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Kamen Rider and General Tokusatsu

What I've heard is that it's a complete reboot, no connection to the previous incarnations.
IC, we'll see if they follow through with that.

Especially if you consider the KyuuRanger Dimension has no native "Space Sheriffs".

And Gavan + Shaider were only crossing Dimensions to visit / help solve the issues in the KyuuRanger Universe for "Uchuu Sentai KyuuRanger VS Space Squad"
 
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Incidentally, I just finished rewatching Fuuto PI on Crunchyroll prefatory to watching the new movie, and I had to wonder -- why is it that so many "adult" Kamen Rider productions (Amazons, Fuuto PI, Black Sun) feature cannibalism as a major theme?
 
I watched the first episode of Zeztz this morning, and I really enjoyed it. The whole set up with the dreams and real world, was pretty fun, and the fact that it looks like the dreams and nightmares are effecting the real world adds an interesting element to it. The action was pretty fun, and the characters all seem pretty likeable.
How interconnected are the different Kamen Rider seasons? Is there some kind of connecting thread through series, like they all get their Kamen Rider powers from source or same person or something like that?
 
How interconnected are the different Kamen Rider seasons? Is there some kind of connecting thread through series, like they all get their Kamen Rider powers from source or same person or something like that?

Usually they're all independent of each other, effectively occupying their own distinct realities, except when they do crossover specials/movies and treat them as a shared universe. The connecting threads are more thematic and stylistic. Kamen Riders are lone heroes (though they usually end up partnering with other Riders), they tend to have big-eyed, vaguely insect-themed costumes (although the latter part has become increasingly optional), they ride motorcycles (though less so in recent years due to stricter laws in Japan about motorcycle customization), they tend to get their powers from the same source as the villains or a related source, and their shows tend to be a bit more mature, dark, and morally ambiguous than Super Sentai. The 21st-century shows generally have serialized arcs and evolving storylines, new Riders are introduced over the course of the season, allegiances shift, enemies become allies and vice-versa, etc.

The Showa-era seasons, i.e. the shows in the 1970s-80s, shared a single reality and often brought back past Riders to team up with the new lot. The original run had the same mentor character continuing through all five series (played by the actor who was the original Ultraman defense force captain), and the next two series when it was revived also had a common mentor (who was the captain in The Return of Ultraman), while the two after that (Black and Black RX) were unique in having the same lead character. When the show was brought back in 2000, each season was in its own separate reality for nearly the first decade, but after that they started to do regular crossover movies and specials and treat it as a shared universe, but the main shows still told their own independent stories, generally unconnected to the past except in anniversary seasons.

Since Zeztz is the first season to be officially simulcast in the West, it's designed to be accessible to newcomers, so I doubt it will have much connection to previous series.
 
"Case13: Extinguish": An okay conclusion, I guess, but much less followup than I expected to the things the first half set up, like the issue of the Nightmare Zeztzes inside the Capsems, and just how much Minami learned from Zero. Although we did learn some new things that suggest Zero is not as benevolent as Baku thinks. It turns out Nox (or NOX, as the subtitles have it) was Code Number Four, and apparently there have been multiple previous agents who implicitly didn't survive the experience. And now it looks like Baku may be one of them...

For the first time, the YouTube stream included the post-episode sponsor screen (over which the sponsor logos are shown in the Japanese broadcast) and the preview text for the next episode. Ultraman includes these routinely, so I wonder why they weren't included here until now.
 
Toei- We saw Kpop Demon Hunter Slayer and thought "What the heck"

The theme of this show is "J-Pop × Tokusatsu", and the goal is to build up the "Tokusatsu Next Generation" franchise.

Director Koichi Sakamoto's next project is a new title called BEAT RUNNERS. Other notable staff are:
* Tomokazu Seki who recently appeared as Producer Kazu Sekimoto in No.1 Sentai Gozyuger as Casting Producer
* Kenichi Muraeda (Kamen Rider Spirits), Shoma Muto (worked on multiple Ultraman shows and Kamen Rider Gavv), and K-Suke (recently worked on Shining Knife & Sweet Cake for Gozyuger) as character designers.

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Toei- We saw Kpop Demon Hunter Slayer and thought "What the heck"

The theme of this show is "J-Pop × Tokusatsu", and the goal is to build up the "Tokusatsu Next Generation" franchise.

Director Koichi Sakamoto's next project is a new title called BEAT RUNNERS.

I don't think Toei is involved. The copyright is for "B.O.S-Entertainment Inc."

Here's more: https://ukiyaseed.weebly.com/ukiyas...launch-beat-runners-original-tokusatsu-series

The series will have a total of 10 episodes, each running for about 10 minutes long, which only the characters will appear. No "face" actors, just the suit actors and their respective voice actors.

Devised by B.O.S-Entertainment representative and veteran suit actor Hirokazu Iwakami, the main gimmick of the series is that this is the world's first "beat sync action" series, in which character action will perfectly synchronize with the music and action. The series also aims to develop "suit acting" as an IP that can be exported to the world as a business, just like anime.

I've always thought of tokusatsu fighting as a sort of interpretive dance, and this is making it more literal.
 
Usually they're all independent of each other, effectively occupying their own distinct realities, except when they do crossover specials/movies and treat them as a shared universe. The connecting threads are more thematic and stylistic. Kamen Riders are lone heroes (though they usually end up partnering with other Riders), they tend to have big-eyed, vaguely insect-themed costumes (although the latter part has become increasingly optional), they ride motorcycles (though less so in recent years due to stricter laws in Japan about motorcycle customization), they tend to get their powers from the same source as the villains or a related source, and their shows tend to be a bit more mature, dark, and morally ambiguous than Super Sentai. The 21st-century shows generally have serialized arcs and evolving storylines, new Riders are introduced over the course of the season, allegiances shift, enemies become allies and vice-versa, etc.

The Showa-era seasons, i.e. the shows in the 1970s-80s, shared a single reality and often brought back past Riders to team up with the new lot. The original run had the same mentor character continuing through all five series (played by the actor who was the original Ultraman defense force captain), and the next two series when it was revived also had a common mentor (who was the captain in The Return of Ultraman), while the two after that (Black and Black RX) were unique in having the same lead character. When the show was brought back in 2000, each season was in its own separate reality for nearly the first decade, but after that they started to do regular crossover movies and specials and treat it as a shared universe, but the main shows still told their own independent stories, generally unconnected to the past except in anniversary seasons.

Since Zeztz is the first season to be officially simulcast in the West, it's designed to be accessible to newcomers, so I doubt it will have much connection to previous series.
I see, thanks.
 
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