By you, I mean those who object to it, but fair enough.
Ah. Fair enough xD
By you, I mean those who object to it, but fair enough.
I'm sorry, but it's absolutely ridiculous to compare a show being made today to a show made back in the '60s - '80s, TV is a completely different thing than it was back them. You might as well compare a big, modern broadway musical like Wicked, with an ancient Greek play like Lysistrata.But the weird thing by modern standards is — that wasn’t a season finale. Davisons Swansong in the lead yes, but the finale is The Twin Dilemma.
Which admittedly isn’t a shiny example xD
But consider this… Lis Sladen’s swansong is Hand of Fear. A normal serial, bar her being dropped off in not-Croydon. The next, Deadly Assassin, has all the hallmarks of what we now associate with a ‘finale’ and yet… isn’t one. Because then we get Face of Evil and pick up our new companion, in a story that relies in part on an offscreen adventure of sorts.
Which also is not the finale. (Talons)
Now, yes, it’s back when finale writing was not common place, but would season 14 be considered lacking a special something because we didn’t threaten the universe when Magnus Greel was terrorising Victorian London?
Admittedly, there’s a mid season break for Christmas and the New Year of about six weeks, probably a strike or sporting event involved too, so you could argue DA was still a finale of sorts. Not sure it was planned as such though.
Um..I think I must be the only person who has actually enjoyed most of the finales.
And generally, I love the finales - The Parting of the Ways is a spectacular regeneration for Eccleston and a good resolution to a loose but effective arc, the Utopia is OTT, but largely entertaining, End of Time likewise but with Cribbins as the companion (always a major win) some of Tennant's best moments, The Pandorica two-parter is fantastic (and the arc is likewise the best timeloop arc of Moff's), The Time of the Doctor is intense, sweet, heartwarming and exciting, the Death in Heaven is underrated character piece and a fantastic showcase for Missy, Heaven Sent is one of the best episode in all of Who and Hell Bent is a fantastic thesis on why The Timeless Children or fanwank like it will never work and reminds us what DW is actually all about, and the Cybermen three-parter of series 10 is another awesome finale and just textbook goodness. The rest as either okay or meh, except Timeless Children, which is simply the worst.
.I'm sorry, but it's absolutely ridiculous to compare a show being made today to a show made back in the '60s - '80s, TV is a completely different thing than it was back them. You might as well compare a big, modern broadway musical like Wicked, with an ancient Greek play like Lysistrata.
I think I must be the only person who has actually enjoyed most of the finales.
Modern Who has been running 20 years, classic ran for 26. When does modern who 'earn' the right!!And this brings us to my point about Nu Who. I think the classic show alone had the right to do these kinds of things, I just don't believe Nu Who has earned that right, at least not yet. Furthermore I think had either of these things been done in the classic era the execution would have been better. It would have been the Doctor simply regenerating from a man into a woman, there would have been some comments and raised eyebrows doubtless, but not much. Ditto pre-Hartnell incarnations. There probably wouldn't have been some over the top reveal like Flux (which failed for me. I assume that couple we saw were the Doctor's birth-parents?), it would have probably been something more constrained and refined.
See also: Star Trek!And like modem who it was mostly made up as it went along. There was no grand plan so treating it as some kind of sacred text is nonsense.
Plenty of times classic Who did things that the audience of the time disliked which we now treat as normal and to be celebrated.
How often are ancient plays produced in the style of how they were made back then. Particularly not in commercial productions.
Every era, changes its approach to older material and what we understand and appreciate of that material is not always going to be the same as the previous or next generation.
There was a time when Shakespeare plays were given happy endings when the original didn't have one.
Doctor Who is being approached through a modern lens in the same way those plays are.
On the one hand I'm delighted, on the other hand it is kind of an admission on the BBC's part that they need the man who made it one of the biggest things on TV back to save the show.
And if I'm reading the story correctly there won't be another series until after November 2023...
Sure, we still put them on, but I have a feeling a modern production of Lysistrata is going to be very, very, different from one put on back in 411BCE.We do compare modern plays and ancient plays all the time though. And we still put on the ancient plays as well.
It doesn't matter if it's still the same show, the style and expectations for a modern episode are going to be very different from episodes produced between 1963 and 1989, even those episodes changed a lot over the years. It's also the same reason why Strange New Worlds is very different from the original Star Trek, or even The Next Generation.And we are comparing a show to *itself*.
I really don't think it is, I still see a lot of serialization in most of the big genre shows, even Strange New Worlds, which is one of the least serialized current genre shows I can think of, still ends each season with a big finale that ties up threads that have been weaved through the more standalone elements of the season.I think it’s possible that audience tastes are moving back away from the finale and even sometimes overt serialisation, and certainly the ‘big’ finale is a fifty fifty shot sometimes it seems.
For you maybe, it's still working fine for me.It’s not even about whether I like or dislike them, or the model over all, it’s whether it’s working in this instance. And it looks like it possibly isn’t anymore.
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