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Cage-SNW-TOS Enterprise

LOL . . . no. I wish the Flare forums hadn't just died. Man, we were squeezing the juice out of stray pixels when your showrunners were in diapers. I'm not even sure I owned a copy of ”The Making of” until around 2008.

It is discernible even on the SD screencaps I used in 2003, as per the first Wayback version of my Volumetrics page. The Trek5.com site I credit is shown as adding those in November 2001, and I would bet money someone talked about freeze-framing their VHS on Usenet on a large TV and maybe being able to eke something out of it in the 90s.
Let me know when you can make out the scale on something like this.

UTnuFyd.jpeg
 
Let me know when you can make out the scale on something like this.

UTnuFyd.jpeg

The diamonds say COLOR, as does the multicolored sign to the lower right of the R (edit: scratch this, I apparently tapped something and it went to similar images). Then there's "just history" on the lower left.

Any of those are larger than the monitor I used to look at the Trek5 image.
 
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No the frak it isn't, as I have pointed out multiple times.

Here's the small versions from my site,which are still the SD versions from Trek5.com:

the image you linked on Twitter is blu-ray resolution, I checked. Now then, the image just posted is 700 pixels wide which means it's been enlarged as a original crop in from the dvd would be less than 400 pixels wide. Just so we are all on the same page.
 
Maybe this has been discussed in other threads. How you you justify in canon, the changes in size between Cage Enterprise, SNW Enterprise and TOS Enterprise. Could it be SNW 1701 is a new build for the war? For whatever reason, when SNW is done, the Cage 1701 is recommissioned and upgrade to the TOS one?
That would be a good theory, but the show and advertising seem to strongly suggests they're both supposed to be the same ship. Plus, Robert April and Chris Pike seem to have been the commanders of the SNW Enterprise before the war. You think it would it have been mentioned if they switched from an even older Enterprise.
 
the image you linked on Twitter is blu-ray resolution, I checked.
Why? I have pointed out multiple times that it was discernible in standard resolution, and had been used that way by myself and others.

Here's the Trek5 site version as was uploaded 2001 per the site's changelog . . . the resolution suggests it was a PAL and not NTSC source.


Now then, the image just posted is 700 pixels wide which means it's been enlarged as a original crop in from the dvd would be less than 400 pixels wide. Just so we are all on the same page.
So long as the "same page" includes recognition that it was readable before the remastered Blu-Rays, because everyone did, then sure, be as specific as you like.
 
Meh, I take the Macross route and accept that SNW's continuity is only valid withing SNW. Just as TOS's is only valid within TOS. And so on. Only on TNG/DS9 was there any real effort to maintain continuity across both shows.

Lots of fans (including, probably, SNW's showrunners - though I don't leave out the possibility it all came from marketing) like to think Trek is all one big story, but the reality is the different shows fit into a single continuity as well as (or rather, as poorly as) Asimov's R. Danieel novels, Empire of Man novels, and Foundation novels all fit into one giant history of the future, no matter how much he tried to cram them together when Pournelle made that sort of thing popular.

If trying to find rationalisations for how this all works is fun for you, have at. But arguing about it? All that accomplishes is reinforcing the conflict pathways in your brain, making life less fun for you and everyone around you. Some times this forum is awesome, full of neat ideas and wonderful trivia.

And other times...
 
Meh, I take the Macross route and accept that SNW's continuity is only valid withing SNW. Just as TOS's is only valid within TOS. And so on. Only on TNG/DS9 was there any real effort to maintain continuity across both shows.

Lots of fans (including, probably, SNW's showrunners - though I don't leave out the possibility it all came from marketing) like to think Trek is all one big story, but the reality is the different shows fit into a single continuity as well as (or rather, as poorly as) Asimov's R. Danieel novels, Empire of Man novels, and Foundation novels all fit into one giant history of the future, no matter how much he tried to cram them together when Pournelle made that sort of thing popular.

If trying to find rationalisations for how this all works is fun for you, have at. But arguing about it? All that accomplishes is reinforcing the conflict pathways in your brain, making life less fun for you and everyone around you. Some times this forum is awesome, full of neat ideas and wonderful trivia.

And other times...

What's funny is that the first few seasons of each new P+ Trek show seemed to care very little about in-show continuity between them. Then all of a sudden they felt that they needed to resort to convoluted work-arounds to try to make it all fit.
 
I can see Cage 1701 being replaced for the war or some other reason. I cannot see the SNW 1701 replacing the TOS 1701 seen also in future shows.
No idea why the SNW one will be recommissioned.
 
Nope. We use the whole set of data and draw the most reasonable conclusions.
That just means you pick whatever you like best. That's okay, it's adults playing pretend on plywood sets anyway but don't act like you're somehow preaching an objective truth.

Sorry, but Star Trek is a period piece. The period is fictional, but it is what it is.
A period piece is by definition set in an earlier real life period.

Only on TNG/DS9 was there any real effort to maintain continuity across both shows.
Except when they decided Terry Farrell didn't look pretty with the Trill make up TNG established and painted Famke Janssen's non-Trill dots on her instead. Or when the Defiant changed size randomly and also shape whenever they switched from the physical to the cgi model or when the Galaxy class got a fat saucer when they used the 4 footer and don't even get me started in the ever changing Bird of Prey size. And what about Worf's forehead?

Visual continuity was never a major concern, it was only important until someone said screw it, we need a smaller/bigger ship for that shot.
 
What's funny is that the first few seasons of each new P+ Trek show seemed to care very little about in-show continuity between them. Then all of a sudden they felt that they needed to resort to convoluted work-arounds to try to make it all fit.

Which is why I personally ascribe it to "Marketing" - a loud and probably numerically significant portion of the dedicated fanbase wants everything to queue up nicely into a single future history, and when the shows - and it's not just the P+ shows, ENT did this too, as did the Kelvin-verse - start flagging a little, the powers-that-be do one of two things: they let the old TOS fans on the production team do as they will because it doesn't "matter" any more, so you get spikes of nostalgia-bumps and attempts to tie it all together; or the PTB decide "we need to recapture the core audience" and the same thing happens.

I love SNW, I think it's a wonderful way of combining 2020's long-form stories and somewhat jaded audience with the early Star Trek setting and sense of wonder and exploration. But I decided long ago that whatever the studio might try to claim, this is a different continuity from Shatner and Nimoy, and quit trying to cram one into the other.

Although in my headcanon, I do use the lines (if not the size) of the SNW Enterprise as the Republic-class predecessor to the Constitution-class.
 
Except when they decided Terry Farrell didn't look pretty with the Trill make up TNG established and painted Famke Janssen's non-Trill dots on her instead.

I didn't say it was perfect, I said TNG/DS9 was the only place they ever even tried to do it.

Or when the Defiant changed size randomly and also shape whenever they switched from the physical to the cgi model or when the Galaxy class got a fat saucer when they used the 4 footer and don't even get me started in the ever changing Bird of Prey size. And what about Worf's forehead?

None of those, with the possible exception of Worf's makeup, is about continuity across two shows. Those are all examples of dis-continuity within a single show. I wasn't arguing that the internal consistency of any show was exceptionally high, I was saying that no show ever tried to be consistent with any other show at all, except that TNG and DS9 did, at least somewhat. The point being that arguing about different ways of rationalising inconsistencies between two different shows isn't all that helpful to anyone, especially the person doing the arguing.

Now, the fact that I'm even responding to this helps illustrate just how easy it is to get into arguments on a forum. Why should I care that you seem to have misunderstood my point? And yet I do. So I understand how these arguments happen. That just makes it more important to practice stepping back and letting things go. Which I will now go and try to do myself. :)
 
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