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Sony Spider-Verse discussion thread

Yeah, I think do see what you were saying before now. I guess the people doing the hiring must understand that what we see on screen isn't necessarily the best example of their skills as writers.

I can't remember where to find it, but another tweet I saw, in response to the same attack on Sazama, said that just getting a half-dozen films actually made and released at all was a success story. As I mentioned before, as many as 98 to 99% of movie scripts don't even get filmed.


It's sad how many movies have been ruined by executive meddling. I can't think of any examples of executives coming in and forcing changes on a movie that actually improved it.

It happens all the time. It's a collaborative process, and good and bad suggestions can come from any level of the collaboration. But we don't hear about it when things work smoothly, only when they go wrong and we want to find someone to blame for it. So that creates the impression that bad executive meddling is more the norm than it is. The same way you'd get the impression from watching the news that plane crashes are more common than they are, because routine, safe flights aren't newsworthy.
 
Yeah, I guess all we hear about are the people complaining about them ruining their movies, and not times they might have had good ideas.
 
So Box Office Mojo is estimating at $26 million dollar opening in the US, and a total with international at $50 million.

Bob Marley: One Love has been making almost twice as much as Madame Web each day since opening day Feb 14.





You do realize you are responding to Guy Gardener , right?

Hasn't it only made like 6 million dollars so far?
 
The villain Ezekiel dreams his death constantly. After the invention of facial recognition software, he's able to track down the powerless teen girls in the present before they grow up into super human women in the future who kill him. So we just see snips from his dream over and over again where the Spider-Woman, Arachne and Silk kill him, but the bulk of the movie is just 3 useless winy 14 year olds, squealing and running in bad alternate timelines where Web gets them killed.

Silk?!?
Okay...um...I guess they are either radically changing her origin, OR she's not the same Silk that is pheremonally linked to Peter Parker in a way that makes them want to bone each other?
 
I checked out a long time with Spider-Man comics.

Last thing I read with a passion was Superior Spider-Man, which is back.

The only thing I read with Mattie Franklin in it was Old Man Logan.

I haven't been able to keep up with any comics, really. Gotta make budge cut decisions somewhere. Cutting back on comics means I get to go on the Star Trek cruise this week, so....no competition, lol.
 
Quite possibly, and that "old cartoon" was probably at least as influential as the comics. The version of the alien costume/Venom story from the '90s animated series was much more cohesive than the one in the comics, and introduced the idea that that symbiote made Peter psychologically darker and less inhibited, rather than merely draining his energy. I was surprised when I finally read Venom's origin in the comics and saw how bad it was in comparison to the animated adaptation, with Eddie Brock introduced out of nowhere and clumsily retconned into the backstory through extended infodump flashbacks, as opposed to the way the animated series introduced Brock at the start and organically built up his resentment toward Peter and Spidey. That's no doubt why most subsequent screen adaptations, including the Raimi movies and the later animated series, have tended to emulate the '90s series's version of the symbiote/Venom story.
I absolutely didn't want to imply that the '94 cartoon was bad or anything. But it is 30 years old! There are people born after it and who have already had children. I doubt that Venom has entered the collective imagination like Spider-Man or Superman.
 
I absolutely didn't want to imply that the '94 cartoon was bad or anything. But it is 30 years old! There are people born after it and who have already had children. I doubt that Venom has entered the collective imagination like Spider-Man or Superman.

That's kind of a contradictory paragraph, given that Spider-Man is 63 years old and Superman is 86 years old. Like those characters, Venom has been adapted multiple times, in five animated Spider-Man series with guest appearances in several other Marvel animated series, as well as Spider-Man 3 and a large number of video games.

Anyway, I wasn't commenting on how famous Venom was. I was simply saying that, among that percentage of the general audience that did know about the character, it's reasonable to conclude that the '90s animated series was the most important work in establishing that knowledge, both in itself and in the way it influenced subsequent screen adaptations. Although in more direct terms, Spider-Man 3 was probably the primary source of exposure for the largest number of audience members.


Screenwriter Zack Stentz (Thor, X-Men: First Class, Terminator: The Sarah Connor Chronicles) weighs in on the Twitter discussion about Matt Sazama's credits:

https://twitter.com/MuseZack/status/1759455256734580938
"A surprisingly large number of quite bad movies began life as good scripts that got overdeveloped into sludge by the studio process. This is the main reason why writers with credits you don't like keep getting hired-the execs who hire them read their earlier, better drafts.
"You also have some writers who get work off of unproduced scripts that are widely loved. My old boss Josh Friedman sold a sci-fi spec called Orphan's Dawn back in the early 2000s that people loved. It's never been made but got him work for years & years.
"Also, yes, some screenwriters just suck and inexplicably keep working, usually because they're shrewd at navigating studio politics & ingratiating themselves to powerful people. But my point is that you can't really judge a writer's work from the finished films."
 
By the numbers...

1. Pretty woman dies briefly, gets a large dead zone.
2. Sexy ethnic badguy with smaller dead zone tries to kill his jailbait future murderers.
3. Pretty woman saves jailbait future murderers from sexy ethnic badguy with little dead zone.
4. Sexy Ethnic Bad Guy with little dead zone hunts pretty woman with big dead zone and jailbait future murderers.
5. Pretty woman with big dead zone and jailbait future murderers hide behind extremely pregnant woman.
6. Pretty woman with big dead zone goes to Peru to source her origin and abandon the jailbait future murderers for a week when they will almost definitely get murdered by the sexy ethnic guy with little dead zone.
7. Pretty woman with big dead zone arrives home to America just before jailbait future murderers are murdered by Sexy ethic guy with little dead zone, leading sexy ethnic guy with little dead zone into a series of Home Alone traps with her large dead zone, and sexy ethnic guy with his little dead zone dies.
8. Pretty woman with large dead zone looks at camera and says "We have no fate but what we make. " with zero irony. THE END.
 
it's reasonable to conclude that the '90s animated series was the most important work in establishing that knowledge, both in itself and in the way it influenced subsequent screen adaptations. Although in more direct terms, Spider-Man 3 was probably the primary source of exposure for the largest number of audience members.

I'm Dutch, and except for some a small number of very unknown shops, comics were not a big thing here when I was growing up in the 80's and 90's. A few main stream ones got Dutch translation, like a few Batmans and X-Men. I think maybe a few Spiderman's.
Anyway, trust me when I say that the 90's animated show was THE reason I and many like me got to know Venom and subsequently loved AND hated his apperance in Spider-Man 3. So yeah, you're totally on the money there.

Hell, the 90's animated show introduced me to many Spiderman characters. Rhino, Vulture, Kraven, the list goes on.
 
In addition to Venom, the 90s Spider-Man cartoon is also where you can find the origins of Spider-Man dealing with a multiverse and multiversal versions of himself.

I've heard it alleged that Blade the Vampire Hunter's appearance in the '90s show was the reason the Wesley Snipes Blade movies got made, and the show apparently introduced the idea of Blade being half-vampire.
 
I've heard it alleged that Blade the Vampire Hunter's appearance in the '90s show was the reason the Wesley Snipes Blade movies got made, and the show apparently introduced the idea of Blade being half-vampire.

I was looking at the wiki page for the Blade movie and entertainingly one of the footnotes was to a Variety article about Marvel project development in 1992 and it's a fun "What If?" in retrospect. LL Cool J as Blade and Wesley Snipes as Black Panther just as a start.
https://variety.com/1992/film/news/marvel-characters-holding-attraction-for-filmmakers-101955/
 
Mostest importantly, the '94 series is probably why the David Hasselhoff Nick Fury movie got made.

But yeah. 30 years ago feels more than enough time to consider something, especially a cartoon, old.
 
I was looking at the wiki page for the Blade movie and entertainingly one of the footnotes was to a Variety article about Marvel project development in 1992 and it's a fun "What If?" in retrospect. LL Cool J as Blade and Wesley Snipes as Black Panther just as a start.
https://variety.com/1992/film/news/marvel-characters-holding-attraction-for-filmmakers-101955/
So many of those could have been awesome. I love how confident they are in the James Cameron Spider-Man movie being made.
 
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