Not something I'm buying, sorry. I find it extremely unlikely that we've only seen Vulcan at dawn or dusk.- Vulcan always had the blue sky during certains seasons we simply never saw.
So? I never even mentioned this, just the planet.- The City where Spock was being tutored was simply never seen before.
A planet looks the way it looks.- The sequence where Spock sees Vulcan implode was from a Mind Meld, and may have been more about Spock's knowledge of the event than how he actually saw it.
Sulu described San Francisco as looking almost the same as it was in the mid-1980s. And why exactly would the sudden appearance of a giant space octopus cause a radical change in city planning on a planet that was no where near the incident to begin with? I see no reason for the Enterprise to have ended up being designed the way it was because of that incident, let alone city planning.- San Francisco looked different because city planning proceeded upon a different path than in past depictions of 23rd Century San Francisco, and the city was never seen in the 2255-2258 timeframe anyway.
But comparisons can still be made, such as the Kelvin against anything seen during the TOS era. The Kelvin shares both size and design feature architecture with the redesigned Enterprise, but doesn't have a lot in common with anything from TOS.Beyond the above points, nothing seen in the movie has been depicted in the rest of Star Trek canon.
I suppose I really ought to watch that, one of these times.This kind of discussion is why I feel so much at home watching The Big Bang Theory.![]()
I did see that scene -- someone here posted a link. I also saw the Evil Wil Wheaton scene not too long ago. It sounds like they have a lot of fun with stuff on that show.I suppose I really ought to watch that, one of these times.This kind of discussion is why I feel so much at home watching The Big Bang Theory.![]()
You should. Half the show is about the characters arguing about Star Trek. They're us! One of them tries to comfort the other citing the scene from the new film where Kirk winds up Spock on the bridge, and the other one goes "waah, I missed Comic Con and the new Star Trek movie!"
It's hilarious.
Maybe when both Nero and Spock came through the Black hole they took readings and it analyzed the quantum frequency of matter in the matter in the interstellar dust and it concluded they were in a different universe and Spock and Nero both knew they could make any changes and it wouldn't affect THEIR timeline....
"James Kirk was a great man, but that was a different life."
Not something I'm buying, sorry. I find it extremely unlikely that we've only seen Vulcan at dawn or dusk.- Vulcan always had the blue sky during certains seasons we simply never saw.
So? I never even mentioned this, just the planet.- The City where Spock was being tutored was simply never seen before.
A planet looks the way it looks.
Sulu described San Francisco as looking almost the same as it was in the mid-1980s. And why exactly would the sudden appearance of a giant space octopus cause a radical change in city planning on a planet that was no where near the incident to begin with? I see no reason for the Enterprise to have ended up being designed the way it was because of that incident, let alone city planning.- San Francisco looked different because city planning proceeded upon a different path than in past depictions of 23rd Century San Francisco, and the city was never seen in the 2255-2258 timeframe anyway.
But comparisons can still be made, such as the Kelvin against anything seen during the TOS era. The Kelvin shares both size and design feature architecture with the redesigned Enterprise, but doesn't have a lot in common with anything from TOS.Beyond the above points, nothing seen in the movie has been depicted in the rest of Star Trek canon.
I think I've also seen the "RPSLS" scene. My TV-watching is practically at zero these days, but I'll try to check some more of the show out.God, that was so funny! I love that character Sheldon, he's my hero. If I ever have a son, I'll name him after that guy (the second one being named after Reese from Malcolm in the Middle).
Seriously though, the show is filled with ST jokes, such as the "rock paper scissors lizard Spock" bit. I think it's a must see for people like us.
Sulu said "it doesn't look all that different," meaning it was recognizable to him as San Francisco. You know, with that Golden Gate bridge, etc. Also, this was a view from the air...at night. It's not like he was walking down the street he grew up on.
And there is far less consistency to the previous portrayals of SF in Trek than you seem to think. Pretty much the only constant elements are the Bridge and maybe the TransAmerica building.
It makes absolutely no sense at all to assume that the Narada attack on the Kelvin changed the entire skyline of San Francisco. The Butterfly Effect is not black magic.
If Sulu from the Prime Timeline says 1980s San Francisco looks like in the 23rd century, than that's a pretty hard fact. And then all the various scenes where there are no such friggin huge skyscrapers in San Francisco. TOS movies, various DS9 and VOY episodes have Downtown San Francisco and the area around the SF headquarters looking pretty much unchanged.
Sulu said "it doesn't look all that different," meaning it was recognizable to him as San Francisco. You know, with that Golden Gate bridge, etc. Also, this was a view from the air...at night. It's not like he was walking down the street he grew up on.
And there is far less consistency to the previous portrayals of SF in Trek than you seem to think. Pretty much the only constant elements are the Bridge and maybe the TransAmerica building.
Think realistic. When you say something doesn't look all that different, then it isn't that different. At least I do that. Or I am being sarcastic, but Sulu wasn't.
It makes absolutely no sense at all to assume that the Narada attack on the Kelvin changed the entire skyline of San Francisco. The Butterfly Effect is not black magic.
If Sulu from the Prime Timeline says 1980s San Francisco looks like in the 23rd century, than that's a pretty hard fact. And then all the various scenes where there are no such friggin huge skyscrapers in San Francisco. TOS movies, various DS9 and VOY episodes have Downtown San Francisco and the area around the SF headquarters looking pretty much unchanged.
It is a pretty hard fact. But not in the Alternate Reality.
How much of 23rd-24th Century San Francisco did we see?
How many times have we seen San Francisco in 2258?
It makes absolutely no sense at all to assume that the Narada attack on the Kelvin changed the entire skyline of San Francisco. The Butterfly Effect is not black magic.
If Sulu from the Prime Timeline says 1980s San Francisco looks like in the 23rd century, than that's a pretty hard fact. And then all the various scenes where there are no such friggin huge skyscrapers in San Francisco. TOS movies, various DS9 and VOY episodes have Downtown San Francisco and the area around the SF headquarters looking pretty much unchanged.
It is a pretty hard fact. But not in the Alternate Reality.
How much of 23rd-24th Century San Francisco did we see?
How many times have we seen San Francisco in 2258?
Yeah, but what is supposed to change the skyline in the Alternate Reality (except the concept artist, lol)? In my opinion, Nero's attack is not enough. The Kelvin is just a spaceship with 800 officers. If you sink an aircraft carrier, it will have no effect on how the skyline of New York will look.
The change in skyline, Vulcan and the other thousand or so inconsistencies is the result of the writers fucking it up and/or taking artistic and creative liberties as opposed to respecting what had come before.
Sulu said "it doesn't look all that different," meaning it was recognizable to him as San Francisco. You know, with that Golden Gate bridge, etc. Also, this was a view from the air...at night. It's not like he was walking down the street he grew up on.
And there is far less consistency to the previous portrayals of SF in Trek than you seem to think. Pretty much the only constant elements are the Bridge and maybe the TransAmerica building.
ie. creative liberties. Like I said.The change in skyline, Vulcan and the other thousand or so inconsistencies is the result of the writers fucking it up and/or taking artistic and creative liberties as opposed to respecting what had come before.
Okay, then the Enterprise should be lit with Primary colors, and Vulcan should look exactly like the lit-walled set we saw in Amok Time.
The respected it by knowing what had to change to make it more convincing on screen.
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