• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

A Hater Revisits nuWho

Read the Writers Tale, go on read it. Maybe it will cement your opinion of RTD, but I'm hoping you'll turn 180 degrees, it just shows what absolute pain he goes through to create this series.

As for there are also often a lot of silly things in his stories that make for an unsatifying whole, you are aware, first and foremost it is a Children's Programme aimed at the under tens and most under tens I know really rather like it.

No, The Sarah Jane Adventures is aimed at under-tens. Doctor Who is aimed at the whole family spectrum. When I refer to Doctor Who as a kid's show, that's in an effort to make it clear it has to be appropriate to that range, so things like gratuitous and obvious sexual references shouldn't be there.

I realise Doctor Who is probably quite hard to write for, what with having the widest audience to keep happy. But at the same time, it's also probably the best job in TV if you're up to it, and a lot of the stupid things and nitpicks needn't be there, whatever your target audience. It does seem to be very much an RTD thing, as has become clear to me from going through the episodes like this. The Unquiet Dead is my favourite of the series because it delivers in a lot of ways, and there's not many obviously stupid or senseless things (if any). Then looking at the Slitheen two-parter, and it's one silly thing after another to the point that the whole story breaks down for me. Of course, RTD is writing 7 episodes here, whereas the like of Moffat or Gatiss are only doing 1 or 2, but in the end it's down to whether I enjoy an episode or not.
You know a lot of your complains about the plot don't make sense right? The Doctor isn't there randomly, the Controller brought him and the others there. Jack may have been hiding the key up his bottom but, more likely, he got a spare from the Doctor once they met up again.
I never said they are there randomly. I completely get the idea that the Controller/Daleks brought them there. As for Jack's key...I'm calling it as I see it. We didn't see the Doctor give him a key, and if he had, it would likely have been just beforehand, so he likely wouldn't have been pulling it out of his pocket.
To be honest how you can critisise RTD's writing whilst lauding Nemesis which is a film with more plot holes in it than all of RTD's episodes bundled togeather is quite funny. :lol:
Well, is that really true of Nemesis though? I'd certainly contest it has more plot holes than this. It's just something a lot of people around here say. I don't claim to be any massive fan of the film either though. I just think it's alright, and I've put a line from it in my sig.
I'm not actually a huge fan of this one; I'm no fan of reaslity tv and the notion that only 21st century shows are remade in the far future is just daft (but then this is Who and one thing we should love about it is that its daft some of the time)At least there's mention of the show featuring the bear...Nice to see Patterson Joseph, Lynda is fun (though she'd have annoyed as a regular companion) and I actually love the Jack naked stuff, its camp and funny. The ending redeems the entire thing anyway. Just the sheer balls of Eccleston standing up to the entire Dalek fleet.

"But you have no weapons, no defences, no plan."

"Yeah, and doesn't that scare you to death."

A tiny exhcange that sums up the Doctor brilliantly.
Well, mine is only my opinion. But I do my best to justify it.
 
There, Nemesis is out of my sig (sort of). Let's not turn this into Nemesis criticism, there's 80% of the topics in the Star Trek Movies Forum for that.
 
Bones, you don't have to change your sig to hide that its a quote from Nemesis you know. You are allowed to like stuff 80% of people don't, I just found it amusing that you pick up on all of RTDs plot holes thats all.

I dislike Nemesis with a passion, however I do actually like The Final Frontier so I know what its like to like a Trek film many do not :lol:
 
Read the Writers Tale, go on read it. Maybe it will cement your opinion of RTD, but I'm hoping you'll turn 180 degrees, it just shows what absolute pain he goes through to create this series.
Why would knowing RTD's creative methods alter one's opinion of the final product? Isn't doing so rather patronising? Like, "Oh, now I see how much time and effort you've put in it'll be unkind of me to dislike you now..."
 
I've read all these reviews up to now, and I have to confess that they're not for me, which is a pity because I was actually looking forward to reading them when the thread started, being a fan of the Anorak and other acerbic and sharp-witted critics.

All of these reviews seem to be long-winded episode recaps filled with an insane amount of nitpicking and the same complaints over and over again, which would be perfectly alright if they were witty or entertaining, but as far as I'm concerned, they are not. Maybe my expectations were off.

Absolutely no offense meant, USS Bones, I'm sure lots of people here enjoy them enormously, but at this point I can't justify spending time reading things I don't enjoy. Have fun.
 
No, The Sarah Jane Adventures is aimed at under-tens.

I'd say under-15s.

Regardless of who it's aimed at, though, it's a highly entertaining show for all ages. In fact when it first started, it was far and away better than Torchwood.
 
I'm sorry, Bones, but nitpicking about what kinds of sensors the Gamestation was using was just silly. It should take them hours to detect the Dalek fleet? It's hundreds of thousands of years in the future -- they're obviously using faster-than-light sensors, just like every other space-based science fiction television series ever.
 
Read the Writers Tale, go on read it. Maybe it will cement your opinion of RTD, but I'm hoping you'll turn 180 degrees, it just shows what absolute pain he goes through to create this series.
Why would knowing RTD's creative methods alter one's opinion of the final product? Isn't doing so rather patronising? Like, "Oh, now I see how much time and effort you've put in it'll be unkind of me to dislike you now..."

Nope, not at all. It would though put his writing techniques into context. If after reading it Bones still thinks RTD's writing is below him, or he has a raging boner over making Doctor Who too sexuallized, so be it. But reading it would put his writing into context, no more, no less.

Read the Writers Tale, go on read it. Maybe it will cement your opinion of RTD, but I'm hoping you'll turn 180 degrees, it just shows what absolute pain he goes through to create this series.

As for there are also often a lot of silly things in his stories that make for an unsatifying whole, you are aware, first and foremost it is a Children's Programme aimed at the under tens and most under tens I know really rather like it.

No, The Sarah Jane Adventures is aimed at under-tens. Doctor Who is aimed at the whole family spectrum. When I refer to Doctor Who as a kid's show, that's in an effort to make it clear it has to be appropriate to that range, so things like gratuitous and obvious sexual references shouldn't be there.

I realise Doctor Who is probably quite hard to write for, what with having the widest audience to keep happy. But at the same time, it's also probably the best job in TV if you're up to it, and a lot of the stupid things and nitpicks needn't be there, whatever your target audience. It does seem to be very much an RTD thing, as has become clear to me from going through the episodes like this. The Unquiet Dead is my favourite of the series because it delivers in a lot of ways, and there's not many obviously stupid or senseless things (if any). Then looking at the Slitheen two-parter, and it's one silly thing after another to the point that the whole story breaks down for me. Of course, RTD is writing 7 episodes here, whereas the like of Moffat or Gatiss are only doing 1 or 2, but in the end it's down to whether I enjoy an episode or not.

Well opinions are like arse holes, pretty much everyone has one.

I rather liked Aliens of London/World War Three when it was first broadcast way back in 2005 where as I couldn't stand and still can't stand The Unquiet Dead, of the fifty or so NuWho's, I physically can not sit all the way through it, same with Fear Her and 42, they bore me, they don't have any of the entertaining silliness that peppers NuWho.

Okay, the target audience I believe is the younger age of the TV viewing spectrum, yes the rest of the family might watch it as well, because it has a universal appeal, the target audience though, the audience Rusty and everyone writes it for is not me in his late twenties or my father who is in his fifties, but the under ten's, the children who still have a certain innocence about life, who haven't been twisted by what ever to think you're wrong if you're gay, or black, or dare I say Ginger.

It addresses issues and subjects that you don't find on a children's programme any more. It addresses Death. Life. Sexuality. Race and many other subjects. It's open about it and I for one am happy about that.
 
Without watching any previous Doctor Who (including The Long Game), Bad Wolf was the episode that got my sister into the show. Part of it was the Android, part of it was Jack, and another part was the juxtaposition of the zig-zag station with the wide and open archive holding the tiny phone box and then BOOM, the console room.
 
I'm sorry, Bones, but nitpicking about what kinds of sensors the Gamestation was using was just silly. It should take them hours to detect the Dalek fleet? It's hundreds of thousands of years in the future -- they're obviously using faster-than-light sensors, just like every other space-based science fiction television series ever.

Not too mention since when has Doctor Who been Star Trek :lol: the techno babble in Who makes ST look normal so I don't really want them to go deeper into that area of the show and explain how sensors and other things work...comments like that scream of you have no plans to enjoy the show ever and now you are using your thread to jump on your soapbox.

Well opinions are like arse holes, pretty much everyone has one.

Pretty much everyone ??? you know some people without an asshole :eek: ouch ;)
 
I've read all these reviews up to now, and I have to confess that they're not for me, which is a pity because I was actually looking forward to reading them when the thread started, being a fan of the Anorak and other acerbic and sharp-witted critics.

All of these reviews seem to be long-winded episode recaps filled with an insane amount of nitpicking and the same complaints over and over again, which would be perfectly alright if they were witty or entertaining, but as far as I'm concerned, they are not. Maybe my expectations were off.
Believe it or not, but I don't start out with the intent of writing a critique of each and every scene. That's why the Rose review isn't like that, but then when I got to TEOTW, I found there was enough there to...well, criticise I suppose. At the same time, if it isn't there, I don't go through it that way (The Unquiet Dead, The Long Game).
Absolutely no offense meant, USS Bones, I'm sure lots of people here enjoy them enormously, but at this point I can't justify spending time reading things I don't enjoy. Have fun.
Never mind. Thanks for dropping by anyway.
I'm sorry, Bones, but nitpicking about what kinds of sensors the Gamestation was using was just silly. It should take them hours to detect the Dalek fleet? It's hundreds of thousands of years in the future -- they're obviously using faster-than-light sensors, just like every other space-based science fiction television series ever.
Yeah, you're quite right. I was irritably impatient for Daleks by then. But what I would still insist is very silly is the idea of a cloaking signal being transmitted from the station to cloak a fleet on the other side of the solar system. Even making it physically invisible.

Read the Writers Tale, go on read it. Maybe it will cement your opinion of RTD, but I'm hoping you'll turn 180 degrees, it just shows what absolute pain he goes through to create this series.
Why would knowing RTD's creative methods alter one's opinion of the final product? Isn't doing so rather patronising? Like, "Oh, now I see how much time and effort you've put in it'll be unkind of me to dislike you now..."

Nope, not at all. It would though put his writing techniques into context. If after reading it Bones still thinks RTD's writing is below him, or he has a raging boner over making Doctor Who too sexuallized, so be it. But reading it would put his writing into context, no more, no less.
Stop being nasty just because you disagree with me. As for reading The Writer's Tale, I've no great incentive to pay £11 to see someone who's writing I don't much care for justfy his...well, his writing. Maybe I'll get it and go through it after I've reviewed up to The End of Time here. For a sense of completetion. If it's dropped to under a fiver by then.
 
Stop being nasty just because you disagree with me. As for reading The Writer's Tale, I've no great incentive to pay £11 to see someone who's writing I don't much care for justfy his...well, his writing. Maybe I'll get it and go through it after I've reviewed up to The End of Time here. For a sense of completetion. If it's dropped to under a fiver by then.

How am I being nasty? I'm just making a suggestion as it will allow you too see into how RTD works, I suspect you may hate it and thus feel vindicated, but you won't know till you try it.

As for not liking your opinion, yes I disagree with it, but what has annoyed me is what seems to be an exceptionally closed mind when "reviewing" each episode.
 
Well, as I say, I may consider giving The Writer's Tale a go once I've reviewed up to the end of the whole RTD era. Right now though, I can only go by the episodes themselves.

And I'm not closed minded. I haven't watched Bad Wolf/The Parting of the Ways since 2005, and I expected to be giving Bad Wolf around the 4 star mark. It's held in quite a high esteem by many, and though I know the ultimate solution is GodRose, I still thought it would be a fun ride. Also, there are episodes here that I seem to like more than the general consensus (Unquiet Dead, Father's Day), so I hope you'll see I really am going by what I feel about them after taking them in and not by any preconceived ideas.
 
Whether I agree or disagree with Bones' points (and I do both), I think it's best for all to remember that this is his review thread. Mirrorball Man has the right idea. If you don't like what he has to say, don't read it. I actually find myself agreeing with him sometimes, rolling my eyes other times, and laughing out loud at the wit in the meantime. Just because others don't have the same reaction doesn't mean Bones should change his opinions or censor his statements.

I only say this now, because I've started to notice a trend of people dumping on him for his thoughts. Hey, ninety-percent of this forum are threads overtly praising and worshiping RTD. There's room for this one, as well... :techman:
 
Hey, ninety-percent of this forum are threads overtly praising and worshiping RTD. There's room for this one, as well... :techman:

I never know what people are talking about when they say that, because I inevitably feel like I'm the only person defending RTD against everybody else's complaints.
 
Whether I agree or disagree with Bones' points (and I do both), I think it's best for all to remember that this is his review thread. Mirrorball Man has the right idea. If you don't like what he has to say, don't read it. I actually find myself agreeing with him sometimes, rolling my eyes other times, and laughing out loud at the wit in the meantime. Just because others don't have the same reaction doesn't mean Bones should change his opinions or censor his statements.

I only say this now, because I've started to notice a trend of people dumping on him for his thoughts. Hey, ninety-percent of this forum are threads overtly praising and worshiping RTD. There's room for this one, as well... :techman:
Thank you, you've made it worth it :)
Hey, ninety-percent of this forum are threads overtly praising and worshiping RTD. There's room for this one, as well... :techman:

I never know what people are talking about when they say that, because I inevitably feel like I'm the only person defending RTD against everybody else's complaints.
That's not true at all. But it's human nature to feel part of a minority.
 
No, The Sarah Jane Adventures is aimed at under-tens.
I'd say under-15s.

Regardless of who it's aimed at, though, it's a highly entertaining show for all ages. In fact when it first started, it was far and away better than Torchwood.
Agreed on all counts. Additionally, I would say The Sarah Jane Adventuers captures the spirit of classic Doctor Who better than new Doctor Who.
 
Right, so the end of series one. I think technically The Christmas Invasion is considered part of series 1, but I'll include it as part of series 2 because it sections off the Eccleston era nicely.

Also, this review's quite a long-un, which surprised me. I recalled it as being a few scenes of exposition and mostly fun Dalek action, or Dalek porn as I've termed it. Which would have been alright by me, even with the complete copout I know is at the end. Instead, it's enough of a progression of silly things that I've managed a scene-by-scene type again. It's the longest review yet as well, needing two posts. So this really is my considered opinion.

Anyway, I'll write some kind of summing up of series 1 later as well.



The Parting of the Ways (**)

Right, so, after the recap opening, we see the Daleks bothering Rose. I love the Daleks. "Predict! Predict!" Haha, great stuff.

So, after saying he'll come to get her, the Doctor hops in his Tardis to go and get her. Which did make me wonder why whoever took them from the Tardis (presumably the Controller, on behalf of the Daleks) would just leave it there. I mean, they had no trouble getting into the room with it in. Even if you're going to leave it on the station (and I've never been definite on how easy it is to ship the Tardis around from the outside; it was done in a Davison episode, but...), at least lock the door of the room with it in. They didn't even have to bother Mr Screwdriver to get to it. Of course, now I realise that it was the Controller who brought them there all along to fight the Daleks, so it was a good thing the Doctor found his way out of the game.

So, the Tardis flies towards the Dalek ship and appears to get blown up, but the forcefield comes on just in time, or something (Jack: "The extrapolator's working, we've got a fully-functioning forcefield - try saying that when you're drunk" Ahahaha, great one liner. What a card he is). The Tardis then materialises directly over Rose and a Dalek, meaning they're both therefore in the console room, just in front of the door. But isn't the Tardis meant to be absolutely massive? I mean, we see only the console room in this series because of the budget and/or no real reason to see the rest of it, but still, surely if it does work this way and materialising over something means it ends up in the Tardis, then surely it could just as well be anywhere in it? That could make for quite a good episode actually. The Tardis materialises over a monster, which then leads to a scary Alien-style type thing throughout the Tardis, and...sorry what? I was in a world of my own there for a minute.

Yeah, anyway, Jack destroys the Dalek with his modified undresser beam (though come to think of it, he's the sort who'd change it back later), and then waves his gun in the air like a berk. Seeing a Dalek blow up's always fun though. I remember seeing Destiny of the Daleks as a child and absolutely loving the scene where they all blow up. While Rose hugs Jack, the Doctor has a look at the smashed up Dalek. And by has a look, I of course mean points his sonic screwdriver at it and holds down the on button. We also find out that Jack's magic gun won't work any more, because that shot drained it of its power supply and he can't plug it in and recharge because he's lost the adapter. It's damn handy the Tardis exterior is the size it is and didn't materialise over more than one Dalek then.

On the outside, a deeper Dalek voice says "patience my brethren" and the like, while inside Rose asks the obvious question: "How come they're still alive?" I say the obvious question; cleverer people would phrase it differently of course. Now, I understand timey-wimey and all that (if it is something that can be understood), but when Jack says they were the biggest threat ever, and then they all disappeared, with the Doctor's answer being "they went off to fight a bigger war", obviously that's the Last Great Time War, but...well time isn't another place is it? And I like the idea of only "time aware" species knowing about it, but surely Jack being a former time agent should have some idea then. But yeah, not knowing the answer why the Daleks are still around, the Doctor nips out to chat with them. Then the Daleks, for once, actually try to make good on the "Exterminate!" threat, and the Doctor acts like a bit of a div while explaining the forcefield being there can hold out (almost) anything. Get him, with his plot convenient forcefield. He then tells the Daleks that despite having no emotions, he reckons they still feel fear. Personally, if I were breeding a race of mutants who should think they're superior and have no feelings, fear would be the first one to go.

So after showing off a bit about his reputation, he asks the question we all still want the answer to (how they survived) and we get the deep voiced "they survived through me". The lights go up and show a thing that looks a bit like a big Dalek that can't move (handy) and the Doctor, Rose, and Jack walk up nearer to it, and thus further from the Tardis than I'd advise, considering there's only that forcefield between them and immediate death, and earlier the forcefield only seemed to have a radius of three metres. The Doctor recognises the Dalek Emperor, who pretty much says that despite the fact the Daleks are supposed to be all dead, he actually lived, so there. What, that's it? Thanks, Russell. After that, the Doctor blathers on and shouts at two Daleks who recoil in fear. Which is silly, because as threatening as a northern binman can be, these things are like miniature tanks with no feelings except hate. The Emperor carries on chatting, saying that they waited there in the dark space (eh, where's that?), took a few hundred years to rebuild (it may have only been one ship, but you try operating a fire extinguisher with a plunger for a hand), nipped down Earth way, stole some lonely people, and turned them into Daleks. He also says that only one cell in a billion was fit to be cultivated, but considering there's something like 50 trillion cells in the human body, a little Eleanor Rigby would still go quite a long way. When Rose points out this makes them half-human, the Daleks then say "Do not blaspheme! Do not blaspheme!", which made me smile. Haha, I love the Daleks, me. But it turns out the Daleks see the Emperor as a god ("Worship him! Worship him!"). Haha, bless.

So the Doctor gets back in the Tardis and does his sad face against the door, then goes back to the Gamestation (I'll call it this from now on rather than Satellite 5, though I'm sure either would do), shuts down some jargon so the Daleks can't transmat aboard (good thing they didn't try already), and the Dalek ships approach with the intent of "purifying the earth with fire". So why are they only doing it now? Were they waiting for the Doctor to come along so he could see it? But if they're scared of the Doctor (and they should at least be aware of the fact he keeps scuppering their plans), why bring him to the Gamestation? Of course, now I realise that it was the Controller who brought him there because she realised the Daleks fear him, but I actually didn't realise until after. So there, I failed to notice something important in the plot of a kid's show. Joke's on me this time.

So the Doctor starts manically pulling out wires all over the place and says he's going to try transmitting a delta wave. What's that you say? You don't see how sleep brain waves can help? No, not the real delta waves that are a thing that exist, this is a nonsense thing that if you stand in front of will "barbecue" your head. But because the station's big, it'll make one powerful enough to wipe out the Daleks. Though why a station meant for transmitting TV would be able to create such a thing, who knows. Must be that clever cloaking beam part instead. The downside of this is that it would take the Doctor 3 days to build such a thing, and the Dalek fleet will arrive in 22 minutes. Which is fairly quick to make it across the solar system to us, but it's still damn slow enough that it makes you wonder how they ever got anything done, let alone the biggest war in all of existence. The Daleks are also meant to be from a different galaxy after all. And that's a long, long way.

So they're up on Floor 500 building this delta wave which the Daleks would try and stop, but Jack's got a forcefield going (I'm not sure if it's the Tardis one, but the jargon's the same) that'll stop the Daleks getting in above Floor 495. Though if they're that close and this delta wave is big and powerful enough to wipe out the Daleks, wouldn't that not only destroy the station but potentially do some significant damage to the Earth as well? And then if it wouldn't, what good would the wave do if the Daleks make it onto the station or the planet? You wouldn't be able to wipe out all the Daleks then.

The Doctor and Lynda share a brief moment while Rose looks on jealously, and Jack comes over to say his goodbyes to the Doctor and Rose. He tells Rose she's worth fighting for (yeah, fuck the rest of the Earth, it's the cockney idiot who's only just bright enough to work in a shop who makes this worth it) and kisses them both. Jack then nips down to Floor 0 where some 100 people are (they didn't have enough shuttles to evacuate everyone) and asks them to come upstairs and die with him. He also tells them that logically the Daleks will enter at Floor 495 and go upwards, but that's no promise. Of course, we know right then that anyone who stays there is doomed. He also offers advice to keep quiet. Sadly though, he misses out the bit about aiming for the eyepiece.

Rose and the Doctor meanwhile are stripping some wires (binman/electrician then) and she asks him why he can't just go back to a week before and warn them (for all the good that would do). He gives an explanation that isn't an explanation, and then makes the suggestion that they could instead just bugger off. I've got another idea. How about going in the Tardis, visiting the Deathsmiths of Goth (or something), getting loads of weaponry, and maybe do what you can to amass an army to take back with you. The Tardis being so vast as it it. And you can take as long as you need, because you can just arrive back one second after (assuming you can get it to work properly this week). Or you can leave, acquire a ready built delta wave thingy, and just take the 3 minutes putting in the installation disc, rather than the three days building one. See, when you introduce this idea that they can just go, you also imply the idea that they can go and come back. But anyway, of course the Doctor wasn't being serious about the idea of leaving. Not him leaving anyway. He then pretends he's had an idea using time gibberish, but hasn't and sends Rose away in the Tardis leaving him behind (using the screwdriver to make it leave, of course). We're lead to believe it's to save her life, but it would probably be just as likely he doesn't need her under his feet while he's trying to build a thing to save all the world. How wise it is to just send away a time machine leaving the only key with an idiot is open to question, but of course, it'll work out fine. There then comes on a holographic message of the Doctor saying he's sending her away because he promised to protect her. Which is all very moving, but if he's done one for every companion he's had, it must become a bit of a drag to record by then. Having to predict where they'll be standing for when he turns his head as well. And I bet he deleted the one for Adric pretty sharpish. Or perhaps he only recorded one for Rose because he fancies her. What I did like though is the stated idea that he's also sending the Tardis away to stop the Daleks getting their hands on it (the message does says "hands" rather than plungers and whisks). Though I suppose we just have to believe they've forgotten how to time travel now, despite fighting a whole time war.


Continued below...
 
Last edited:
(The Parting of the Ways review, part II)


Anyway, Rose ends up back in London. Mickey happened to be around the corner and heard the Tardis noise, so he comes running up to her.

Back on the Gamestation, Jack and the Doctor are chatting and the Emperor interrupts, and actually clears up something I mentioned earlier, which is a nice surprise. He says that while he knows there's every chance of the delta wave being ready to use, there's no chance of refining it, so using it would not only destroy the Daleks, but also the entire Earth. I'm glad to see that written in. It also makes the Doctor sending Rose away make a little more sense. Whatever happens, they'll be dead, and he feels he owes her that duty of care. Also, he fancies her. Anyway, given the choice between living as a Dalek or dying, the Doctor makes the choice for all the world that's it's better to die. Cheers. But of course, wiping out the Daleks would be the best course of action, even if it means destroying Earth too, because they're very dangerous and could potentially wipe out the rest of the galaxy and then perhaps conquer the universe without the Time Lords to keep them in check now. Unless someone else thinks of making a delta wave.

Also, as he has the chance, the Doctor asks the Emperor how he did the Bad Wolf trick. Turns out it wasn't him. Spooky.

Back in London, Rose, Mickey, and now Jackie are sitting in a sort of café/kebab shop, and Jackie mentions that the place has gone upmarket now, because it does little tubs of coleslaw. This is how Russell T Davies seems to think the other half to him live then. People with meaningless lives whose only hope of fulfilment would be a time travelling alien taking them away, and who are impressed by little tubs of coleslaw. I suppose they also pour their lager into a glass instead of drinking it out of the can on special occasions, and think going in a Sainsburys is a good excuse to dress up. Rose then gets a bit irritated at all the surprise at pizza shops selling pizza and runs off.

Meanwhile, back at the Gamestation, Jack is telling Lynda how he needs her to monitor a screen in a room alone. Apparently that's the only screen that'll help track the Daleks' progess. Forget all those other screens everywhere, this is where it's at. He also says the door should keep them out, because it's made of what sounds to me like "hydrocombination". What, a combination of water? Err...I must have heard it wrong. Just then we hear that the Dalek fleet has arrived, and we see the ships out of this observation deck window. Though the ships seem to be travelling in a way contrary to how you'd imagine, given the logical positionings. They've just stuck the same CGI shot in the window that they just used for the approaching fleet.

Still, this is it. This is what I've been waiting for. It's been over 20 minutes, but here come the Daleks. Swarming out of the ships. And it looks great.

Then it cuts back to London. Bastards! I want my Dalek porn. Rose and Mickey are sitting on a bench in an area that...well I'm not really sure what it is. I'd assume some sort of ball game court, but the bench is quite far out into it. Anyway, Rose notices the words "BAD WOLF" scrawled in big letters on the ground. Though it's the kind of thing you'd have thought she'd have noticed much sooner than she did. And it turns out that Bad Wolf is also graffitied all over the walls directly ahead of and behind her. But the main thing is she noticed in the end.

So at the Gamestation, the Daleks have got in at Floor 494. Ooh, there's loads of them. This is gonna be great.

Then it cuts back to Rose and Mickey. Bah. They're in the Tardis now. By Rose's logic, because of how Blon Slitheen regressed to an egg back in Boom Town when she looked into the heart of the Tardis, then if Rose does it, it'll travel back and...well she must think it's worth dying with the Doctor instead of living in London with Mickey. Actually, she may have a point there. She emphasises this by saying again that there's nothing for her there. To Mickey. Nice girl.

Back at the Gamestation, here come the Daleks. Oh yes. They immediately cut off the internal lasers (which is the kind of defense system you really wouldn't want to malfunction), and the bullets are useless against them.

Meanwhile (I say meanwhile, I mean 197,994 years earlier) Rose and Mickey are trying to break open the Tardis by attaching a chain to his car and getting him to drive. Considering that the thing that broke open the Tardis last time was the opening of the rift in space and time (whatever that is/means), I wouldn't be surprised if nothing would break it open again. Anyway, his Mini isn't working.

Back at the Gamestation, things take a turn for the slightly silly when, another floor up, Anne Droid would seem to have disintegrated 3 Daleks (though of course, they're not actually disintegrated, they're just...wherever Rose was when she was the Weakest Link. The transporter buffer or something). Still, Jack seems happy, except the next Dalek promptly destroys it. Ha-ha! Though if they thought the Anne Droid would have been such a great solution, you'd think they wouldn't have stationed some people on the floor below to get immediately killed. After this though, we get an example of how evil the Daleks really are when they go down to Floor 0, and after spending 20 seconds scaring everyone saying "Exterminate!", they proceed to exterminate them.

In London again, Rose tells Jackie that her dad would have told her not to give up, regarding breaking open the Tardis. We know that Rose met Pete in Father's Day, but...well, I dunno, would he have said that? I don't know. Then Rose tells Jackie how she met him, and changed the past. Naturally, Jackie's not that impressed and runs off angry and upset.

Back in 200,100, the Dalek fleet is descending on Earth and bombing it away. As the Daleks come up to Jack's floor, he gives the eyestalk advice. Shame he didn't tell the ones who died earlier, but they were goners anyway. He also says that the forcefield is at maximum, so Dalek firepower should be at its weakest. Meaning this isn't a forcefield, which would work like a sort of invisible wall (hopefully preventing weapons fire penetrating); it's actually a sort of weapon-dampening field. But anyway, the Daleks come through and just sit there getting fired at, until eventually the eyepiece thing actually works and we get the usual Dalek cry of "My vision is impaired!". They then proceed to actually do something and kill the two with Jack (the second of whom lets himself die stupidly).

At the same time, some Daleks come up to the door of where Lynda is, but the Doctor says "You'll be alright Lynda, that side of the station's reinforced against meteors". What, do they get meteors inside space stations in the future? Also, why is only one side of the station reinforced against meteors? Especially as we've seen that this is the side that faces Earth the most. Very stupid, but I'll forgive it because here we get to the best scene of the episode. Maybe even of the whole series. While some genuinely effective music plays (nice one Murray, you can be a little understated), a cutting torch Dalek starts coming through. Then, Lynda turns around and some Daleks float up in front of the window. We see the voice lights silently say "Exterminate", and it breaks open the window. That's just brilliant. I mean sure, that idea that being reinforced against meteors would help came to naught, but...brilliant.

After this, we see Jack is backing away down the corridor shouting to himself about being the last man standing, and all the while the Doctor continues building his delta wave.

In London again, the reasoning that something stronger is needed to break open the Tardis has led Jackie to go and get a truck. Then it goes and works, despite the flimsy chain. Rather than speeding forward, the truck moves about a foot, Rose stares into the Tardis, the doors slam shut, and she goes and disappears.

There's then the joy of seeing Jack get killed (though the Daleks rather took their time; they had a clear shot at him for quite a while). Anyway, he goes out how he lived. No, not sodomising a poodle (that comes later after all), but rather an unwitty retort to "Exterminate!". Wish they'd kept him dead.

And just as the Doctor's got the delta wave ready, in swarm the Daleks. Of course, they should just kill him then and remove all danger, rather than give him the chance to use his death ray, but instead the Emperor taunts him and dares him to use it. Then there's a line I quite like. When the Emperor asks the Doctor which he is, a coward or a killer, the Doctor replies "Coward, any day".

So, the day is lost, the Doctor is about to be exterminated to the point of no return, and the Daleks are back to endanger the universe again.

Oh hang on, the Tardis is back. And the doors fly open showing a figure bathed in light. No, it's not Jesus (though this won't be the last series finale where we could mistake someone for him; DEUS ex machina indeed), it's Rose. The Doctor asks her what she's done and we get the awful line "I looked into the Tardis, and the Tardis looked into me". Turns out she's looked into the time vortex (whatever that is/means), and she was the Bad Wolf all along, spreading the word throughout time. How clever. Of course, she does it by literally taking down a sign in front of her with her magic powers. Really. So she uses her super powers to destroy the Daleks. That's just great. Let's introduce a previously unmentioned and all powerful element to resolve the story. That's completely satisfying for the viewer and the mark of a good writer. It's a wonder anyone defends this clown. Perhaps even worse, she's brought Jack back to life. Apparently no one else, just Jack. None of those who died on the station, or were bombed to death on the Earth, and you'd think between having to power to wipe out an entire fleet of 200 ships (indeed, a whole species) and the power to bring someone dead back to life (and, it turns out, make him immortal), she could have brought back to life all the perhaps millions or even billions who had been killed.

So we get some stupid nonsense about how she's seeing what the Doctor sees all the time (really?), the worst line ever ("I think you need a Doctor"), and a silly kiss that transfers the energy to him. Another thing though. Why would she come back at just that moment? Why not 1 second after the Tardis left? Then the Earth wouldn't have been bombed to the point of near annihilation, all the people on the Gamestation wouldn't have died either, and the Daleks would still be gone. Well, obviously it's so we can have the cool Dalek scenes and a climax, but it also means that billions of people have died for no reason at all. Still, it's just a story. A stupid story that doesn't make any sense.

Still, there must be consequences to this copout, right? Well, Rose and the Doctor go, leaving Jack behind (to somehow end up in a spin-off that's even worse). The Doctor notices his hand glowing, tells how he wanted to take Rose to Barcelona (the planet), and, in short, regenerates. It's admittedly a well performed scene, but after what I've just had to swallow as a resolution, I find it difficult to buy into it. And it was no surprise even at the time either that the Doctor would regenerate. Though it was only after a few episodes had run that Eccleston announced he'd leave. What would have happened if he'd decided to stay? Would he have just blown away the time vortex? Maybe it could have been worse after all.

So you can absorb this time vortex thing to set everything right, and all it costs you is a regeneration? Why not do it all the time? Even better, cut off your hand just after, and you won't even have to lose another regeneration. But that's a complaint for another time.

But wait. Why didn't Blon absorb the whole vortex and start godding around? It's implied it's all to do with the Tardis being telepathic and giving the person who looks into it what they want. In Blon's case, this was ultimately to be given a second chance, and for Rose it was to go back to the Doctor to...well, to help I suppose. Somehow. But why did she absorb the time vortex and yet Blon didn't? Oh yeah, because this while thing is nonsense.

The sad thing is, I really expected to like this episode. I really did. I knew the silly copout was coming, but even then it was utterly disappointing, and there wasn't nearly enough Dalek porn. Again, it's a long list of stupid things that happen and a lazy, pathetic resolution. A few nice Dalek scenes aren't enough for me to be able to recommend this drivel.


Extraordinary screwdriver:
1. Stops plastic arm from receiving signal.
2. Disengages computerised lock on door.
3. Seems to be the only tool you need while fixing a time machine.
4. Even opens conventional doors.
5. Helps "patch in the radar [and] link it back 12 hours so it can follow the flight of that spaceship". You mean your screwdriver can't?
6. Helps steal money from a cash machine in the year 200,000. Maybe they should have kept chip and pin.
7. Helps open shackles in the year 200,000. For when you're not lucky enough to have them just fall off.
8. Opens a padlock. It's a different lock, so it goes on the list.
9. Manages to be a medical tricorder, with a readout only the Doctor can see. Streuth.
10. Undoes handcuffs.
11. Reattaches cut barbed wire. Sonic welder?
12. Reverses a teleport that has already teleported. Makes serfect pense.
13. Blows up a camera. Saves you having to detag on Facebook later
14. It can be your eyes even if you don't need more eyes.
15. Can remotely send away your time machine to never come back. So always remember to lock your screwdriver before you put it in your pocket.
 
Last edited:
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top