And I'm quite sure that she was convinced (well a lot of people were) that the show was going nowhere and she didn't even care that they killed her character. For us Star Trek is the Bible, for her was just another gig.Denise Crosby was unhappy and bored with her role. Nothing more, nothing less.
Denise Crosby was unhappy and bored with her role. Nothing more, nothing less.
If they were spiteful they could have forced her to stay until the end of her contract, they had no obligation to let her go.I think they only did it out of spite. "You want to abandon us? Well YOU'LL REGRET IT!"
That's not evident at all because getting killed off didn't prevent her from returning as the same character and if they had't kille her off they could have never used her again if they didn't want to. It's not like there's an obligation to bring former main cast members back after they leave a show.It is evident that she had been killed to prevent her from returning with the same character.
That's not evident at all because getting killed off didn't prevent her from returning as the same character and if they had't kille her off they could have never used her again if they didn't want to. It's not like there's an obligation to bring former main cast members back after they leave a show.
Can't really fault her. She didn't get that much to do.
How so?
My previous post about Yar's inconsistent character treatment aside, many baddies will simply kill to make a point or to do it out of malice - to be built up as the threat and one larger than usual. It's refreshingly different, ironically, that Yar would just be zapped away and without all the tension and melodrama we're accustomed to. Which isn't to say tension and melodrama are bad, they're not and the best example of them all is too big a spoiler (even for a >40 year-old tv show), but monsters will kill out of simple trifling as well. Nobody was expecting Yar to die since injured main cast people in shows not named "Blake's 7" never die mid-season, and the "Skin of Evil" teaser was alluding Riker to be the one written out.
So, in a way, it wasn't all bad. It was a genuine surprise. It worked. Just not entirely in the way audiences may have been expecting.
Also,
So, I agree with this, but I'd have used to words pointless & hackishly written, because the episode isn't really all that bad, but her death was just trodded through like a bull in a China shop. No one would ever be so flippant with a main character death now... Mostly.I just found her death unnecessary and badly written.
There's nothing especially interesting or creative about it. Alien of the week attacks her, & while we'd normally expect that & that person would find a way to be ok by the end, this time she just isn't, & there's really no point to it (Which to that effect, later on in Yesterday's Enterprise, they themselves are calling it meaningless) It reeks of being just thrown together, & on a Star Trek show where we come to expect interesting & creative things, it's flat.^I'm not exactly sure what you find dubious about the writing either. You're saying what you think it is, but not really why you think it is.
I take it "Eliminators" wasn't enough of a hint.It's been clearly documented in various sources that Crosby wanted to leave the show. She felt her character wasn't being used effectively, and she thought she could launch a film career.
I just found her death unnecessary and badly written.
Well, I'd argue that if the writing quality were to have been better invested in having there be more of an artist point to her death, then there'd be less of a likelihood of viewers finding it pointless or unnecessary. There's the connection.Your feeling it was unnecessary and the quality of the writing have no connection.
Well, I'd argue that if the writing quality were to have been better invested in having there be more of an artist point to her death, then there'd be less of a likelihood of viewers finding it pointless or unnecessary. There's the connection.
I mean even if the "point" of killing her off this way was to demonstrate the sometimes abrupt & arbitrary meaninglessness of death, on its own, (which I'm not sold they were all in on that motive TBH) then they kind of failed to make a compelling or engaging delivery of that as well, IMHO. Its just kind of a "Shit. She's dead. Let's toss in a holodeck service & be done in an end tag" moment.
That they would later try to have it become a more meaningfully impactful event doesn't help the episode in it self, for what it was. It still looks somewhat cheap IMHO.
Well said, and that's something I try to avoid. There are some episodes I didn't happen to enjoy, but appreciate for their technical merit ("Duet" is an example). There are plenty of legitimately bad ones out there, so I don't need to manufacture more.What I take umbrage with is the oft-repeated canard: 'I didn't like it, therefore bad writing', which is repeated ad infinitum around this board.
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