Why do you see him as a Jar Jar Binks type? I didn't get that impression at all.That THING that follows Scotty round. Why do we need a Jar Jar Binks in Star Trek?
Why do you see him as a Jar Jar Binks type? I didn't get that impression at all.That THING that follows Scotty round. Why do we need a Jar Jar Binks in Star Trek?
That THING that follows Scotty round. Why do we need a Jar Jar Binks in Star Trek?
Why do you see him as a Jar Jar Binks type? I didn't get that impression at all.That THING that follows Scotty round. Why do we need a Jar Jar Binks in Star Trek?
Now, I've got that image running around inside my head.And really, he looks more like an Ewok. Or possibly the offspring of an Ewok who mated with a cabbage.
Why do you see him as a Jar Jar Binks type? I didn't get that impression at all.That THING that follows Scotty round. Why do we need a Jar Jar Binks in Star Trek?
yeah he did but not much.
i could have done without two monsters chasing kirk.
one would have been enough.
You must be sexually restrained not to realize the brilliance of that moment, sir. IMO.I think the Kobayashi Maru wins for me too. But a close second is the Uhura-unwittingly-strips-to-her-very-21st-century-underwear-in-front-of-Kirk scene. It wasn't classic Trek sexy, it was like cringemaking fourteen-year old boy fanservice.
'Cause silly was never a part of Trek, clearly.I really didn't like the whole beamed into a pipe thing in the engine room. Silliness.
I truly loathed the Kobayashi Maru scene - not the way he won, but the twerp-like way he acted as he was winning. Almost everybody else seems to have loved it, and I don't mean any disrespect to them (or to Chris Pine) when I say how much I hate it, but I thought it made Kirk look like an arrogant and immature jerk, not at all like somebody who ought to be made captain anytime soon.
I liked the movie a lot, but that scene just made me want to smack that apple out of his hands (yes, yes, I know the apple was one of those nods to canon - I don't care) and say, "Behave yourself! You want to be a Starfleet officer, you should stop acting like a smart-alecky teenager."
i could have done without two monsters chasing kirk. one would have been enough.
She's not a sir, sir, and the brilliance of the moment is clearly a matter of opinion.You must be sexually restrained not to realize the brilliance of that moment, sir. IMO.I think the Kobayashi Maru wins for me too. But a close second is the Uhura-unwittingly-strips-to-her-very-21st-century-underwear-in-front-of-Kirk scene. It wasn't classic Trek sexy, it was like cringemaking fourteen-year old boy fanservice.
I'll go along with that.I truly loathed the Kobayashi Maru scene - not the way he won, but the twerp-like way he acted as he was winning. Almost everybody else seems to have loved it, and I don't mean any disrespect to them (or to Chris Pine) when I say how much I hate it, but I thought it made Kirk look like an arrogant and immature jerk, not at all like somebody who ought to be made captain anytime soon.
I liked the movie a lot, but that scene just made me want to smack that apple out of his hands (yes, yes, I know the apple was one of those nods to canon - I don't care) and say, "Behave yourself! You want to be a Starfleet officer, you should stop acting like a smart-alecky teenager."
As it played in the movie, Kirk came across as too cocky and too smug -- an arrogant jerk, you said, though a less-polite term also comes to mind. If Abrams had had Pine play it less broadly, had Kirk less pointedly thumbing his nose at the onlooking test administrators and making a mockery of the exercise, they should still have been able to make it plainly apparent to the audience that Kirk was gaming the simulation, and there would have been no need for the administrators' reactions to be changed at all. I think that it could have been a better scene for turning Kirk down a couple of notches. That was really the one place in the movie where I was thinking "Oh, come on, now, that's really overdoing it."
Go on.I have plenty of other complaints with the film, but most of the rest are structural or conceptual issues and not one scene or moment.
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