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Orci on Start Trek, timelines, canon and everything (SPOILERS)

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Atleast that's the gist I got, of course I'm not one of these fans who second guesses everything because they've been out Raping Childhoods.

I think a lot of these "fans" are just bitter about not being asked to consult on this film.

So because some of us are sick of time travel in Trek movies we are not real fans??:rolleyes:
That is exactly what I'm saying.:rolleyes:

It's a shame when posters who can't present a good argument have to turn to insulting people. If you are going to get pissed off that someone doesn't like what you like then you really shouldn't waste your time here because from what I've seen the majority of people critical of the movie have not turned to insulting those who aren't critical of it.
 
Re: Bob Orci on Start Trek, timelines, canon and everything (SPOILERS)

Star Trek is getting a heart (TOS) bypass when it really needed a brain operation.
 
Re: Bob Orci on Start Trek, timelines, canon and everything (SPOILERS)

Star Trek is getting a heart (TOS) bypass when it really needed a brain operation.

haha clever analogy :lol:

If it did get a brain operation, hopefully the doctor wouldn't forget what he was doing halfway through! ("Spock's Brain")

Brain and brain, what is brain?!
 
...because from what I've seen the majority of people critical of the movie have not turned to insulting those who aren't critical of it.
Fortunately, the reverse is also true.

I'll again take the opportunity to remind everyone to address the content of the post to which you're responding, rather than the poster, and to remember that some posts may simply not call for a response and are better stepped around.

Star Trek is getting a heart (TOS) bypass when it really needed a brain operation.

haha clever analogy :lol:
If you say so. Back to the topic, though, wherever it was.
 
There was time travel involved because the Enterprise C passed through the rift. How else would it get to the future.
Well, going to the future is not really time travel. We are traveling into the future right now. Only by going to the past and changing events that already happened do you cause a paradox.

When Khan was frozen in the 20th century and woke up in the 23rd century, that wasn't time travel, even though from his point of view, he instantly traveled 200 years into the future.

Yes, the rift caused the Enterprise-C to instantly appear 20 years in the future (i.e., travel through time), but that did not change history, because the creation of the rift, and the disappearance of the Enterprise-C into it, was the natural and inevitable result of the photon torpedo explosions during the fight with the Romulans.

If it had not then events would have remained the same. How can a ship that is outside of it's own time be in any way the original timeline?
Well, the ship and the people on it are always within their own internal timeline (in the "Donnie Darko" sense of personal timelines). Like if you get on a train in Paris and travel to Rome, you are in a different country when you get off the train, but you were always on the same train, and Rome did not replace Paris; you just traveled from one to the other. Paris still exists, even though you left it and may never go back. There are other people in Paris, and to them, you got on a train and never returned. But to them, Paris is still there.

A timeline is a physical place, a region of space-time, just like Paris and Rome are places. Time travel is like getting on a train and going from one place to another. If both places are in the same time period, then instantaneous travel between them is teleportation. If one place is in another time period, then instantaneous travel between them is time travel.

But even with time travel, unless you change something in the past, you have not left your own timeline (just like traveling from Paris to Rome, you have not left Europe). Going into the future, like we do every second of the day, or even jumping 20 years into the future, does not change historical events, so travel into the future is always into the same timeline.

(Again, I am defining "timeline" as a point of divergence in historical events. Maybe you would call it an "alternate reality" or a "parallel universe," but I am using the terms interchangeably -- like the timeline diagram Doc Brown drew on the black board in "Back to the Future II").

But back to "Yesterday's Enterprise." In all timelines (including the original timeline, i.e., the normal course of events without intervention from the future), The Enterprise-C fought the Romulans at the Klingon outpost. A spread of photon torpedoes created a rift. The Enterprise-C disappeared into the rift. That is an unbroken chain of causality, and happened the same way in all timelines. None of those events was caused by a paradox.

Following the disappearance of the Enterprise-C into the rift, the only logical line of causality is that the Klingons went to war with the Federation 20 years later, at which time the Enterprise-C emerged from the rift. Picard and Yar were faced with a choice. They could keep the Enterprise-C in the future to help fight the Klingon war, thus creating a predestination paradox like in "Time's Arrow." The Enterprise-C would not go back in time, thus keeping the timeline unchanged. (Like getting on a train in Paris, following a circular track, and you're still in Paris when you get off.) Then there would be only one timeline. (It would be like going to the Guardian of Forever, but not stepping through it. To change the past, someone must first decide to change the past, then act on that decision.)

So, Picard and Yar made the decision to change the past, and they acted on that decision. Yar went back in time on the Enterprise-C, and changed the past. If she had simply changed her own timeline (i.e., her own past) then in that new timeline, she would have been killed by a tar monster two years earlier, and she would cease to exist. No one on the Enterprise-C would have any recollection of the "Lt. Yar" timeline or the war with the Klingons, if, as you say, they REPLACED the timeline. (Like if you get on the train in Paris, the train doesn't move, and when you get off the train, Paris has been REPLACED by Rome, and Paris never existed.)

You could very well make this argument for one timeline "erasing" another timeline from existence, if "Yesterday's Enterprise" was the only TNG episode you ever watched. (It would be the same as the "Back to the Future" movies, where characters "erase" themselves by changing their own past.) However, since we know that Yar did not cease to exist (and in fact lived in the new timeline to have a daughter) then obviously the molecules of her body, and those forming memories of her life in her brain, must have come from another universe, or timeline or reality.

A basic tenet of physics is that matter cannot be created or destroyed. The amount of matter/energy in the universe is constant. When Yar popped out of the future on the Enterprise-C, she added about 130 pounds of mass to the universe. The atoms in her body, and the memory molecules in her brain, came from all the food and air she had consumed in her lifetime. And those food and air atoms came from her original timeline, or universe (which lost about 130 pounds of mass at the same time "our" timeline gained them, so conservation of matter is preserved across the "multiverse" of all timelines).

We saw at the very beginning of the episode the Enterprise C pass through the rift, when it did then we actually see the timeline change from what it was to an altered future. Which is a direct result of the Ship been displaced in time.
But the people in the "Lt. Worf" timeline never saw the Enterprise-C. They never had to decide whether to send it back in time or not. Nothing they did (or didn't do) changed their own (or anyone else's) past.

It was their own past that was altered by Lt. Yar from the original timeline, as we saw in future episodes when Sela appeared. Half of Sela's DNA was formed by molecules from her mother's body, which came from a real timeline that really existed, since matter and people and memories of that timeline still persist in the "Lt. Worf" timeline. The original timeline was not "replaced," people just traveled from it to another timeline. To the people in each, their own timeline is the "real" one.

The TNG timeline is not alternate because it was only changed in one episode when the Enterprise C passed through the rift.

If this was an alternate timeline then it would have stayed with the Warship Enterprise. You could just switch to an alternate timeline in any episode then. What is actually shown is the timeline changing not switching to a new different one.
That's exactly the point I was trying to make. The timeline you see in any TNG episode is the one being filmed by the cameras. It is the writers and directors who decide which timeline you are seeing, because it is the timeline they choose to write stories about that week. The "real" timeline, as you think of it, is what you watch every week on your television screen.

But, think about the "Enterprise" two-part episode, "In a Mirror, Darkly," which took place entirely in the Mirror Universe, including the "Terran Empire" opening credits. That is an example of the producers deciding which "real" universe you are seeing on your screen, because for two episodes, the cameras stayed in the Mirror Universe and never left. For the characters in that episode, the universe that the U.S.S. Defiant came from was an "alternate reality." It all depends on the point of view of the characters that the cameras are following.

We know from the stardates in "In a Mirror, Darkly" and "Demons" that at the same time Mirror-Archer was trying to crush the alien uprising in the Mirror Universe, using the U.S.S. Defiant from the "alternate" reality, that on that same date, Captain Archer of that "alternate" reality was on his way to a peace conference to unite aliens from around the quadrant.

They both happened, in two alternate realities, at the same time. And they were both "real" at the time you were watching them, because cameras were recording the events in both realities.

It's the same thing with "Yesterday's Enterprise." Obviously, there is only one camera showing one timeline on your screen at any given time.

(Imagine if there had been a split-screen showing all the events in the "Lt. Yar" timeline alongside the first 60 "TNG" episodes before "Yesterday's Enterprise," or even during the entire "Yesterday's Enterprise" episode itself. You would have seen two unrelated universes that both happened to have an Enterprise-D, but the characters would have been doing completely different things, just like if every episode had a split-screen showing what's happening right now in the Mirror Universe.)

Everything you saw in "Yesterday's Enterprise," or "Endgame," or "Star Trek Generations" was the point-of-view of the camera crew following one character from one timeline to another. That camera's point-of-view manipulates you, the viewer, into believing that the last timeline the camera shows is the "real" or "only" timeline, because the cameras will continue to film in that same timeline the next week.

In "Yesterday's Enterprise," you saw an editing cut from the camera in the "Lt. Worf" timeline to the camera in the "Lt. Yar" timeline at the same moment. (Like between the end of "In a Mirror, Darkly, Part II" and "Demons," the cameras switched from showing the Mirror Universe to what was happening in "our" universe at the same moment. But that change in camera points-of-view does not mean that "our" universe "replaced" the Mirror Universe, just because one scene was filmed after the other.

In fact again there is nothing to prove this. Admiral Janeway changed the timeline and Voyager never stayed in the Delta Quadrant another 20 years. One timeline, changed.
No, in the first half of "Endgame," we saw the Voyager get to Earth 20 years later. That was not a paradox or a dream; that was the actual continuation of the "Voyager" TV series. Janeway really did use a Klingon time machine to go into the past, and alter past events. She really did give the past Voyager new shields and weapons, and she shared her memories of the next 20 years with the crew. She was really there, alive, in the new timeline. The atoms of her body were not "replaced" (like the "Back to the Future" characters fading away after changing their own past).

Admiral Janeway was a physically real person, from a physically real universe. The only reason that you're arguing that Admiral Janeway's timeline is not "real" is that the cameras followed her to the other timeline. (Again, it's like a camera crew following Janeway on a train ride from Paris to Rome. Would you argue that Paris no longer exists, solely because there are no cameras there to record it?)

What if the camera point-of-view remained in the future timeline at the beginning of "Endgame"? After the Voyager spent 20 years in the Delta Quadrant, Admiral Janeway would steal a shuttle and vanish into some other timeline, and never be heard from again. But everyone else would continue to go about their lives. Since the cameras don't follow Janeway into the past, you have no bias that the past timeline she went to is any more "real" than the future where the cameras stayed.

And if the cameras in "Star Trek Generations" had followed the point-of-view of the Enterprise-D (instead of following Picard into the Nexus), you would have seen the sun explode, everyone on the Enterprise-D would be dead, the planet would explode, and you'd be watching 30 minutes of radioactive debris floating around in space where a star system used to be. (Obviously, the point of view of Picard was far more interesting, which is why the writers and producers and director sent the camera crew into the new timeline along with him. What you think of as the "real" or "only" timeline, is just the more interesting timeline that the filmmakers choose to show you.)

No, you're just basing this on a theory that every time travel event creates a new timeline. It's been established a number of times that it's the same timeline that gets changed. Not an alternate one.
No, almost every "Star Trek" episode involving time travel is written by someone different, from Harlan Ellison to Brannon Braga to Roberto Orci and Alex Kurtzman, and every writer has his own idea of what time travel means (as you and I do).

We can both cite counter-examples all day to prove our points, because there are a dozen different time travel theories depicted in a dozen different episodes. In that sense, "Star Trek" is more like "The Twilight Zone" than "Star Wars" or "Babylon 5," in that it is an anthology of hundreds of writers inventing their own science fiction stories, which just happen to have the same characters every week.

Yes, some episodes show a single timeline, such as a causality loop, where they go back in time and nothing changes (as in "Time's Arrow). That is one theory of time travel, which is depicted in such sci-fi films as "Primer" and the recent Spanish film "Timecrimes" ("Los Cronocrimines").

Then there are episodes where the characters intentionally go to the past to change something, creating an entirely new timeline that is different from the one they remember, including "Yesterday's Enterprise," "Timeless," "Endgame," "The Visitor," "Star Trek Generations," and "Time Squared."

Then there are episodes where someone goes back to change the past, but then someone else follows them to "fix" the past, such as "Star Trek: First Contact," "Future's End," "The City on the Edge of Forever," and "Star Trek XI."

And then there are episodes depicting alternate realities (or parallel universes, or divergent timelines) where no time travel or paradoxes are involved, such as all the "Mirror Universe" episodes, or TNG's "Parallels," where multiple realities physically exist side-by-side, and all are equally real.

We see Janeway and crew return Home. That means that Admiral Janeway that we saw in this episode will never have existed because she changed the timeline. We don't see either of them together again after Janeway and the crew get back home. If we did then I'd agree with you that she is from an alternate timeline but that Admiral Janeway will never be.
Well here you're just factually wrong. Admiral Janeway was physically real. She really talked and interacted with the crew. She gave them real information and technology from her timeline. She died fighting the Borg, which is the only reason Admiral Janeway was not seen at the end of the episode. The atoms of her body still exist in this timeline, and the Voyager crew still remembers seeing and hearing her. (It's just that the producers chose for the camera to follow the living crew members rather than continuing to film Admiral Janeway's dead body for the last five minutes.)

You're trying to make it sound like Admiral Janeway (and her entire timeline) just faded away like the photograph of Marty in "Back to the Future," but that's not at all how time travel works in most "Star Trek" episodes. Just like Lt. Yar and Sela after "Yesterday's Enterprise," Admiral Janeway continued to exist after changing the past, because she did not "erase" her own past, she was physically in a new timeline, where there was physically a second version of herself at the atomic level, both living at the same time. Lt. Yar and Admiral Janeway and Captain Kirk all died because they were physically killed, not because they were erased from history.

Time travelers do not "merge," or "fade away," or "erase themselves" in most "Star Trek" episodes. There are examples, though, such as "Time Squared" and "We'll Always Have Paris," where we do see time travelers fade away, or merge with their past or future selves, rather than continuing to exist in new timelines. So in those specific episodes, you are absolutely right: they depict one timeline absorbing changes and erasing the time travelers from alternate timelines.

But again, there are dozens of different time travel episodes, and very few of them follow the "logic" of those two episodes. You can't use specific time travel theories shown in specific episodes as evidence that there is some grand unified time travel theory in all 750 episodes of "Star Trek." Like most other things in "Star Trek," the producers just make it up as they go along.

Look at the episode "Twilight" in Star Trek Enterprise. When the parasites is Archer's brain are destroyed they are removed from all scans of his brain taken in that timeline. Therefore it can't be an alternate timeline because in the very same timeline we see that the scan of years before has changed due to the parasites been eliminated. Can you explain how that is not the same timeline? An alternate timeline would not show this.
It's been a while since I saw "Twilight," but I think it's an example of a fourth type of paradox: "Anti-time," which was also the basis of the paradox in "All Good Things ..."

Anti-time paradoxes somehow use reverse causality, where future events cause past events in the same timeline, yet the characters still remember the past events that were changed.

How can characters logically remember something that is going backwards in time? If computer records of an event are erased from the past (like Marty's photo in "Back to the Future") how could people have memories of those events? (The events either happened or they didn't. Logically, you wouldn't have people remembering what never existed.)

I think anti-time paradox episodes like "Twilight" and "All Good Things ..." are evidence that the writers just like making up paradoxes with no logical or scientific basis. (You can just imagine Stephen Hawking sighing and rolling his eyes as he watches those episodes.)
 
Look at "Time Squared" in TNG, because Picard didn't leave the ship the future version of himself vanished because those events never happened. Same timeline there. No predestination paradox in the slightest. This is the strongest argument that there is only one timeline and it's proven so in this episode.
You are absolutely right. In that episode, we saw Picard fade away (like in "Back to the Future"), just like the multiple Datas all faded away when the time rift was repaired in "We'll Always Have Paris." As you say, the single-timeline theory is proven in these two episodes.

But after "Yesterday's Enterprise," "Endgame" and "Star Trek Generations," Lt. Yar, Admiral Janeway, and Captain Kirk did NOT fade away after changing the past. They continued to live in the new timeline, with memories of the old timeline. (The fact that all three of them eventually died violent deaths has nothing to do with time travel. Time travel, due to its nature in fictional stories, tends to dump the time travelers into hostile, life-threatening situations. Very few people use time travel to have a safe, peaceful picnic in the past.)

You have to admit that the events in those three episodes prove that there is at least more than one time travel theory in different "Star Trek" episodes.

Some episodes, like "Time Squared," support your "Back to the Future" one-timeline model of time travel; while episodes like "Endgame," "The Visitor," and "Star Trek Generations" support my divergent-timelines theory; while other episodes introduce different time paradoxes, like the causality loops in "Times Arrow" and "Parallax," the anti-time paradoxes in "Twilight" and "All Good Things ...," and the change-the-past-then-fix-the-past scenarios in "Star Trek: First Contact," "The City on the Edge of Forever," "Trials and Tribble-ations," and possibly "Star Trek XI."

And then there's "Star Trek IV," which is either a predestination paradox or a divergent timeline, as the characters in the movie themselves were debating, but there's not enough information to classify it either way. (This demonstrates that neither the writers, nor the fictional characters, know what the hell they're talking about most of the time when they discuss time paradoxes.)

So there are at least five different theories of time travel depicted in various "Star Trek" episodes (not even counting the "Sliders"-type alternate realities like "Parallels" and the Mirror Universe).

"Star Trek" is a lot like the "Terminator" movies: Each episode is written by a different person with a different internal logic regarding time travel (fate vs. destiny vs. free will), but when they are all viewed together as a single fictional universe, the various theories do not fit together logically.

And I think you are using alternate timeline to make reference to any change due to time travel.
No, I concede that some episodes may depict a single timeline changing, but there are other episodes where an alternate timeline is definitely created. As I said, "Star Trek" is a collection of many different science-fiction stories, and they all do not support any one theory of time travel.

But have we really witnessed this? As I mentioned in First Contact the timeline changed before the crew's eyes. If this had created an alternate timeline then this wouldn't have happened.
Again, this is the point-of-view of the camera, which is following the crew members, not the timeline. (Going back to my earlier analogy, if a film crew follows a traveler on a train trip from Paris to Rome, from the camera's point-of-view it is not moving, and Rome "replaces" Paris outside the train.)

In "First Contact," the Enterprise-E was shielded inside the Borg ship's temporal wake, so it was pulled into the alternate timeline the Borg would create alone in the past (just like the landing party in "The City on the Edge of Forever" was shifted into the timeline where the Enterprise did not exist when McCoy changed the past, because the landing party was shielded by the Guardian of Forever's time vortex). These are both examples of change-the-past-then-fix-the-past scenarios, which are not really clear-cut examples of either divergent timelines or single timeline predestination paradoxes, because they depict three different alternate realities (or the same reality at the beginning and end, depending on your point of view). In both episodes, the crew could have chosen to stay in the new timeline, where there was no Federation. They made the decision to go into the past and "fix" it. (I think that is also the premise of "Star Trek XI," and the same decision Spock must make.)

You are talking about time travel in terms of a predestination paradox, which was best illustrated in TNG's "Time's Arrow," where they found Data's head in a cave, then Data later went to the past and lost his head, which would later be found in the cave. Obviously, the time travel in that episode did not create an alternate timeline, but rather was part of a causality loop, where future events caused past events, which in turn led to the same future events. So it would be acurate to say all events happened in the same timeline, since history was never changed.
Ok then but why can you argue that time travel creates an alternate timeline but this one doesn't? If we follow your argument there simply cannot be a predestination paradox as alternate timelines would be created. That's changing the rules.
Exactly. That's my point: There are no rules!

If you are watching a time travel movie about a predestination paradox, like "Primer" or "Timecrimes," then by the end of the movie, you realize that nothing has changed. The time-traveling characters are victims of their own ignorance, and unwittingly stumble into their pre-destined actions. They can go to the past, but are completely powerless to change the past. (I personally hate these types of stories, because if changing the past is physically impossible, then that makes time travel sort of pointless. It's like taking a train from Paris to Rome, but you can't get off the train. Why bother?)

TNG's "Time's Arrow" and Voyager's "Parallax" were very clean and elegant examples of this. However, those are two episodes out of dozens of time travel scenarios in "Star Trek" (in this discussion, we've probably overlooked half of Trek's time travel episodes).

In a series that shows predestination paradoxes one week, then shows characters creating new alternate timelines another week, then shows characters "restoring" previously changed timelines, the only conclusion you can make is that there is no consistent theory of time travel from one episode to the next.

But just because you saw all those events on your same television doesn't mean they're all part of the same timeline.
Well I completely disagree. It would be pointless to try and preserve Star Trek Canon if an alternate timeline gave them a way out each time. Even B&B said they were sticking to canon and any errors were mistakes, not alternate timelines. The agenda has been to preserve what is known and seen. This is not the case with the new movie after the events of Nero's time travel.
Again, you're confusing the "canon" of the camera's point-of-view with the timelines the camera passes through. Trek's cameras follow the characters, not the timelines.

Yes, most Trek episodes, from week to week, follow the same characters, on the same ships, and they remember events from the previous episode. In this sense, the storyline, or "canon," of "Star Trek" is linear.

And for creative and business reasons, we tend to see the same actors and the same sets on the show from week to week. So if Riker and LaForge are killed off in an alternate timeline, then the producers make darn sure that by the end of the episode, the camera has switched to another timeline where they are still alive, so that the actors can be on the show next week. (This is the famed "reset-button" they push at the end of every episode.)

This is exactly what happened in "Star Trek Generations." All the main characters were killed off in one timeline, so instead of filming another hour of dead corpses floating in space, the producers decided to send the cameras into another timeline where the characters did not die. One timeline was not more "real" than the other, it's just that our familiar characters were still alive in one timeline, so that's where the cameras stayed until the end of the movie, and into the next.

When the camera in "Endgame" followed Admiral Janeway from the future into the alternate past, where the Voyager got back to Earth 20 years earlier, the camera again stayed in that new timeline, and followed those events into "Star Trek: Nemesis," because that's the timeline with the familiar actors that the producers want to use in their movies. (Had "Star Trek: Nemesis" been filmed before "Endgame," Admiral Janeway could not have appeared in that movie, because she would not exist for another 20 years in the original "Voyager" timeline.)

In "Star Trek: First Contact," the camera followed our familiar characters from the 24th century into the 21st century, then the producers hit the big "reset button" so that the same characters and the same ship would be in the next movie set in the 24th century. (But then later, with "Star Trek: Enterprise," they followed up on the 21st century events of "First Contact.")

We haven't seen "Star Trek XI," so we can't be sure how it will end or, more importantly, which timeline the next movie will follow. Like "First Contact," it could show Spock going back home to the 24th century, where he could join Captain Riker on the U.S.S. Titan or Picard on the Enterprise-E, and the next movie could continue from that point of view.

Or, like "Star Trek: Enterprise," the next film could continue in the aftermath of the time travelers' adventure in the past, but in a timeline similar to the one the time travelers came from.

Or, like in "Generations," where the whole crew died, the camera could follow one time traveler back in time, where the past will be radically changed, and then the camera will stay in that new timeline.

However "Star Trek XI" ends, either with a "reset button" or a new timeline (or another option we haven't even thought of), I don't think it will be much of a departure from anything we have seen on Trek before.
 
For example, in TNG's "Yesterday's Enterprise," it depicted the original timeline where the Federation was at war with the Klingons; Picard's decision to send the Enterprise-C back in time to save a Klingon outpost created the alternate timeline that we see in every other TNG episode, where Worf serves in Starfleet and the Klingons are allies.
No, it depicted the original timeline being the timeline where the Klingons are at peace with the Federation, and time travel event of the Enterprise-C coming to the future at a critical moment CHANGING that timeline into a timeline where the Federation and Klingons are at war with one another. They then send the Enterprise-C back in time to COMPLETE what it originally was going to do, which CHANGED the timeline BACK to its original peaceful self.

It however, did NOT create a parallel universe.
You are thinking in terms of chronology rather than causality.

The "original" timeline is defined as what would happen if the past is NOT changed -- i.e., events in the past cause events in the present, which cause events in the future.

In "Yesterday's Enterprise," the battle with the Romulans caused photon torpedoes to be fired. The explosion of the torpedoes caused a spatial rift to form. The rift caused the Enterprise-C to disappear. This is the only possible chain of causality in the "original" timeline.

The timeline is changed when the Enterprise-C, with Lt. Yar aboard, comes back from the future and saves the Klingon outpost. There was NO "original" timeline where the Enterprise-C DIDN'T disappear into the rift. The only two possible timelines, then, are the one where it didn't return (which created the war with the Klingons 20 years later, when the Enterprise-C would emerge from the rift and Lt. Yar would come aboard) and the alternate timeline created when Picard and Yar actively chose to change their own past by sending the Enterprise-C back in time (thus creating the second timeline where Worf would join Starfleet).

If you think about it, when TNG started, Yar had already come back 20 years earlier and had a half-Romulan daughter, so obviously Lt. Yar had come back from the original timeline, casusing the timeline we had been watching for 60 episodes leading up to "Yesterday's Enterprise."

"Yesterday's Enterprise" merely shifted the camera's point of view into that original timeline for 40 minutes, showing the events that would send the Enterprise-C back in time to change the past.

Nothing in the "Lt. Worf" timeline caused the "Lt. Yar" timeline to exsit. Worf and his fellow crew members never made any decision to change history; they never saw the Enterprise-C, so they never had to make a decision.

It was in the original "Lt. Yar" timeline, where the Federation was at war with the Klingons, where the decision was made to change the past. The disappearance of the Enterprise-C happened in all timelines. The point of divergence is when it returned to the past, thus creating the new timeline where Lt. Yar would be captured and Sela would be born, and Worf would join Starfleet. That was the new, alternate reality created through time travel into the past.

It was only Lt. Yar and the Enterprise-C returning from the future that caused the timeline in which the Klingons and Federation were at peace. Therefore that peaceful timeline could not have been the original. (It's just the timeline you, the TV viewer, saw first ... but that's chronology, not causality.)
 
Orci's comments are a straw man to get the fan base talking about something else other than the fact that this movie ignores previously established Trek history for the sake of a quick buck.
Let me re-word your quote a bit...

"...this movie ignores previously established Trek history, and will hopefully be an entertaining film that is commecially successful"

My point is this: so what if it ignores previously established Trek history? Does every trek film need to continue the 42-year old story? Why not start fresh using the established & familiar characters and the established & familiar Star Trek philiosophy of story-telling?

In my book, if the characters are recognizable as the familiar TOS characters, and the story follows in the TOS tradition, then it's what I would label as the "Star Trek" brand, even if it did not continue (or add to) the story that we all consider the "canon".

Was the best thing about Star Trek really the fact that it essentially told one continuous story? I personally don't think so. The best thing about Star Trek was the story that each episode told. I enjoyed each episode on its own merits, and really didn't care that much how they related to one another (especially since that was a very rare occurance until midway through TNG's run.)

I have no disagreement with anything you are saying here. My problem is with the need to say the movie is an "alternate timeline" instead of just saying it will be a reboot. It just seems to me to be a comment to not piss off the fans (and as such has exactly the opposite of the intended effect on me) because the generally perception is that Trek fans would not be able to handle a movie that is different in events from the television series.

If Mr. Orci had said, it was decided to start fresh and that we will keep many elements that made Trek great then that would have been a much more acceptable statement to me.
 
If Mr. Orci had said, it was decided to start fresh and that we will keep many elements that made Trek great then that would have been a much more acceptable statement to me.
I think a five-year re-boot of "Battlestar Galactica," after a 13-episode failed series 30 years ago, is a lot different than a two-hour re-boot of a 750-episode series over 40 years would be.

"Star Trek" is NOT James Bond or Batman or Dr. Who. It has not been re-invented from scratch every 10 years. It has been an on-going series with the same characters sharing the same experiences. The new movie is obligated at least to start on that premise; then it is free to move in its own new direction, while remaining faithful to its origins (causally, if not chronologically).

(But like all 10 past Trek movies, it is also obligated to "improve" the sets and costumes, to keep the look fresh and futuristic.)
 
If Mr. Orci had said, it was decided to start fresh and that we will keep many elements that made Trek great then that would have been a much more acceptable statement to me.

But many others would have called the whole affair a pointless rehash, or accusations of creative bankrupcy or plagiarism. You can't please everyone, but to many, this does look pleasing.

I'm happy with what I've seen so far and it looks to be entertaining. I guess its time for the grumblers to accept that nuTrek is open to the enjoyment of anyone prepared to give it chance.
 
Glad to finally see this resolved but, wow, Orci sounds like his understanding of science goes about as deep as watching "Parallels." The guy comes off as seriously wanting some kind of external "scientific" justification for his story choice, and that just ain't there, buddy. Check these out:

[quotes snipped]

Anyone care to comment on how "awesome" and "current" and "most advanced of the sciences" quantum mechanics is? Especially, this watered-down version of the DeWitt many worlds hypothesis?
Yeah... Orci doesn't really come across as someone who's read a lot of serious science fiction (never mind actual science), does he? Or, for that matter, as if he expects his audience to have done so?
 
As long as the movie is good, I could really give a shit about which time line it's occurring in.
The interview comes off as patronizing bullshit aimed at obsessive fans. I couldn't give a damn about the timeline or whether the stories I've watched and read for over 30 years still "exist" in a fantasy world. It all seems silly to me. What I care about is staying true to who the characters are and the quality of the writing. On those points I remain very skeptical.
Interesting how these two posts, apparently coming from diametrically opposed points of view, are nevertheless saying basically the same thing.

The only difference is the underlying assumption about whether the picture will be any good. On that, I'm trying to be optimistic, but I admit to considerable skepticism.

(But even if it's good on its own terms, it's clear now that -- as a reboot -- those won't really be the same terms we've always thought of as "Star Trek," will they?)
 
I think a lot of these "fans" are just bitter about not being asked to consult on this film.

So because some of us are sick of time travel in Trek movies we are not real fans??:rolleyes:
That is exactly what I'm saying.:rolleyes:

Well that is just foolish then, I should not have to defend my fandom of Trek. Just because everyone does not constantly praise every decision that JJ makes does not mean we do not like Star Trek. It would be a very boring forum if all we did all day was heap praises on the movie. I still plan to see the movie week one. I just wish that time travel was not used but if its a good movie I am sure I will quickly get over it. :)
 
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Smells like an excuse to do all-new Kirk stories without having to respect canon and continuity if you ask me.

I certainly hope so. There's not really much point to reviving "Star Trek" again, otherwise.
I genuinely, sincerely cannot understand this attitude. I don't see much point to reviving Trek unless it's part of the same mythos we're familiar with. If it's just something different with the same name, why bother? Why should that appeal to anyone who has loved Trek up 'til now?

(Let me note, just FWIW, that I had and have a completely different attitude toward the BSG reboot. In that instance, the original was basically campy, derivative crap, and much shorter-lived to boot, and there was really no reason to be faithful to it when something much better was possible. Not to say that I don't still have criticisms of nuBSG, but they have nothing to do with previous canon. Original BSG neither had, nor deserved, nearly the same scale fan base as Trek, however.)
 
I'm not understanding why anyone is upset now. The original Universe is still continuing. Just minus Nero and Spock. Everything that's happened before in that time line still happened.
Is it due to thinking this will change the new trek time line so much that we wont get more TNG era stories?...
I'm not so concerned about the lack of TNG-era stories. I'm annoyed at the lack of TOS-era stories... something which, until the revelation of the reboot, one might reasonably have thought this film was going to be.
 
Smells like an excuse to do all-new Kirk stories without having to respect canon and continuity if you ask me.

I certainly hope so. There's not really much point to reviving "Star Trek" again, otherwise.
I genuinely, sincerely cannot understand this attitude. I don't see much point to reviving Trek unless it's part of the same mythos we're familiar with. If it's just something different with the same name, why bother? Why should that appeal to anyone who has loved Trek up 'til now?

Because of the possibility that Trek may regain some of the entertainment value, verve and imagination that it had four decades ago, before the obsessive pretense that it was in some important way a "history of the future" took hold.

One can "love Trek" while finding all the fussing and worry over the minutiae of its continuity worth bothering with - although that's become harder through the years as that trivia increasingly became what the Franchise was about.

BTW, everything Trekmovie.com is saying about the timeline in "Yesterday's Enterprise" is observant, logical and leads inevitably to the conclusions he's reached. It's a little surprising that more people haven't noticed and commented on this over the years.
 
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