on a saddish note. On a happier note though, Mickey found the Doctor's suit. It's good to see that resolved in a better way than him just sudddenly wearing it again. The Doctor tells Jake to find Annie Lennox's husband and kids and to tell them about her (to which Jake gives the most jarring line delivery I can recall seeing on television, but then a nod and a smile in the script would have been much better than "Yeah, course I will"). Mickey decides to stay on the parallel world and help sort out the Cyberfactories, which gives a bit of emotion considering he's a character I actually came to like. They can't come back, so we probably won't see him again. Right? We also get our only explanation as to how the Tardis ended up there in the first place - they fell through a "crack in time". Ok, that means absolutely nothing, same as all this nonsense with rifts and vortices, but never mind. Apparently there's no hassle in getting back either. Perhaps because they can't try and milk some emotion out of that and give Murray Gold another chance to Walt Disney around. So the Tardis leaves and materialises in proper Jackie's kitchen, where Rose acts almost surprised that she's alive (what an idiot), and the last thing we see is Mickey and Jake driving off to liberate Paris.

It would be easy to get caught up in all the emotion and forget some of the convenient nonsense we've had to swallow, but not even three plays of Rose's Theme in a row can make me forgive the amount of drivel in this episode. In fact, the ending's not too hopeful when you think about it. Lumic said how he has Cyberfactories on the go all over the world, and it ended with the remains of Team Ricky driving off to sort out the Paris one. So the emo code can't have affected the Cybermen there, or there wouldn't be much of an issue. Meaning this parallel world's still in a lot of danger. But that doesn't matter, because Rose hugs Jackie and Mickey's wearing a grin at the end of it. Much as with the end of The Parting of the Ways: billions are dead, the planet's in ruins, and despite having the power to, Rose apparently didn't reverse it - but perhaps the audience won't notice if her and the Doctor have a snog. But I'm getting away from the point about this episode here. Rise of the Cybermen showed some scope and potential; The Age of Steel was a silly list of let downs. The cons far outweigh the pros for this one, and 2 stars is almost too generous.

7 new absurd screwdriver uses too. Surely a record.


That zany screwdriver:
1. Blows up a spinning Christmas tree. Ho ho ho.
2. Scares off some Robot Santas. It's got itself a reputation now then.
3. Opens a great big secret door. Opens doors, closes plot holes.
4. Is used to threaten Cassandra's consciousness in Rose's body. A densely layered stupid thing is still a stupid thing.
5. Only the Doctor knows how to hold down the on button. Then it opens a smaller, unsecret door.
6. Makes a convenient ring thingy fall down.
7. It locks an old door. An old, Scottish door. Didn't have enough time to put porridge in the lock.
8. Fixes K9. But I won't begrudge it that.
9. Lights a candle. Sadly not a scented one to cover up the smell of bullshit.
10. Helps ascertain the continuing time portally nature of a fireplace.
11. Disables some parallel world earpods. Perhaps they're not as breakable as they look.
12. Jedi mind tricks a Cybusman. These aren't the Cybermen I was looking for.
13. Determines the location of a specific piece of technology (a transmitter), having been pointed in the direction of a factory and airship with lots of technology. I mean, bloody hell.
14. Seals a hatch. Sonic welder?
15. Gets the Cybus logo off a Cyberman. Wish it would do it to all of them.
16. Does some handy euthanasia. Sonic Dignitas?
17. Cuts a rope. In as much time as a cub scout and a knife would take, meaning it's only as magic as the plot needs it to be at a given moment.
 
Great review, as always. I've been lurking in this thread for a while, and well, these reviews are some of the best I've read, not many go into every little detail about the episode, including every single use of the sonic screwdriver.

Some of the reviews are a little bit scathing, but I don't mind as you haven't done any bad reviews of my favourites (yet), aside from Tooth and Claw, which I really like for its werewolf factor (still, 2.5 stars is reasonably rewarding from you). Keep it up.

Anyway, as for the whole Cyberman 2-parter, I never particularly liked it, mainly because of Pete's whole plotline with Rose running after him all the time, and I never really liked robots with absolutely no motive in sci-fi. To be honest, Rose is much worse in Series 2 than she is in Series 1, the only time she is bearable is in The Impossible Planet, The Satan Pit and bizarrely, in Fear Her. I was almost glad to see her go. Rise of the Cybermen/Age of Steel had potential, but went nowhere with it.
 
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