I liked everything except Enterprise. It would have worked for me if it was set in an alternate timeline, but considering they were trying to make the "Akiraprise" set in the same timeline as Kirk, it totally was screwed up.
Aiming for humor is one thing, but it's not like the script dwelled upon it. Right after that little joke, it was back to action and seriousness and derring-do.
I'm reminded of Saving Pvt. Ryan, a film you referenced earlier. In the middle of the climactic and deadly-serious end battle, Tom Sizemore's character runs out of bullets. Rather than do a rather masculine punch or a classically-trained military martial arts technique, he repeatedly smacks a German with his helmet the way a little old lady would with a purse. Everyone in the theater when I went had at least giggled, at the most guffawed and laughed, but this was well after most of Sizemore's platoon had been killed both before and during the battle. That moment in no way removed the immediacy of the action or took the audience away from the sadness of the excruciating deaths of Adam Goldberg or Tom Hanks.
You mean this http://www.youtube.com/watch?v=nPSmL70VzoQ&feature=related? That hardly seems comparable... And of course it didn't take away from the deaths - they REALLY were sad and excruciating, they were executed well. In this movie, I just felt somewhat sorry for Spock (because he lost his mother), but for Vulcans, Vulcan culture and civilization (remember, it's not just in ruins, it's literaly sucked into a black hole, gone forever) - nothing.
It's also fiction. For one thing, dramatic interpretation is what helps us believe that a captain with a British accent is from France, and that futuristic starships, for some odd reason, still do battle like old 17th century sailing ships.Watching just the movie, you couldn't tell. I don't like to rely on outside information from writers to know such thing.Back pedal or such, it's still there. When have any visual interpretations of the mind meld ever been literal in Trek? Even Tuvok's would turn into surreal territory at times (ie the mind disease with Janeway and Sulu).
Well, i say it says more about the public than about SW or ST.There was no such scene in Star Wars after Alderaan blew up (a movie that's still held in higher regard than the best of Trek films by the public), but then again, its two sequels never touched upon it either. I hope the next Trek movie does speak to something of that effect (and one-ups Star Wars in that regard), esp. since modern Trek did a very good job of bringing up consequences of huge events. The writers said they took notes from the TOS movies too, and the consequences of TWOK and TSFS lasted into TUC, so I hope they noted that as well.Plus, again, what exactly did we know about Alderaan? It surely wasn't Vulcan.
Of course, the next movie could remedy this somewhat, but again, I don't like to rely on promises for the future.
I liked everything except Enterprise. It would have worked for me if it was set in an alternate timeline, but considering they were trying to make the "Akiraprise" set in the same timeline as Kirk, it totally was screwed up.
Again, I wouldn't debate the quality of such scenes and how they're written and filmed. As i said, if you think the humor is clunky that's one thing. But hardly comparable? I'm arguing that humor and serious aren't mutually exclusive.
Here's hoping they really go that way.Well, hoping isn't the same as ensuring a promise, either. But so far, I do hope they expand upon Vulcan. The writers have a massive war-induced diaspora on their hands and that would be an excellent and rather timely social topic for modern Trek to tackle.
I liked everything except Enterprise. It would have worked for me if it was set in an alternate timeline, but considering they were trying to make the "Akiraprise" set in the same timeline as Kirk, it totally was screwed up.
I have a nagging feeling that had B&B really put it in an alternate timeline many people would have accused them of being lazy and trying to avoid respecting canon. Of course, i could be wrong.![]()
How can you praise this movie and bash VOY, ENT and Nemesis?
Yeah, well, genocide is a pretty sad thing, wouldn't you say?No this movie really didn't need more sadness.
I'm really tired of sad movies.
Simple. Star Trek (XI) was wiked awesome! Voyager, Enterprise and Nemesis sucked monkey do-do!
How's that? Any more questions?
I can like or dislike anything I want, that's how :P
Some of us really liked that 'talkity talk Snore Trek', you know? I know i liked it better than TOS (*evades flying objects*How can I like this movie and bash Voyager, Enterprise and Nemesis? Easy. IN fact, I'll do one better and throw TNG into the mix as well.
How?? Because THIS movie is back to basics. It's TOS in both concept and execution. TNG and the spin-offs were totally different animals and ran as far away from TOS as they could, utimately paying the price. This movie is just the opposite. It's incredibly fun. It understands TOS, it embraces TOS and the respect and undestanding that it gave to TOS has brought the movie rich rewards, which it so rightly deserves. This IS Star Trek. After 20 years of talkity talk Snore Trek, it's FINALLY back and I couldn't be happier to herald it's return.
How can I bash the others?
Easily.
Star Trek was fantastic.
Nemesis, Enterprise and Voyager were shit.
How's that?
I would also add the Vulcan trilogy of ENT's fourth season.It really isn't fair to compare one two hour film to an entire series. Afterall, both VOY and ENT had what I would call solid starts with their pilots.
But if you want to judge XI with something more comparable like the pilots of those shows I would argue "Caretaker" was better and "Broken Bow" was a tad bit better than XI. I'd also say that "Scorpion" was better as a two hour film.
Even ENT's "The Council/Countdown/Zero Hour" trilogy at the end of the third season could be considered a three act two hour film that was better than XI. It had outstanding effects, battle sequences, a sense of scope, Earth in jeopardy, great production, costuming, lots of locales(the interior of the superweapon, the avian stronghold, several different bridges, a transdimensional realm, the Federation ceremony in 2161), a large cast of characters, stronger character scenes and Reed's discussion with T'Pol over the loss of one redshirt was better executed in tone than some in XI.
Yes as would I. It had more of a feel for TOS and especially of a TOS film than XI. It also demonstrated how a writer could effectively utilize elements that other series had introduced and put them to great effect in a new interesting story rather than feeling like gratuitous namedropping.I would also add the Vulcan trilogy of ENT's fourth season.It really isn't fair to compare one two hour film to an entire series. Afterall, both VOY and ENT had what I would call solid starts with their pilots.
But if you want to judge XI with something more comparable like the pilots of those shows I would argue "Caretaker" was better and "Broken Bow" was a tad bit better than XI. I'd also say that "Scorpion" was better as a two hour film.
Even ENT's "The Council/Countdown/Zero Hour" trilogy at the end of the third season could be considered a three act two hour film that was better than XI. It had outstanding effects, battle sequences, a sense of scope, Earth in jeopardy, great production, costuming, lots of locales(the interior of the superweapon, the avian stronghold, several different bridges, a transdimensional realm, the Federation ceremony in 2161), a large cast of characters, stronger character scenes and Reed's discussion with T'Pol over the loss of one redshirt was better executed in tone than some in XI.
It had more of a feel for TOS and especially of a TOS film than XI. It also demonstrated how a writer could effectively utilize elements that other series had introduced and put them to great effect in a new interesting story rather than feeling like gratuitous namedropping.
Yeah, well, genocide is a pretty sad thing, wouldn't you say?![]()
And then, why was a reboot exactly needed? What is so superior in this movie that couldn't have been done in the original timeline?
You could not have had young Kirk and Spock.
there was slapstick comedy in mash.
i guess you never have seen it.
as pointed out most of the stuff any way happened before the destruction of vulcan.
Ok, i haven't seen MASH, though i'm meaning to see it.
But even then, it's an exception that proves the rule. You don't see much laughter in Saving Private Ryan, Black Hawk Down, Band of Brothers, do you? Or if you want Sci-fi, in nuBSG.
Plus, it's not the same situation. It's about war, a protracted suffering. You live through many horrible things and you have to laugh from time to time just so you don't go insane. I'm talking about essentially a terrorist attack, sudden massive distruction.
as pointed out most of the stuff any way happened before the destruction of vulcan.
And as i pointed out, there was plenty after the distruction of Vulcan.
Yeah, and it wasn't really right there either (could you give me specific examples? i'm a bit rusty on TOS)but look solar systems were destroyed in tos without reflection on what happened.
Plus, it wasn't the second most important planet of the Federation ( and the race on whose development 40 years of work and love had gone) that was in question.
there was slapstick comedy in mash.
i guess you never have seen it.
as pointed out most of the stuff any way happened before the destruction of vulcan.
Ok, i haven't seen MASH, though i'm meaning to see it.
But even then, it's an exception that proves the rule. You don't see much laughter in Saving Private Ryan, Black Hawk Down, Band of Brothers, do you? Or if you want Sci-fi, in nuBSG.
Plus, it's not the same situation. It's about war, a protracted suffering. You live through many horrible things and you have to laugh from time to time just so you don't go insane. I'm talking about essentially a terrorist attack, sudden massive distruction.
And as i pointed out, there was plenty after the distruction of Vulcan.
Yeah, and it wasn't really right there either (could you give me specific examples? i'm a bit rusty on TOS)but look solar systems were destroyed in tos without reflection on what happened.
Plus, it wasn't the second most important planet of the Federation ( and the race on whose development 40 years of work and love had gone) that was in question.
the changling..
immunity syndome..
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