A terrible shame, I think.New means risk. Risk is not a popular thing in the film making industry anymore. It's about money and fear. Shame really.
A terrible shame, I think.New means risk. Risk is not a popular thing in the film making industry anymore. It's about money and fear. Shame really.
My mom, who loved the PBS Mystery Holmes will probably see it, but complain the whole time.
My mom, who loved the PBS Mystery Holmes will probably see it, but complain the whole time.
Your mom posts on TrekBBS?
Eh. Doesn't really do much for me, as a fan of the Jeremy Brett series and the original novels. Yes, Holmes was more active than many adaptations make him out to be, but jumping-out-of-a-window-into-the-Thames active? Not really...
And yet he fell/dove into Reichenbach Falls with Moriarty.
And yet he fell/dove into Reichenbach Falls with Moriarty.
Err, no, we (and Watson) just thought he did. When Holmes "returned from the dead" in "The Empty House," he explained that he'd never actually fallen at all -- Moriarty went over the falls, but Holmes just went into hiding to escape the vengeance of Moriarty's associates.
(The irony is that Doyle intended to kill off Holmes permanently, but he wrote the story in such a way that made it easy to resurrect him, since the narrator, Watson, didn't actually see Holmes' death, merely inferred it.)
My mom, who loved the PBS Mystery Holmes will probably see it, but complain the whole time.
Your mom posts on TrekBBS?
I wish I had drunk something when I read that, because it would have been an awesome spit take.
*sigh*
Even so, as others have pointed out, there are enough references in the Doyle Canon (or is that Conan? Ba-dum-chhh) of Holmes' physical prowess that the jump into the Thames hardly seems out of character.
Even so, as others have pointed out, there are enough references in the Doyle Canon (or is that Conan? Ba-dum-chhh) of Holmes' physical prowess that the jump into the Thames hardly seems out of character.
Oh, unquestionably. Holmes was definitely a physically capable man, as was Watson.
The one thing in the trailer I have the hardest time accepting is a stubbly-cheeked Holmes. It just doesn't look right. I think of Holmes as a very meticulous man. On the other hand, he was a man who was only meticulous about matters that concerned his work and was neglectful about other aspects of life. So I suppose it's possible that he was lax in his personal hygiene. Still, making him stubbly seems like too much of an attempt to modernize him, make his look conform to current American fashion.
And then there's "The Second Stain" where Holmes recovers a letter from a "certain foreign potentate" which could seriously harm Great Britain's colonial interests; "Wisteria Lodge" has Holmes on the trail of a South American dictator who has fled a revolution; "The Bruce-Partington Plans", wherein the blueprints of a prototype submarine are found before they can be made use of by a German agent--this latter case at the behest of Mycroft Holmes who, by Sherlock's own admission, is much smarter and "occasionally is the British government." And of course the story "His Last Bow", which is chronologically the final adventure, where he goes undercover to infiltrate a German spy network on the eve of The Great War. There are other examples.In terms of the original stories vs. the popular image, one of the more notable things is how the original Holmes cases are pretty uniformly small potatoes. By which I mean, people expect someone billed as the "world's greatest detective" to be involved in matters of state, confronting diabolical villains with big designs, facing figures from history like Jack the Ripper, etc. Most of his actual stories, though, are pretty routine Law & Order stuff, some of them downright minor ("The Blue Carbuncle", for example).
Looks interesting. As soon as I heard that Jude Law was cast, I knew we'd be getting a more competent than usual Watson.
In terms of the original stories vs. the popular image, one of the more notable things is how the original Holmes cases are pretty uniformly small potatoes. By which I mean, people expect someone billed as the "world's greatest detective" to be involved in matters of state, confronting diabolical villains with big designs, facing figures from history like Jack the Ripper, etc. Most of his actual stories, though, are pretty routine Law & Order stuff, some of them downright minor ("The Blue Carbuncle", for example).
The irony is that Doyle intended to kill off Holmes permanently, but he wrote the story in such a way that made it easy to resurrect him, since the narrator, Watson, didn't actually see Holmes' death, merely inferred it.
The irony is that Doyle intended to kill off Holmes permanently, but he wrote the story in such a way that made it easy to resurrect him, since the narrator, Watson, didn't actually see Holmes' death, merely inferred it.
Well, in Doyle's defense, this was before the establishment of the comic book rule that no one is dead until you see their body (and sometimes even then...).
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