The model work in TMP and TWOK is just exquisite.
It really isn't anything new with Thunderbolts*, for the last few years now more and more movies and TV shows have been going back to more practical effects. Christopher Nolan has especially become known for keeping the CGI in his movies to the absolute bare minimum. I haven't seen it yet so I don't know how it came across onscreen, but I read that even the nuclear bomb going off in Oppenheimer was done practically.
Given that the recent "photos" of Marsden, Wong and McKellen shooting Doomsday turned out to be AI generated I'm going to wait for more proof.Costume fitting leak of Doom
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Though not nearly to the extent that they want you to think they have. It's part of standard big budget buzzword bingo to talk about "doing it for real!", even though they know full well there are still 2,000 VFX shots in the film, and that almost no effects shot doesn't get touched up digitally in one way or another.It really isn't anything new with Thunderbolts*, for the last few years now more and more movies and TV shows have been going back to more practical effects.
Though not nearly to the extent that they want you to think they have. It's part of standard big budget buzzword bingo to talk about "doing it for real!", even though they know full well there are still 2,000 VFX shots in the film, and that almost no effects shot doesn't get touched up digitally in one way or another.
Nothing wrong with that. The best way to do visual effects has always been to mix and match techniques, to use whatever method works best for a given shot or element, and vary it up so that the limitations of any one technique don't become too evident. In the pre-digital days, it was common for a single FX shot to combine live-action, miniatures, matte paintings, animation, and sometimes even superimposed smoke or flame effects. So there's nothing the least bit wrong with a single shot today combining both practical and CGI elements. The only problem with CGI is that filmmakers often have a tendency to rely on it exclusively and use it to excess. As long as it's one tool in the kit, used in concert with other techniques to refine and improve them, then it's been used properly.
As long as the end result is good, I'm happy.
Twin Peaks did it better.I was disappointed by Oppenheimer's depiction of the atomic explosion, because it was too much of a conventional movie fireball. Even a big one of those doesn't scale up convincingly to the appearance and behavior of a nuclear explosion, which is far bigger and hotter and interacts differently with the layers of the atmosphere as it rises. This is one case where I feel CGI would've been a better choice.
Yes, they used an actual nuclear bomb.I haven't seen it yet so I don't know how it came across onscreen, but I read that even the nuclear bomb going off in Oppenheimer was done practically.
Twin Peaks did it better.
Costume fitting leak of Doom
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It's digital.Where's the helmet? Let me guess. He won't be wearing it much in the movie.
Where's the helmet? Let me guess. He won't be wearing it much in the movie.
I hope this does usher in more practical effects and standard stunt work. I think the world has has become bored with CGI. Not that CGI should go completely away but it should be used less and more efficiently.
Where's the helmet? Let me guess. He won't be wearing it much in the movie.
Where's the helmet? Let me guess. He won't be wearing it much in the movie.
I was wondering how they were going to be pull that off, I know nuclear explosions act in a specific way and I was how they were going to do it without CGI or a real nuclear explosion.I was disappointed by Oppenheimer's depiction of the atomic explosion, because it was too much of a conventional movie fireball. Even a big one of those doesn't scale up convincingly to the appearance and behavior of a nuclear explosion, which is far bigger and hotter and interacts differently with the layers of the atmosphere as it rises. This is one case where I feel CGI would've been a better choice.
Sure, but at least they're doing more stuff that can be done in camera with practical effect. It seemed like for a while even the simplest things were being done with CGI when it could have just as easily been done practically, and probably would have been more convincing.Though not nearly to the extent that they want you to think they have. It's part of standard big budget buzzword bingo to talk about "doing it for real!", even though they know full well there are still 2,000 VFX shots in the film, and that almost no effects shot doesn't get touched up digitally in one way or another.
As long as the end result is good, I'm happy.![]()
And cover those luscious locks?Where's the helmet? Let me guess. He won't be wearing it much in the movie.
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