They could be in a firefight.I'll remember that the next time I'm stargazing at the points of light across a dark expanse and tell myself "you want something cool."
They could be in a firefight.I'll remember that the next time I'm stargazing at the points of light across a dark expanse and tell myself "you want something cool."
Anything is better than the holographic viewscreen from First Contact.
If they wanted to go that route, it would have been better if the conn and ops stations swiveled inwards to face the captain when the screen is off, then rotate around to face out when the screen is activated.Yeah, that was one of those design decisions that I struggled with. Let’s all sit here and stare at a dull brown wall until something happens outside.
You didn't like the Holographic ViewScreen?Anything is better than the holographic viewscreen from First Contact.
No, it was stupid. What's worse is that the film showed that it wasn't always switched on. So you've presumably got the bridge crew staring at an empty wall half the time.You didn't like the Holographic ViewScreen?
If you go by “The Cage”, so did the no-bloody-A, even if the inside and outside were weirdly out of proportion and angle with each other.If they wanted to go that route, it would have been better if the conn and ops stations swiveled inwards to face the captain when the screen is off, then rotate around to face out when the screen is activated.
I think folks who think the bridge window is some kind of vulnerability tend to forget the 1701-D had a moonroof, so that's really been an issue since 1987.
No, it was stupid. What's worse is that the film showed that it wasn't always switched on. So you've presumably got the bridge crew staring at an empty wall half the time.
That's something I had been pushing for because I just think it's so absurd that in the twenty-fourth century they have holodeck technology that allows them to recreate Ancient Rome, but everybody talks to each other on television monitors. It's just so lame. The viewscreens have been around for over thirty years. Can't we move to something a little more interesting? But it's like pulling teeth.
Only because it was out of sight, out of mind. It is no more or less preposterous than any exterior window. Moreover, it was seldom part of the set: the space was generally left open for lighting.I think folks who think the bridge window is some kind of vulnerability tend to forget the 1701-D had a moonroof, so that's really been an issue since 1987.
Only because it was out of sight, out of mind.
Heck, the TOS Enterprise had her moon roof that we peered through in the flashback footage of "The Cage" that was shown in "The Menagerie," and it was there for the whole series.It’s clearly visible in pretty much every exterior shot of the ship… hardly out of sight.
Regardless of View-Screen Window or Moon Roof, having the Bridge on top central area of the Saucer section is a general bad idea.Heck, the TOS Enterprise had her moon roof that we peered through in the flashback footage of "The Cage" that was shown in "The Menagerie," and it was there for the whole series.
But it's not obviously a window in any of those exteriors. It looks like just another light source.It’s clearly visible in pretty much every exterior shot of the ship… hardly out of sight.
But it's not obviously a window in any of those exteriors. It looks like just another light source.
To be honest, I'm not actually sure what the Ent-D moon roof is. However, you can clearly see a window to space on the ceiling of the bridge:
View attachment 47584
Is this the moon Ent-D moon roof?![]()
Hell, even Picard season 3 had the crew ordered to look out the windows and watch for the enemy.
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