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So What Are you Reading?: Generations

I will say this just once, though: in the course of four semesters of Short Story Workshop at a local junior college, one of the things the professor constantly drilled into the class was that you don't want to throw readers out of the story unless you're doing it deliberately, for a very good reason. And you don't have to have an eidetic recall of TrekLit, to read something and get thrown out with the thought of "This directly contradicts something that somebody else did a lot better, many years ago."

On the flip side, it could also be jarring if a more casual reader keeps running into references to events and and characters they don't remember from the TV shows and movies.

"Hang on. Who is this 'Piper' person they keep mentioning? Am I forgetting an episode?"

In the case of the Crucible books, which were specifically intended to be a special anniversary event, I can see the argument for wanting to make them super-accessible to Trek fans in general, who might not read the books regularly, but could possibly be lured into buying a special event celebrating one of the most famous TOS episodes of all.

Confession: When I wrote my third Khan novel, about his stay on Ceti Alpha V, I deliberately avoided any specific references to my own Eugenics Wars novels, because I wanted that book to be accessible to anyone who knew and loved THE WRATH OF KHAN, not just folks who had read my previous Khan novels.

Granted, I never actually contradicted my own books; I just refrained from having Khan brooding about Gary Seven or whatever. :)
 
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Granted, I never actually contradicted my own books; I just refrained from having Khan brooding about Gary Seven or whatever.
And that's just about an ideal solution: neither throw in references that serve only as "continuity porn," without serving the story, nor make unnecessary contradictions of existing writings. (Of course, I'm saying this while well aware that DRG went out of his way to specifically reference every single TOS episode.)

Something comes to mind, a reformulation of something I've often said whenever anybody looks down their nose at "genre fiction":

All fiction has a genre, even if the genre is simply contemporary realism. The thing that makes fiction literary is that the genre serves the story, rather than the story being a slave to the genre. And when the genre serves the story, it is in turn enriched far more than it could possibly be by making the story its slave.

Having read the historical note at the beginning of Somewhere to Belong, I think I'll finish my Prodigy DVD set and see Discovery 4x01 first.

(And of course, Piper wasn't yet born when DC's April-era novels took place!)
 
And that's just about an ideal solution: neither throw in references that serve only as "continuity porn," without serving the story, nor make unnecessary contradictions of existing writings.

What the hell does "unnecessary contradictions" mean? That's a nonsensical concept when applied to Trek tie-ins. Pre-2000, when novels weren't expected to share a continuity, there were multiple different, incompatible ways of depicting the universe, the characters' backstories, and certain key events. I think my version of the end of Kirk's 5-year mission in Ex Machina and Forgotten History was the seventh overall, and there have been a couple more since then. There were two mutually incompatible versions of Kirk's first mission as Enterprise captain within a year of each other in comics and prose, and of course I offered a different one in The Captain's Oath. There were as many different fates for "The Enterprise Incident"'s Romulan Commander as there were authors writing about her. Same for origins of the Mirror Universe -- depending on the book, it diverged in the Romulan War or in the Eugenics Wars or at the dawn of history. So it's impossible to define a single version of the older continuity that other books should be expected to follow.

Even today, the same still goes; the novels may have mostly agreed with each other up until recently, but the comics, games, and Titan "biographies" still strike their own independent paths. That's not "unnecessary," it's just the nature of the beast. Tie-in fiction is speculative, not authoritative. Like historical fiction, it imagines things that could've happened in the gaps between the events we know, but it makes no pretense that its conjectures are the "correct" answer. There's always more than one possibility that can be imagined and explored.

When I was reading Trek lit back in the '80s, part of the fun was seeing all the different, alternative ways that novelists reimagined the Trek universe and filtered it through their own creative visions and styles. It was the same pleasure I got from reading original science fiction and seeing the different ways authors imagined the future. The fact that they didn't fit with each other was a strength, not a weakness, because it let me experience a wider range of possibilities.
 
For the first time in a while, everything I am reading is something new to me. Yes, 3/4 of them are sequels or part of a series, but I still don't know exactly what will happen in them. So far, so good!

The Usagi Yojimbo Saga, Vol. 4
Batman: Dark Victory
Star Wars: Inquisitor: Rise of the Red Blade
One of Us is Dead
 
Conan: Blood of the Serpent by S. M. Stirling.

Which I believe is the first original Conan novel (in prose) in fifteen years. (Not counting the novelization of the Jason Momoa movie.)
 
Just started Harm's Way by David Mack. I really liked the Vanguard novels so I'm looking forward to this story. At first I was a bit surprised it didn't carry a Vanguard banner, but I see that's probably appropriate since this is appears to be an Enterprise centered story that takes place in the "Vanguard" continuity. And probably because S&S wants to limit how many different novel specific series there are right now with current shows running for marketing purposes. An original series book will probably sell more than a Vanguard book nowawadays.
 
Now 3 chapters into A Place To Belong. Interesting description of the counselor. Also nearly done with a recent Smithsonian.

And curious about Rachel Barton Pine's disability after a brilliant performance at her Hollywood Bowl debut, I just read the Wikipedia article on her. And was overwhelmed with compassion for what she'd endured. (I also learned that for several years, she played electric violin in a heavy metal band.)
 
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I finished reading last night the “Star Trek: Picard” novel, Rogue Elements (2021), by John Jackson Miller. My full review is posted on the Review Thread here.

— David Young
 
I've just finished the two Prodigy novels (my daughter is now reading the second one).

For our two week holiday in Ireland I took both Khan novels with me. I hope to get at least the first one finished. Good first 100 pages, starting in a realistic version of East Berlin (except the "german" names) and great cameos from Gillian Taylor and Ralph Offenhouse.
 
They were both really good - Not only for children books.

I prefered the first one (Dangerous trait). The characters really fit the TV Show and it was a nice little adventure story.
The second book (Supernova) is the story of the computer game. I prefer the book, it has more story and not just fighting.
 
Just finished This Day in Game Show History: Volume 2: April Through June by Adam Nedeff (2014). The review I’ve been posting on my Facebook page and to various groups is the same as what I wrote for Volume 1: January Through March (so I won’t post it in its entirety here again, you can just scroll back up to Volume 1 if you want).

Again, highly recommended for fans of vintage tv (and old time radio) game shows and also of classic TV in general.

— David Young
 
Since it came up recently in another thread, I'm re-reading DW's In the Name of Honor. And I have Cassandra Rose Clarke's Shadows Have Offended off the shelf for the same reason.

And given that I've seen Murnau's Nosferatu, and have the DVD of Dracula: Dead and Loving It, and that a certain soon-to-be-released movie has brought up the subject, I just came back from the local B&N, having picked up a copy of Bram Stoker's Dracula. Which is next on my schedule.
<gasps>
"Dracula?"
"Dracula?!?!"
"Dracula??!!"
"Shedule?"
 
Godzilla: The Ultimate Illustrated Guide

If you can get this as an actual coffee table book, that is probably the best choice. I got it for Kindle, and the formatting is all screwed up. They have it set up as two-page spreads but locked into portrait mode even when the device is rotated. Even on a Kindle Fire, there is lots of zooming needed to just barely read the text or see the pictures better.

Batman: No Man's Land

I am on volume 2 of 4 of this series. I respect what they are trying here, but I prefer Batman and the others in a fully functioning Gotham City.

Rereads: Star Wars: Light of the Jedi and Star Trek: Twilight

One benefit of the Trek publishing slowdown and end of the novelverse is that I can luxuriate in the settings of some of these books and not worry as much about the plot progression.
 
I read Yesterday’s Son. An unambitious but very comfortable read—the characters and locales feel familiar, the plot is unconvoluted, and a premise worth exploring. Nails TOS in a way which seems effortless—so it was probably anything but.
 
Nearing the end of In the Name of Honor. The conspirators have been revealed. Clever how DW handled the hemQuch/QuchHa' situation before ENT revealed the root cause.
 
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