After years of watching the show, the movie was a bit of a shock to me.
After years of watching the show, the movie was a bit of a shock to me.
My wife and I had the same reaction and watching it was such a dramatic gut punch. While a decent film it certainly isn't what I prefer about MASH. Now, that will be owed to the fact that Donald Sutherland is not a favorite actor of mine, and the feeling of the film is not one I find that enjoyable. It makes its point well enough but not enjoyable for me.After years of watching the show, the movie was a bit of a shock to me.
Agreed. I think part of the reason why Trapper and Blake left they gained a lot with Potter and BJ, and then Winchester. However, I think they would have stuck around if the level of depth had been offered to the original characters.Having seen the film first I felt the show was a good take. Things did need to be watered down for broadcast and the laugh track was annoying, but it did straddle humor with thr horrors of war well. In my opinion it did get better once the streamlined the cast. When they did swap cast members, Potter and Winchester were upgrades- instead of simplistic they had complexity and depth
Sadly, from one my limited research Burghoff has definitely been a bit of a diva, and had some difficulty with the other cast members. I think part of the difficulty for him was the fact that he was kind of stuck in that role. He didn't get some of the same flexibility with the character like Hawkeye, or even BJ did early on. I think Linville would have as well, as by reports Linville was quite a nice guy and got tired of being fairly one dimensional. Alda could be a diva too, but he got a lot of the prime spotlight for flexing his acting muscles. Others didn't get the same early on so it's easy to see how that frustration could start.I've always been a Radar fan, and a Burghoff fan. But after hearing tales of his being difficult or even hotheaded, I think there may have been some real-life tension between him and Alda. After reading Alda's introduction to the 1980 MASH interview/episode book I eventually noticed that while Alda praised ''the talent and skill of Gary Burghoff,'' all his other front-credited co-stars received an adjective-noun combination. It's a subtle exception.....but I doubt it's accidental.
Yep. Bones did a pretty good job with it imo.I think a lot of the problem with "will they/won't they" after they get together is that hardly anyone seems willing to write anything even vaguely resembling the ups and downs of a real relationship. I think the closest I ever saw was the original (UK) Coupling. Steve and Susan were pretty realistic and it still managed to be hysterically funny.
I hate that. I remember being sooooo pissed at the Xena writers for doing that to Joxer (argueably the 3rd main character) while at the exact same time the writers on Angel were adding depth and nuance to Wesley.![]()
Given how many times murderers get released from prison IRL, only to kill again and cause more grief & suffering.Then there are mechanisms in place to change that.
Unjust laws can be abolished. Unjust actions can be punished. Unjust governments can be deposed and replaced with just ones. But all of this must be observed with order and care. Otherwise, as I said, we are left with violence, anarchy, death, and the tyranny of the mob.
People don't tune in to see normalDo they think a realistic relationship doesn't suit the needs of their story, or viewers?
TV shows where people who have no connection with law enforcement somehow manage to wangle their way into investigations, watch interrogations and tell the cops how to do their job.
Yes sometimes the shows are fun, but the trope is annoying
She has a better excuse than a mystery writer or doctor.What brought that up for me was the first couple of episodes of Elsbeth..... There's been tons of shows like this one but it just stood out here
It's more believable when the cases rely on the non-cop's area of expertise, like medicine, math, psychology, etc. Less so when a chance police-ride along gets parlayed into an (un)official consultant role, with"my own badge and everything! Which desk is mine?" *exasperatedly* "No desk!!"
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My wife actually noticed the food thing on her first time watching TNG, DS9, VOY, and ENT. I have to give her credit... I've seen every episode of those shows many, many times, but I never noticed that until she pointed it out. (It's one of the reasons why I love rewatching shows with her that she decides to check out... she thinks of things that never occured to me.)I know it's shorthand but throwing a phone or laptop on the ground and stomping on it once doesn't make the sensitive data go away.
Is it a trope when a character is offered food or drink but never touches it and leaves once the conversation is finished?
Yeah. For example it was actually extremely complicated filming the Sunday dinner scenes in Blue Bloods.I was telling her the real world reasons (doing multiple takes of eating not being something many would want to do, etc.)
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