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Future of Paramount+ among merger talks

I don't mind him writing and/or producing.

Showrunner? No.

He's SO infatuated with 80's/90's Trek that he risks resurrecting all that was negative about it (the erasure of the LGBTQ+ community, reducing women to being helpmates for the guys, etc.).
Don't you like 80s and 90s trek?
 
Early 2026 for Starfleet Academy's first season, mid-late 2026 for Strange New Worlds' fourth, early-mid 2027 for Starfleet Academy's second, and mid-late 2027 for Strange New Worlds' fifth. Those are my guesses based on production info, but we'll see. We do know that season one of SFA is officially aiming for early '26, though.
 
I'm going to guess that they're going to somehow play SNW's 4th season in with the 60th anniversary coming up. Season 3 is going to end on 9/11 this year. If its ready, I imagine they'll keep a similar timeline for Season 4. Sadly September 8, 2026 is a Tuesday, not a Thursday.
 
And neither Türkiye nor the United States have imploded into the flaming hellscape like so many pearl-clutching doomers have predicted would happen (in other words: something they so desperately wanted to happen and never did).

>> Yawn <<

Didn't I recall one of the mods recently say something about not turning this thread into a grab-asstical political dumpster fire? Asking for a friend...

Moving on...
 
Sadly September 8, 2026 is a Tuesday, not a Thursday.
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I expect P+ and CBS to be eventually scuttled, like most TV networks will be. The younger viewers do not watch. They are addicted to TikTok short clips.
Broadcast TV and Cable are increasingly anachronistic and will eventually be near entirely replaced, though niches will probably remain. Many individual TV networks won't survive and I do expect to see more consolidation of the different streaming services, if not mergers and buyouts of the different parent companies, but definitely won't be ALL short clips.

This is a larger technical evolution. AI will increasingly be a thing, as well, especially for franchises with generated characters and not have to do the multi-feature contracts and deal with their personal lives and political controversies. They can be aged or de-aged for prequels, etc. This will be expensive and limited to the larger properties at first but will eventually filter down to smaller scale productions.

There will always be a place for actors in theatre, etc.
 
AI will increasingly be a thing, as well, especially for franchises with generated characters and not have to do the multi-feature contracts and deal with their personal lives and political controversies. They can be aged or de-aged for prequels, etc. This will be expensive and limited to the larger properties at first but will eventually filter down to smaller scale productions.

People want to see real human beings onscreen.

An AI cannot emote. An AI cannot bring the full weight of who they are as a person to the character onscreen. It will never be anything more than a simulation.

There will always be an aspect of an AI-generated performance that is hollow and sterile.

We can de-age people onscreen right now (Picard S2 de-aged John DeLancie).
 
Not the couple hundred staff or other production costs.
That would depend on the Contract they have with his Production company. (IE They may have a clause where they are also on the hook for staff and crew salaries if the Contract is terminated early for a reason not covered in the contract.
 
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