
A lot of the characters in my novel are Tuckerizations of long-dead musicians or living friends. David Gerrold named Sherman's Planet after a friend. They gotta come from somewhere.
A lot of the characters in my novel are Tuckerizations of long-dead musicians or living friends. David Gerrold named Sherman's Planet after a friend. They gotta come from somewhere.
… and a Star Trek novel author using the name ‘Gene Roddenberry’ as a character.
And he's gotta be a Lanthanite, looking at how long he's been popping up on them!Hey, going off the dedication plaques, there IS an Admiral Gene Roddenberry in Starfleet according to canon...![]()
While I also have no love for Warped, I will say that many DS9 novels suffered from the same problem as the early TNG novels: they were being written while the show was actively being produced, so a lot of their content would contradict the show, and many of the characters were being written differently from how the show would portray them. The ironic thing is that sometimes a novel would have a really great plot and excellent writing despite this, and some novels, well, wouldn’t. Of course, writers can only work with what they are given.
Two even! Books two and four both have that holdover from the original plan.The Voyager novels copped it pretty badly too. One of them even refers to the EMH as "Zimmerman" throughout.
They gotta come from somewhere.
What's funny to me is back then I would have hated the inconsistencies but now I think I would love the look into something like a weird alternate universe. It's like the DC early TNG comics with Picard's massive fishtank and the alien couple bickering on the bridge and the Christmas party and all kinds of nonsense. It's so bizarre and great at the same time.While I also have no love for Warped, I will say that many DS9 novels suffered from the same problem as the early TNG novels: they were being written while the show was actively being produced, so a lot of their content would contradict the show, and many of the characters were being written differently from how the show would portray them. The ironic thing is that sometimes a novel would have a really great plot and excellent writing despite this, and some novels, well, wouldn’t. Of course, writers can only work with what they are given.
And thanks for the spoiler on a SNW season that won't be out on DVD until December.And he's gotta be a Lanthanite, looking at how long he's been popping up on them!
There’s a difference between an author using a friend’s name that his readers don’t know, and a Star Trek novel author using the name ‘Gene Roddenberry’ as a character.
Taking my own novel as an example, the protagonist (a child prodigy organist) is named Jennifer Schweitzer. "Jennifer" because at least for me, it immediately conjures up my mental image of her appearance and general demeanor, and "Schweitzer" after Albert. I have characters whose surnames come directly from English Baroque composers Jeremiah Clarke and Henry Purcell. I occasionally allude to both characters and house pseudonyms created by Edward Stratemeyer (and to Stratemeyer himself). I'm not at all shy about being obvious.Yeah, but sources don't have to be obvious. When I derive character names from real people, famous or otherwise, I try to mix and match or disguise them so they don't seem too contrived.
And for the record: character (and place) names that allude to real people with a connection to a shared milieu don't throw me out of a story nearly as often (or as violently) as having some particularly memorable passage from a prior opus in that milieu directly (and especially needlessly) contradicted. The inconsistencies brought up in this very thread, between DD's Vulcan, JL's Vulcan, and AC's Vulcan, are bubkes (if you'll pardon my Yiddish), compared to some of the stuff I've complained about.
Yeah, but sources don't have to be obvious. When I derive character names from real people, famous or otherwise, I try to mix and match or disguise them so they don't seem too contrived.
As for surnames, some writers might find realistic or unusual names from the phone book.
I like Windows on a Lost World! Sure, it's an offbeat concept, but I like the alien-building.
Marshak & Culbreath's books hands down.
After reading three of them, I've decided to never pick up another book by them as a pair or as individual authors.
What I remember (since this is over a decade ago) is that it was so bad I put it down at one point, and couldn't even touch it to continue for 8 months. And it was still just as bad.
And it's not like I dislike the author. I remember Doctor's Orders fondly, though I don't remember why.
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