Hey, I never noticed that before....

[Laura Cynthia Chambers]

I meant the difference between your ship's gravity and whatever planet you send an away team to. If the atavachron adjusts you to new conditions, you could use/modify it to get you ready for different planet conditions.

 

[David cgc]

I meant the difference between your ship's gravity and whatever planet you send an away team to. If the atavachron adjusts you to new conditions, you could use/modify it to get you ready for different planet conditions.

This is reminding me of my head-canon that, when applicable, starships have their shipboard clocks run fast or slow en route to subtly sync up the crew with the local time at their destination.

 

[Laura Cynthia Chambers]

• UHURA: No, you have an answer. I'm an illogical woman who's beginning to feel too much a part of that communications console. Why don't you tell me I'm an attractive young lady, or ask me if I've ever been in love? Tell me how your planet Vulcan looks on a lazy evening when the moon is full.
• SPOCK: Vulcan has no moon, Miss Uhura.
• UHURA: I'm not surprised, Mister Spock.

Vulcans have the Death Star?

 

[Laura Cynthia Chambers]

Both McCoy and Chapel have carried Spock's katra (TVH and Return to Tomorrow, respectively).

 

[Ssosmcin]

Both McCoy and Chapel have carried Spock's katra (TVH and Return to Tomorrow, respectively).

Well, TWOK and TSFS actually

 

[Laura Cynthia Chambers]

I guess that would have been the first time he could discuss it - after it was over.

 

[Spock's Barber]

Shore Leave

As Kirk and Spock head back to the glade, they are strafed by the plane. On the lower left corner of the screen cap is a crack/fissure with a distinctive inverted V.

Next they run into the Samurai. After they knock him down they run by the same crack with the inverted V that they just passed.

*Credit to TrekCore for their kind use of this screencap.*

 

[Zycho32]

Shore Leave

As Kirk and Spock head back to the glade, they are strafed by the plane. On the lower left corner of the screen cap is a crack/fissure with a distinctive inverted V.

Next they run into the Samurai. After they knock him down they run by the same crack with the inverted V that they just passed.

*Credit to TrekCore for their kind use of this screencap.*

Not to mention the shadows. The filming crew had to pick up some shots after the sun had set one day so they lit things up as much as possible to 'simulate' daytime, and had to stage said shots according to that, hence why the sudden overhead viewpoints here and in Sulu's isolated encounter with that samurai. As far as the shadows are concerned with that, they're way too pronounced and pointed, while in the left you can see evidence of where the stagelights were starting to fade.