The casual moviegoing audience in the 2020’s doesn’t give a shit about TNG.
When the last two
Avatar films came out, even in the years leading up to them, there were think pieces about whether or not
Avatar had had any lasting cultural impact. Sure, it brought in a bazillion dollars, and then it went away. The only people who cared were probably James Cameron and Sam Worthington.
One of the ongoing discussions I've been on the edges of for the past twenty-five years is whether or not Robert Heinlein has any staying power and whether he'll be read in twenty years. I would argue on the first, no, and on the second, who's reading him
now?
Peter Jackson's
The Hobbit trilogy grossed three billion dollars, but the only time anyone talks about it it's to say that it shouldn't have been three films.
Washington Irving was one of the most popular American writers of his time. Quick, name of one his works besides "Sleepy Hollow" and "Rip Van Winkle."
I bring these up because they point to something I think about with
Star Trek, specifically the sequel series. (Berman era and beyond.) Just because something was popular in its time doesn't mean it
lasts.
There's the quote about
Next Generation catching "lighting in a bottle" a second time, but did it, really? It was hugely popular in its time, but what lasting influence did it have? The Borg? "Resistance is futile"? "Make it so"?
The HD remastering was met with so much indifference that CBS lost money.
What was commonly called the most popular and mainstream of the modern
Trek series had its sequel series consigned to a streaming walled garden.
I like an expansive
Star Trek. It's a big universe. There's a lot that can be done in it. There are many things to explore, and I hope
Star Trek as a concept stays healthy enough for them to be explored. But these side stories may not -- and probably won't -- last, and that's okay. They don't have to. They had their moment, and the moment has gone.