That's because your eye hasn't got a camera lens in it.Lens flare from what? I can look at somebody staring off at an airport and I don't see any kind of reflection/glare just floating around them for no reason.![]()
Visual "artifacts" of that sort have been present in all of the trailers so far, including the original teaser. Once you start looking for them, you'll see them everywhere.
I'd be willing to bet that they're all calculated to pass just through this part of the frame at just that instant. I think that each one is as much an intentional effect as any of the sounds or transporters or CG starship weaponry or Giant Space Drills.I agree. The one on Kirk's face seemed very intentional. I'm still not sure about the one at the construction site, though.
Here's something odd and off topic...My skin crawls a bit when I see the enterprise being constructed.
Not because of canon or anything...but I mean my skin literally crawls a bit because of all the holes in the ship...it looks a little like it's decayed. Do you know what I mean?
Maybe it's digital CGI stuff tossed in to make it appear as if the camera lens were refracting light from a more conventional, older-style movie set and surroundings? So the movie doesn't have too over-the-top and obnoxious a CGI feel?
That's one downside to modern CGI when you can throw anything and everything into a shot if you so desire. Too much extraneous fluff to confuse or distract the audience from the stuff they SHOULD be watching much more closely.
I don't get a crawly feeling, but it does look off, in a way, because it's not finished -- it doesn't look like a whole starship. If it were clearly abandoned and decaying, rather than lit up and under construction, then yeah, that might create an eerie impression.Here's something odd and off topic...My skin crawls a bit when I see the enterprise being constructed.
Not because of canon or anything...but I mean my skin literally crawls a bit because of all the holes in the ship...it looks a little like it's decayed. Do you know what I mean?
That's one downside to modern CGI when you can throw anything and everything into a shot if you so desire. Too much extraneous fluff to confuse or distract the audience from the stuff they SHOULD be watching much more closely.
Oh for god's sake!
We only noticed it because we watched the damn trailer hundreds of times and analyzed each and every frame to death.
If those lights in the background were real, the same or similar reflections would have been seen in that shot.
This is a case of adding realism and not 'extraneous fluff' via CGI.
That's one downside to modern CGI when you can throw anything and everything into a shot if you so desire. Too much extraneous fluff to confuse or distract the audience from the stuff they SHOULD be watching much more closely.
Oh for god's sake!
We only noticed it because we watched the damn trailer hundreds of times and analyzed each and every frame to death.
If those lights in the background were real, the same or similar reflections would have been seen in that shot.
This is a case of adding realism and not 'extraneous fluff' via CGI.
Not everybody has blown the images up or studied them at length.
I make a point of scanning past that shot when I watch the trailers, not just because the concept of built-on-earth offends me, but because I think the execution is godawful, as in, looks like he is parked in front of a painted billboard. That was my first impression, and I doubt that scrutinizing the non-luminous lights or the black levels is going to alter my lack of appreciation.
I think the poster you were responding to was noting that the shot has problems ... I would liken it to the Starfleet/Federation HQ matte shot in TVH, which suffererred from (in the ILM guys' echo of AMADEUS), 'too many notes.'
There must be things in it that you don't like that makes it seems so, flat, to you. Because I am looking at it right now, and I see nothing wrong.
It offends you? How, may I ask, does the image of a fictional starship being built in a place that did not dictate to the fanon offend you? You may disagree with it, but to say if offends you...
What is so wrong with the shot then? There must be things in it that you don't like that makes it seems so, flat, to you. Because I am looking at it right now, and I see nothing wrong.
There must be things in it that you don't like that makes it seems so, flat, to you. Because I am looking at it right now, and I see nothing wrong.
Probably the blackpoint, which was also an issue in the pre-computer days of optical composting. But that effects houses can't get the blacks to match on a live action element and a digital element in this day and age of interactive editing is....not logical.![]()
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