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box office


SUNDAY UPDATE, Refresh for latest…: James Cameron’s Avatar: Fire and Ash has fired up a $345M global opening. Of that, $257M is from the international box office. This is the 2nd highest studio opening globally of the year, behind only Zootopia 2. The three Avatar films have now earned over $5.6B to date.

Both the worldwide and international debuts are within the pre-weekend projections. As we’ve noted all along, the Na’vi typically take their time to leg out. Compared to The Way of Water, this go-round had a shorter runway ahead of the Christmas and New Year holidays. Social scores are strong domestically and abroad, and there is much more play to come.


This return to Pandora was the No. 1 Hollywood opener in all markets (save Japan) this frame. It scored the biggest debut for a studio title in 2025 in France, Germany, Spain and Korea as well as many smaller markets It is also the 2nd highest MPA international opening overall since 2022’s Avatar: The Way of Water, behind only Zootopia 2 (more on that juggernaut below).


In China, Avatar: Fire and Ash has grossed an estimated $57.6M during its opening weekend. This was a No. 1 start in the market, and the biggest launch for an Avatar movie.

Across Europe, Avatar: Fire and Ash amassed $109.4M for its opening weekend at No. 1 in all markets. Included in that are the highest bows of 2025 in France, Germany, Spain, Austria (non-local), Belgium, Denmark (non-local), Switzerland, Lithuania (non-local), Portugal, Romania (non-local), Slovenia, South Africa, Tajikistan and Turkey.

Across Asia-Pacific (excluding China), Fire and Ash collected $60.1M this weekend at No. 1 in all markets except Japan where Zootopia 2 reigns. This was the best start for an Avatar movie in Vietnam and Indonesia and, really a happy surprise in Korea with the biggest opening weekend of 2025.

The Top 5 markets through opening weekend are: China ($57.6M), France ($21.4M), Germany ($18M), Korea ($13.6M) and UK ($11.9M).

All offshore markets launched this weekend except for Hong Kong which will join on January 8.

In Imax, Fire and Ash generated a $43.6M global opening weekend; the format’s biggest of 2025 and the fifth biggest debut in IMAX history.

Meanwhile, Disney’s Zootopia 2 keeps hopping as it nears $1B at the international box office. The global total after four weekends is $1,272.8M. That includes $282.8M domesticand $990M overseas.

Z2 added $76.7M this weekend in overseas play, a 44% drop. It is the No. 5 animated studio release of all time worldwide and the No. 1 Hollywood international release of the year as well as the No. 2 MPA animated international release of all time, having passed Frozen ($884M) and Frozen 2 ($978M).

Here’s the Top 5 markets so far: China ($539.1M), France ($44M), Korea ($41.3M), Japan ($39.3M) and Mexico ($28.9M).


James Cameron’s sci-fi epic “Avatar: Fire and Ash” loomed large over the global box office with $345 million, a robust start that’s nonetheless a significant decline from its predecessor. To compare, “Avatar: The Way of Water,” which opened in 2022 after countless release date delays, ignited to $435 million over the same frame.

Initial ticket sales for “Avatar 3,” from Disney and 20th Century, include $257 million internationally and $88 million domestically. Globally, this is the second-largest debut of 2025 behind another Disney juggernaut, “Zootopia 2,” which earned $500 million over the three-day period.

“Avatar: Fire and Ash” certainly has a high bar to clear in terms of theatrical expectations because the first two trips to Pandora were smash hits to the tune of above $2 billion at the global box office. Plus, Disney spent a massive $350 million to produce and roughly $150 million to promote, meaning the big-budget blockbuster needs to earn a lot of coin to justify its mega budget.


In that regard, “Avatar” installments have become ubiquitous for their box office longevity. Neither 2009’s “Avatar” nor “The Way of Water” had particularly shattering opening weekends ahead of Christmas, but both remained the de facto choice for moviegoers well into the new year. They stand as two of the highest-grossing movies in history with $2.9 billion and $2.3 billion, respectively.

International audiences will be key to the threequel’s commercial success. The original adventure “Avatar” earned a mammoth $2.1 billion from just overseas markets, while the sequel generated a massive $1.65 billion from foreign territories.


“The first two movies earned over 70% of their box office overseas,” says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. “So far, the foreign openings are extremely strong again.”

That’s led by China, where “Fire and Ash” started slightly stronger than its predecessor with $57.6 million, a touch above the $56 million debut of “The Way of Water.” Outside of China, the top overseas launches were France with $21.4 million, Germany with $18 million, Korea with $13.6 million and the United Kingdom with $11.9 million.

“Avatar” movies are known as visual spectacles, so it’s no surprise that moviegoers opted to watch the third entry in the best possible quality. Premium formats such as Imax and 3D represented a notable 66% of total grosses. Imax alone delivered $43.6 million globally, registering as nearly 14% of the worldwide bow on less than 1% of screens. Those sales mark Imax’s biggest opening of 2025 as well as the fifth-largest start in the company’s history.

“As James Cameron continues to break new ground with Avatar, the indelible connection between Imax and this one-of-a-kind franchise endures, with Imax delivering an outsized share of the box office across virtually every market worldwide,” said Rich Gelfond, CEO of Imax. “Avatar films have historically played with longevity like few other franchises, and we look forward to fans continuing to enjoy ‘Avatar: Fire and Ash’ in big numbers in Imax throughout the holiday season and beyond.”

Disney also scored over the weekend as “Zootopia 2” collected a remarkable $76.6 million overseas and $91 million globally in its fourth frame. The animated sequel has been a powerhouse at the international box office with $990 million to date. It’s about to become only the second animated film ever (“Inside Out 2” was the first) to surpass $1 billion in international ticket sales. Along with $282 million in North America, “Zootopia 2” has hopped to $1.27 billion worldwide to stand as the highest-grossing Hollywood release of the year.
 
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actual figures:

- Zendaya: ~$10M for Challengers (confirmed via Variety).- Millie Bobby Brown: $10M for Enola Holmes 2 (confirmed).- Sydney Sweeney: $7.5M for The Housemaid (confirmed via Hollywood Reporter).- Florence Pugh: Reports vary; ~$2M for Thunderbolts per some sources.- Jenna Ortega: ~$250K/ep for Wednesday S2 (~$2M total est.), not $6M.- Anya Taylor-Joy: ~$1.8M for Furiosa, not $5-6M.
 
actual figures:

- Zendaya: ~$10M for Challengers (confirmed via Variety).- Millie Bobby Brown: $10M for Enola Holmes 2 (confirmed).- Sydney Sweeney: $7.5M for The Housemaid (confirmed via Hollywood Reporter).- Florence Pugh: Reports vary; ~$2M for Thunderbolts per some sources.- Jenna Ortega: ~$250K/ep for Wednesday S2 (~$2M total est.), not $6M.- Anya Taylor-Joy: ~$1.8M for Furiosa, not $5-6M.
Doesn't Millie Bobby Brown have an overall deal with Netflix? So, she wouldn't be paid for Enola Holmes 2 specifically.
 
actual figures:

- Zendaya: ~$10M for Challengers (confirmed via Variety).- Millie Bobby Brown: $10M for Enola Holmes 2 (confirmed).- Sydney Sweeney: $7.5M for The Housemaid (confirmed via Hollywood Reporter).- Florence Pugh: Reports vary; ~$2M for Thunderbolts per some sources.- Jenna Ortega: ~$250K/ep for Wednesday S2 (~$2M total est.), not $6M.- Anya Taylor-Joy: ~$1.8M for Furiosa, not $5-6M.
J.J. Abrams earned $6 million from the film. They confused the film with the Wednesday Show.
 
Just a reminder that The TrekBBS 2026 US Box Office Predictor Game is now live. We would love to see voices give it a try (in addition to our veterans!)

And here's the current ranking for our 2025 game.

RankingMovieMorpheu02Valkyrie013GrendelsbayneKaiThe Knappos
1​
Minecfraft Movie
1​
3​
3​
3​
1​
2​
Lilo & Stitch
5​
3​
3​
3​
7​
3​
Superman (2025)
7​
10​
10​
10​
7​
4​
Jurassic World Rebirth
0​
3​
3​
1​
5​
Wicked Part 2
5​
10​
7​
3​
7​
6​
Zootopia 2
10​
3​
5​
5​
1​
7​
Sinners
0​
8​
Fantastic 4 = 1st Steps
5​
1​
1​
3​
5​
9​
How to Train Your Dragon - Live action
5​
3​
7​
1​
3​
10​
Captain America Brave New World
13​
1​
3​
13​
3​
11​
Mission Impossible Final Reckoning
12​
Thunderbolts
13​
f1
15​
Weapons
16​
Final Destination
18​
Avatar 3
21​
Dog Man
22​
Freakier Friday
23​
Predator Badland
24​
Snow White
29​
Elio
31​
28 Years Later part 1
32​
Accountant 2
35​
Ballerina
38​
Karate Kid Movie
50​
Running Man
65​
M3Gan 2.0
Michael
Fast X
51
34
42
44
35
 
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Updated: James Cameron’s Avatar: Fire and Ash has reached an estimated $760.4M through Sunday globally. Within that, this return to Pandora is now at $542.7M from the international box office.

The sophomore session added $181.2M overseas amid just a 25% dip (-15% excluding China), and increases in some key markets.

The 20th Century/Disney sci-fi threequel is currently the No. 5 MPA global release of 2025, while the trio of Avatar films have now earned over $6B worldwide.

Fire and Ash is thisclose to topping the $100M milestone in China (sitting at $99.6M through today), and will become only the second Hollywood movie to get there in the market this year, behind Disney’s own Zootopia 2.

Regarding the latter, the animals have now grossed $1,420.9M worldwide, including $1,099.5M from overseas. This makes Zootopia 2 the first studio movie of 2025 to cross $1B at the international box office.

Z2 is also the top Hollywood global release of 2025, the 3rd studio animated release ever worldwide and the highest-grossing Hollywood animated movie of all time internationally. It has also entered the Top 10 MPA international releases ever. Weekend five added $67.9M across all overseas markets, for a terrific 15% overall drop (-1% excluding China), with five key markets increasing from last frame.

Before we dig into more details on the above, here are some other highlights from the weekend: Paramount’s The SpongeBob Movie: Search for Squarepants opened to $22.1M (including previews) internationally in 76% of the offshore footprint – the global running cume is $60.3M. And, Universal’s Wicked: For Good crossed the half-century mark globally, getting to $504M amid a very slight 17% dip overseas and a domestic increase. Also from Universal, and Blumhouse-Atomic Monster, Five Nights at Freddy’s 2 crossed $100M internationally.

What’s more, and here’s a nice surprise, Sony’s Anaconda with Jack Black and Paul Rudd, debuted to $20M in 58 overseas markets to make it the best international start for a comedy since 2013 on a like-for-like basis at today’s exchange rates. The global running total is $43.7M.


Turning back to the Na’vi, Fire and Ash remains the No. 1 Hollywood movie in all material markets across Europe, Latin America and Asia (except Japan). It’s the highest grossing studio movie of the year in Germany, where it saw a 6% increase over the weekend. As with the Avatar movies in general, there is leg out ahead with such other markets as Korea (+17%), Netherlands (+15%), Hungary (+11%), Colombia (+10%), Austria (+5%), Poland (+5%), and France (+1%) experiencing jumps in the second session. Hong Kong releases on January 8.

The Top 5 markets to date are: China ($99.6M), France ($54.4M), Germany ($43.1M), Korea ($32.1M) and UK ($27.7M).

In Imax, the global total is now $96M.

Further stats on Zootopia 2 include it being the No. 1 film again in Japan and Hong Kong this weekend. It’s the highest-grossing MPA animated release ever in Ukraine and the biggest for Walt Disney Animated Studios in Poland, Armenia, Azerbaijan, Bulgaria, Hungary, Kazakhstan, Turkey, Ukraine, China, Taiwan, Vietnam, Peru, Paraguay and Bolivia.


For 2025, it’s the biggest studio release in France, Turkey, Ukraine, China, Japan, Korea, Singapore, Taiwan and Vietnam, among others.

This frame saw significant increases, including in Sweden (+88%), Italy (+60%), Netherlands (+60%), Korea (+33%), Denmark (+23%), Finland (+20%), Spain (+19%), Germany (+7%), Poland (+7%), Singapore (+7%), Indonesia (+6%), Japan (+3%) and Hong Kong (+1%). France was down just 1%.

The Top 5 markets to date are: China ($561.1M), France ($55.9M), Japan ($52.2M), Korea ($49.1M) and Germany ($34M).

The SpongeBob Movie, meanwhile, had its best overseas openings in UK ($3.9M), Mexico ($2.7M), Germany ($2.6M), France ($1.8M) and Israel ($1.7M).

China, Brazil, Italy and Korea release next week.

And, Anaconda started off best in Australia ($2.4M), Mexico ($2.1M), UK ($1.7M), Germany ($1.2M) and Brazil ($1M).

It’s currently tracking 37% bigger than Naked Gun, 19% ahead of Anyone But You and 17% over Daddy’s Home on a like-for-like basis.

Upcoming majors to release include France, Italy, China, Japan and Korea.

In local play, Checco Zalone comedy Buen Camino grossed a very strong $29.3M in Italy since opening on Christmas Day while India’s Dhurandhar has now reached $120.6M global, per comScore.

MISC UPDATED CUMES/NOTABLE
Wicked: For Good
(UNI): $4.3M intl weekend (81 markets); $172.3M intl cume/$504M global
Five Nights at Freddy’s 2 (UNI): $4.2M intl weekend (78 markets); $101.7M intl cume/$220.6M global
*Marty Supreme (A24): $1.8M intl weekend (2 markets); $1.8M intl cume/$30.1M global
*Song Sung Blue (UNI): $457K intl weekend (19 markets); $457K intl cume/$12.5M global
*Denotes new
 
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