And soon as they have money.Sean's right, Paramount should be getting in on this as much as possible.
And soon as they have money.Sean's right, Paramount should be getting in on this as much as possible.
Good point.And soon as they have money.
Well, this was obviously done with Paramount's consent, so they're clearly aware of it. I also found it interesting that the costumes came from Sony and that the sound mixing came from Skywalker sound / Lucasfilm and that special thanks was given to Kevin Feige of Marvel Studios. I think there are a lot of people out there who are interested in what's being presented here, as they should be.Sean's right, Paramount should be getting in on this as much as possible.
I think there is interest, but the costs continue to be challenging. In my opinion they have a strong appeal for this technology, but the ability to put more money down with the streaming bubble trying so hard to burst it makes going after something experimental far more daunting.Well, this was obviously done with Paramount's consent, so they're clearly aware of it. I also found it interesting that the costumes came from Sony and that the sound mixing came from Skywalker sound / Lucasfilm and that special things was given to Kevin Feige of Marvel Studios. I think there are a lot of people out there who are interested in what's being presented here, as they should be.
I wouldn't say that was a great decision and it's especially not one that Star Trek has always made. It did it once for Saavik in 1984, cast different people as their alternate universe counterparts in 2009 and then gave us younger versions of TOS characters in Disco and SNW. There are probably other examples (people like to bring up that glimpse of hologram T'Pau in Voyager), but generally Star Trek's approach has traditionally been to move on and make new characters.One of the great decisions Star Trek has always made is to recast characters and allow for new interpretations of those characters. From the Kelvin crew to SNW, they are actors performing role, not merely doing an impression of Shatner or Nimoy or Nichelle Nichols.
There’s three Alexanders, three Ziyals, there were nearly three Saaviks, various guest stars have been recast, including Braxton and Admiral Paris.I wouldn't say that was a great decision and it's especially not one that Star Trek has always made. It did it once for Saavik in 1984, cast different people as their alternate universe counterparts in 2009 and then gave us younger versions of TOS characters in Disco and SNW. There are probably other examples (people like to bring up that glimpse of hologram T'Pau in Voyager), but generally Star Trek's approach has traditionally been to move on and make new characters.
I still don't remember Paris being recast.
The Ziyals were all adults.I always forget the Alexanders and Ziyals, I guess because they were kids and wearing a mask.
Warren Munson played Admiral Paris in Persistence of Vision and Thirty Days. Richard Herd took over the role in Pathfinder and all the remainder of his appearances.I still don't remember Paris being recast.
Two years older than Jake Sisko, that's still pretty young!The Ziyals were all adults.
I was actually referring to the actresses ages. At the time each was cast, they were 23, 25 and 34.Two years older than Jake Sisko, that's still pretty young!
Maybe it wanted to join starfleet.I look at this now, and I think: This Enterprise wasn't built. This thing's alive.
My guess, it's one of those shapeshifting space jellyfish from 'Encounter at Farpoint.' Starfleet somehow talked it into turning itself into a starship, and gave it free rein to design itself. They supply the energy source/engines/crew, it supplies the rest.
The only deceased actor recreated by SW is Cushing to my knowledge, and his estate gave permission. Hamill himself has no problem with young CGI self showing up in Mando (He even cheekily tweeted "Anyone watch tv recently?" when his young self first showed up), so I'm not sure why you're in a place to claim his CGI was in poor taste when Hamill himself had no such concerns.Star Wars has recently gone the other way, with eerie CGI exhumations of beloved actors. I think this is both in poor taste
Indeed. It takes something away from other actors and their option to step in to these roles and play them out.Star Wars has recently gone the other way, with eerie CGI exhumations of beloved actors. I think this is both in poor taste, and creatively bankrupt. Recast, or even better, create new characters! Sadly, they seem to have taken the wrong lessons from Solo's flop.
After they're dead they're not going to be alive to care about being "held hostage to one role" or "typecasting". I would certainly hope, if there is an afterlife (which is also unproven), that one's time is better spent than quibbling over minor issues from their mortal life that their descendants would be financially compensated for anyway.I agree it's in poor taste because it basically is demanding time freeze and that actors be held hostage to one role forever, even post mortum.
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