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DC Movies - To Infinity and Beyond

That scene by Byrne never made any sense: if those were pre-Crisis Kryptonians, then once the Gold K permanently removed their powers, the Green K would have no effect on them. It was their dense molecular structure that made them vulnerable to the Green K, which they no longer had after Superman depowered them. There are multiple pre-Crisis examples of a powerless Superman not being affected by Green K, and at least one pre-Crisis story of Batman being affected by Kryptonite that had been altered by Metallo to key in on a human's less dense structure just off the top of my head. Which is not what Byrne depicted. Green K would have no more effect on them as it would any ordinary human.

As you might guess, I am not a fan of that story. And the first time I ever started hearing the theory that Superman killed the Phantom Zone criminals in Superman II was in conjunction of arguments supporting the Byrne story.
 
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https://www.joblo.com/wonder-woman-3-reportedly-not-in-development/

That didn't take long.
Now, after some of the lame ass moves pulled by WB in the past, they don't feel trustworthy enough to believe what they're saying. Gal Gadot always comes across as a genuine person. She doesn't seem like someone to just make up a statement from Gunn like that.
However, in the end..... It's all well and good if Gunn said this to Gadot, but if he never actually cleared anything with WB....
 
When he threw the Crystal in Superman (1978), it fell through the thin ice into the water underneath and the fortress came up out of the ice and water.

If there is a chasm, it’s water filled. Which tracks with the cool water meeting the warm air hence it becomes a mist.

It’s an indictment of 1980s filmmaking (exacerbated by the political mess this one was behind the scenes) that, once the threat is neutralised, it’s on to the denouement and credits rather than include that scene of them being fished out and incarcerated.

And that’s about it. If Richard Lester and John Victor-Smith don’t care, why should we?
 
https://www.joblo.com/wonder-woman-3-reportedly-not-in-development/

That didn't take long.
Now, after some of the lame ass moves pulled by WB in the past, they don't feel trustworthy enough to believe what they're saying. Gal Gadot always comes across as a genuine person. She doesn't seem like someone to just make up a statement from Gunn like that.
However, in the end..... It's all well and good if Gunn said this to Gadot, but if he never actually cleared anything with WB....

According to 'Variety's Sources'.

I suppose it depends how much truck you put into Variety or their unnamed informants.

I don't see why Gadot would have lied, and certainly she's been popular in the role.
 
It never even occured to me for a fraction of a second that Superman and Lois killed the Kryptonians in Superman II until someone said they did on here.

Right. There's a percentage of the modern audience that has a bizarre need to rewrite comics history to back-project the dark, violent take of post-'80s comics onto the Silver and Bronze Ages -- like the people who insist that Batman was a violent, lethal character for decades until the 1966 series toned him down, whereas if you actually read the comics, you'd know that was toned down after less than a year and that by 1943 at the latest, the storytelling in the comics was recognizable as the format of the '66 series, except with even more comedy.


There is absolutely nothing in the movie to indicate that they died, and I'm pretty sure if that really had been the intent, they would have been a clearly indication that the fall would have been fatal.

I agree with most of your points, but on this one, I have to differ. It's a classic action trope for a story to end with a villain (or sometimes a hero, as with Sherlock Holmes) falling to an ambiguous "death" that can be easily reversed in a later story. In Golden Age Batman comics, it happened to the Joker or Hugo Strange at the end of practically every story they were in. The lack of clarity about whether the villain died is the entire point of the trope. It's up to the viewer to decide whether they want to believe the villain died or not.

After all, it's just a plot device. It serves the purpose of decisively ending the villain's role in the story and allowing a happy ending. Whether or not the villain survives after the story is narratively irrelevant to the story itself; it only becomes relevant if the writers decide to bring them back in a later story. But implicitly, the rule in fiction is that nobody's definitively dead unless you see a body -- and even that can be retconned as fake. (Sometimes even explicit deaths can be reversed, like in Doctor Who where the Master was vaporized on-camera at the end of "Planet of Fire" and returned in "The Mark of the Rani" a season later without a word of explanation.)
 
That scene by Byrne never made any sense: if those were pre-Crisis Kryptonians, then once the Gold K permanently removed their powers, the Green K would have no effect on them. It was their dense molecular structure that made them vulnerable to the Green K, which they no longer had after Superman depowered them. There are multiple pre-Crisis examples of a powerless Superman not being affected by Green K, and at least one pre-Crisis story of Batman being affected by Kryptonite that had been altered by Metallo to key in on a human's less dense structure just off the top of my head. Which is not what Byrne depicted. Green K would have no more effect on them as it would any ordinary human.
They were Pocket-Universe Kryptonians. Yes, they were modeled like their pre-crisis counterparts, but no-one said that the same rules applied to them.
 
I agree with most of your points, but on this one, I have to differ. It's a classic action trope for a story to end with a villain (or sometimes a hero, as with Sherlock Holmes) falling to an ambiguous "death" that can be easily reversed in a later story.

The big difference is that in the examples you cite (as well as in Disney movies) the fall usually occurs during a fight, or in self-defense or similar. In Superman II it happens absolutely in cold blood against three helpless opponents. It is probably one of the reasons that gave birth to discussions in the following years.
 
The big difference is that in the examples you cite (as well as in Disney movies) the fall usually occurs during a fight, or in self-defense or similar. In Superman II it happens absolutely in cold blood against three helpless opponents. It is probably one of the reasons that gave birth to discussions in the following years.

It's only "absolutely in cold blood" if you assume it was lethal. My point is that it was at most an ambiguous death. It was intended to be nonlethal, and deleting the scene of the villains being carted away at the end does no more than create ambiguity.

Indeed, one could argue that the fact that it wasn't done in the heat of battle is evidence that it wasn't lethal. Because despite what some people have a bizarre need to believe, no remotely decent action hero would kill a helpless opponent, only one who posed an imminent threat.
 
Indeed, one could argue that the fact that it wasn't done in the heat of battle is evidence that it wasn't lethal. Because despite what some people have a bizarre need to believe, no remotely decent action hero would kill a helpless opponent, only one who posed an imminent threat.
Ah, but the whole point is to argue Superman isn't "remotely decent," or in fact really much damn good at all, because believing in good guys is for children and chumps. Heroes -- or anti-heroes, which is all that some posters would have us left with -- have to be willing to get their hands bloody, since in the real world (obviously the applicable standard to apply to stories about a flying laser-eyed space alien), all is darkness and violence, and we starry-eyed losers who dream of something better just need to get with the program.
 
superman-22-pg-16-17.jpg

Though this has been pointed out about each and every time somebody cited this "precedence" from the comics, it was such a major thing that it caused in Superman an identity crisis and a crisis of conscience to the point where he exiled himself into space.
X2Iw7BC.jpg

While I am in the camp that can enjoy the Snyder movies for what they are, I also don't lie to myself. These movies treated Superman killing Zod entirely different. They didn't cause a crisis of identity, all the remorse he feels over it is represented in a single outcry, after which he's fine, and seeing the sequels it didn't turn out to be out-of-character either.

So, no, the Byrne comics are not an acceptable precedence to cite for MoS.

Why did Henry Cavill make a video claiming he was back as Superman when he'd never been asked to come back?

Because Dwayne Johnson and the interim heads of the DC film department (who were fully aware they were doing interim jobs until new leadership could be found and therefore shouldn't have made long-term decisions) made promises they couldn't keep.
 
my evidence is that all we see is the Zoners disappearing into the mist in Superman's Alien Fortress. We don't see a chasm in any form. The only visual evidence is that they disappear into the mist.

That is not evidence. It is more of your wish fulfillment game born of a bizarre need to place a comic book character in the position of the cloud-born, rosy-cheeked Santa wearing a security blanket bearing no emotion relatable to real people. Time after time, you have tap-shuffle-tapped around that which you cannot prove, returning to your typical ranting about something that never happened on screen. Few filmmakers or screenwriters worth a second of their experience was going to create a film with a build-up based on a rather elementary hero vs. deadly villain plot, and leave the villain's filmed death in question, unless there was an on screen intent to hint at a return.

There was no such hint, suggestion or deliberate effort to suggest that in Superman II at all.

Superman was not going to take the Kryptonians to prison, drop them off on an island, imprison them at the Fortress, sign them up for rehabilitation programs, or anything else. The simple hero-kills-villain trope was in full force in Superman II, which was the payoff the Newmans, Puzo, et al. not only understood was the way to craft such a story, but would satisfy the expectations of audiences. That is exactly what the audiences of 1980 saw, not some frankly childish "oh, t-t-hhey just d-disappeared into a mist" ambiguous nonsense.

Again, you are the one who made the claim, which you should have been prepared to defend and support with period evidence from Lester, the Newmans or Puzo, unequivocally stating that Superman and Lois did not take revenge on the Kryptonians by sending them to their deaths down a frozen void, or that Clark did not seek super-powered revenge against Rocky, instead of just forgetting about the man. You have consistently avoided even referring to such evidence, because you know it does not exist. As a result, you are simply projecting your aforementioned need to make that film's Superman into the rosy-cheeked Santa wearing a security blanket, which is a disturbing personal problem that--at the end of it all--will not rewrite history to fit that sad delusion.

I certainly am at a loss as to why you are so condescending in how you go about arguing this.

Said the guy who initially responded to my post when I was not addressing you. Said the guy who has returned to post personal attacks, ranting about a comic book character and misrepresent the artists who made a firm decision in the final, theatrical version of a decades-old movie.

Hypocrisy animates your essence.

Its still all on you--the one who continues to make the ridiculous claim about a film to provide evidence which stands against what audiences around the world witnessed and accepted over four decades ago.

That is not--in what is obvious tradition--going to happen for every reason stated above.

The big difference is that in the examples you cite (as well as in Disney movies) the fall usually occurs during a fight, or in self-defense or similar. In Superman II it happens absolutely in cold blood against three helpless opponents. It is probably one of the reasons that gave birth to discussions in the following years.

Which was the intent all along. Villains killed by heroes is as old as people exchanging stores in ancient times. There was never some need to place anyone in such a lofty position that under no circumstances, they will never be fueled by a sense of retribution.
 
Zod did the same thing to Superman in MoS that Joker did to Batman in TDK: forced him to break his one rule. Sometimes you have to kill in order to preserve life. Being in denial of this fact doesn't make it go away.
 
Really, the problematic stuff in Superman II wasn't what happened to the Phantom Zone criminals. It's how unheroic Superman acts:

1) He decides to give up his powers to be with his deranged stalker

2) Once he gets his powers back he unilaterally decides Lois can't be trusted so he violates her mind and makes her forget everything that happened

3) He goes back after that Redneck who beat him up as normal Clark and clobbers him even though the Trucker is now completely helpless.

What a hero.
I'm not sure I'd characterize Lois as a "deranged stalker" and I suppose one can make the argument that he made her forget for her own safety but, yeah, even as a kid the ending (especially the revenge against the trucker) seemed to need a significant rewrite.
 
https://www.joblo.com/wonder-woman-3-reportedly-not-in-development/

That didn't take long.
Now, after some of the lame ass moves pulled by WB in the past, they don't feel trustworthy enough to believe what they're saying. Gal Gadot always comes across as a genuine person. She doesn't seem like someone to just make up a statement from Gunn like that.
However, in the end..... It's all well and good if Gunn said this to Gadot, but if he never actually cleared anything with WB....
At least we didn't get as far as a teaser that's not going anywhere. So they're getting more efficient in their bullshit delivery. Soon they'll be announcing and un-nnouncing it in the same breath.
 
Zod did the same thing to Superman in MoS that Joker did to Batman in TDK: forced him to break his one rule.
Reply 1: Forced him to break his one spine.

Reply 2: What one rule did the Superman in Man of Steel break? I don't recall him ever saying anything about killing, so it surely can't be that. ;)

Sometimes you have to kill in order to preserve life. Being in denial of this fact doesn't make it go away.
He only "had to kill to preserve life" because the script said so. He did not exhaust all of his options.
 
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