Same, I didn't think he was amazing or anything but I remember enjoying Hercules and thought his casting kinda made sense. Seemed like a good choice at the time.Kevin Sorbo never really bothered me as an actor on the Hercules episodes I've seen.
I remember it was pitched as a Star Trek series at one time. I would have said they should consider that again, but Discovery season 3-5 basically covered the core concepts. Jump to the future, set in future where the Federation/Starfleet is mostly in pieces, the ship's A.I. is self aware etc.I'd love to see an Andromeda reboot. Get back to the show that was meant to be and have that story played out.
I kind of have to wonder why Tribune made so may sci-fi and fantasy series, the people in charge really seemed to have hated them. Or at least sci-fi, I think some of their fantasy stuff wasn't quite as bad.
I remember Tribune releasing surveys asking what people wanted from Earth: Final Conflict, I think as early as the gap between seasons 1 and 2.They didn't want intelligent, thought-provoking shows with complex ideas, they wanted lowest-common-denominator action shows that were simple enough to be marketed internationally across barriers of language and culture, and thereby make them more money in global syndication.
Which could also explain why their fantasy stuff did better, since in general the concepts in fantasy tend to not be quite as complex as in sci-fi.According to what the producers said on the fan boards, the issue was that Tribune's execs were driven by profit above all. They didn't want intelligent, thought-provoking shows with complex ideas, they wanted lowest-common-denominator action shows that were simple enough to be marketed internationally across barriers of language and culture, and thereby make them more money in global syndication. Also, they prioritized short-term money-saving over long-term gains, so rather than investing the money it would've taken to create a well-made SF future, they cut corners everywhere they could. And they fired experienced showrunners and replaced them with cheaper ones -- or maybe it's just that it was cheaper to fire producers after a year or two and hire new ones than to shell out the annual raises that veteran staffers would be entitled to (this is probably also why they had so many cast changes).
So it's not that they hated SF/fantasy, it's that they defined it differently, as a vehicle for action rather than ideas, aimed low to make a quick buck rather than aimed high to create something that would endure.
Which could also explain why their fantasy stuff did better, since in general the concepts in fantasy tend to not be quite as complex as in sci-fi.
Oh of course, I was purely talking about sci-fi shows getting deep into some of the higher level scientific ideas, compared to most fantasy show's magic, which tends to be a more straightforward and easier to anyone to understand.In some aspects of worldbuilding, maybe, but fantasy can be just as intelligent and challenging in its character writing or philosophical themes.
OK, I get what you're saying now.I don't think it's a difference between SF and fantasy, I think it's a difference between what Majel Roddenberry aspired to and what Tribune & Fireworks wanted. Most of the hourlong shows from Tribune and/or Fireworks were action-adventures regardless of genre -- Adventure Inc., Beastmaster, Mutant X, Night Man, RoboCop: The Series, F/X: The Series, La Femme Nikita, Highlander: The Raven, Queen of Swords, Relic Hunter. But only the Roddenberry shows aspired to a higher level of conceptual sophistication and intelligence.
I didn't know what his politics were 25 years ago...I think, maybe this show is getting hate because of Kevin Sorbo's politics. That doesn't mean the show is bad. You can enjoy a show and not agree with everything the actors think behind the scenes.
Yeah. Kevin Sorbo is a far-right nutcase nowadays, but Andromeda sounds bad because it just sounds like a true example of executive meddling and terrible writing wasting a perfectly good premise.I didn't know what his politics were 25 years ago...
I think, maybe this show is getting hate because of Kevin Sorbo's politics. That doesn't mean the show is bad. You can enjoy a show and not agree with everything the actors think behind the scenes.
The first two seasons are good. I'm not sure about the rest.Yeah. Kevin Sorbo is a far-right nutcase nowadays, but Andromeda sounds bad because it just sounds like a true example of executive meddling and terrible writing wasting a perfectly good premise.
I knew nothing of Kevin Sorbo's politics when I watched the show. I still didn't care for it.I think, maybe this show is getting hate because of Kevin Sorbo's politics.
I watched and enjoyed the first two seasons. Life got in the way of watching the rest. I'm still thinking about going back to it at some point.
I think, maybe this show is getting hate because of Kevin Sorbo's politics. That doesn't mean the show is bad. You can enjoy a show and not agree with everything the actors think behind the scenes.
Even then though, I felt he was the weak link in the acting on the show.Ego and politics aside, it really is hard to picture anyone but Sorbo as Dylan Hunt at the time.
I never said an actor has to be smart but like you yourself said it did become a problem for Andromeda so hiring Sorbo was in fact a mistake.An actor doesn't have to be smart as long as the writers, producers, and directors are smart enough to make the character look smart. It wasn't a problem until Sorbo got to the point of being executive producer and dictating a lot of the creative decisions. He could do good work as long as he had strong directors, producers, etc. keeping his self-indulgence in check.
I never said an actor has to be smart but like you yourself said it did become a problem for Andromeda so hiring Sorbo was in fact a mistake.
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