Here.
Paramount first approached Abrams with the idea of taking the U.S.S. Enterprise out of mothballs shortly after the release of his debut feature, Mission: Impossible III. "I was interested in the challenge,'" he says, on the phone from California, adding that he initially signed on only as the film's producer. His first decision as the Enterprise's new captain was to take Star Trek back to basics, which for him meant a return to the conflict that defined the original series—the occasionally fractious friendship between a man of action (that would be one James Tiberius Kirk) and a man of logic (Vulcan scientist Mr. Spock). "For me, Star Trek was always about Kirk and Spock," he explains. "I know there are huge fans of 'The Next Generation' and the other iterations of it, but to me, it was a Kirk and Spock story and [the writers] extrapolated other series and movies from that fundamental idea."
To devise the right story to re-launch the series, Abrams assembled a brain trust of friends and frequent collaborates that included his “Lost” co-creator Damon Lindelof, “Fringe” exec producer Bryan Burk and M:I scribes (and the writers of both Transformers movies) Roberto Orci and Alex Kurtzman. "It was a great balance between people who knew the material and those who couldn't care less about it," Abrams says. "For example, Robert is an obsessed fan, whereas Bryan had never even seen Star Trek before."