[ ] Can't get enough!
[ ] Love it!
[x] Like it.
[ ] It needs work.
[ ] I now know when I'm getting my hair done.
[ ] My eyes! They're bleeding!
Like Luckyflux, I desperately wanted to love Eureka. But the tone never worked for me, and I'm not sure why. All the right elements seemed to be there, but not a single episode seemed to hit the mark.
Warehouse 13, on the other hand, seems to be succeeding a bit better. "Resonance" was better than the pilot, although a bit predictable, and I found the resolution moving. Not quite to tears -- it's just allergies, really -- but I loved it. Artie's a pretty good character (not great, but close), and the chemistry between Pete and Myka works.
I'm surprised Dickenson's still around, though. And intrigued. Something bigger than either agency is probably looming in future episodes.
More than Eureka, this show reminds me of The Invisible Man, but somewhat less adolescently cynical. Fredrick's agency isn't lost in the bureaucracy, but is a competent contender and the Warehouse has more pull than the Bureau of Land Management or National Park Service that Fawkes found himself working for.
After thinking about it ... is this the American Torchwood?
[ ] Love it!
[x] Like it.
[ ] It needs work.
[ ] I now know when I'm getting my hair done.
[ ] My eyes! They're bleeding!
Like Luckyflux, I desperately wanted to love Eureka. But the tone never worked for me, and I'm not sure why. All the right elements seemed to be there, but not a single episode seemed to hit the mark.
Warehouse 13, on the other hand, seems to be succeeding a bit better. "Resonance" was better than the pilot, although a bit predictable, and I found the resolution moving. Not quite to tears -- it's just allergies, really -- but I loved it. Artie's a pretty good character (not great, but close), and the chemistry between Pete and Myka works.
I'm surprised Dickenson's still around, though. And intrigued. Something bigger than either agency is probably looming in future episodes.
More than Eureka, this show reminds me of The Invisible Man, but somewhat less adolescently cynical. Fredrick's agency isn't lost in the bureaucracy, but is a competent contender and the Warehouse has more pull than the Bureau of Land Management or National Park Service that Fawkes found himself working for.
After thinking about it ... is this the American Torchwood?