I don’t think you need the “but” thereSome of the dialouge was a little corny, but it still felt in the spirit of Babylon 5.


I don’t think you need the “but” thereSome of the dialouge was a little corny, but it still felt in the spirit of Babylon 5.
I get it. Which is why part of me wonders if its best to just leave well enough alone. They keep opening up more plot lines now that never get completed (Drakh, Keeper gift for David, plague, Legend of the Rangers..). I will definitely be buying it but I really hope for more than just a Greatest Hits album of flashbacks and alternate universes that don't matter.Babylon 5 had a few memorable characters, but it wasn't a character-driven show. It was basically one big plot engine (a great machine, if you prefer) designed to tell one big story. And that story, the biggest story in the lives of the show's characters, is over. Everything else is a footnote, by design, because the original goal was to tell that one story, not start some "deep space franchise."
I mean I'm not saying it's bad by any stretch (quite the contrary), but to my ears it still registered as someone doing a very solid Zathras impersonation (or maybe it was supposed to be Zathras?) Whereas for the Sinclair voice; it made my brain jump the tracks and for a split second forget that O'Hare is no longer with us and that it was actually him.He nails Zathras as well, imho. Pretty darned impressive to nail both of them!
Not the worst attempt at a justification after the fact I can think of (not you, the book), but you would think if that really were the case the Shadows wouldn't have gone after Kosh like that. I mean it's not like they knew he was going for a sacrifice play, so the only reason they would show up as they did is if they were sure they could take him.Mmmm...IIRC, based on the third Techno-mage novel there's some evidence that Kosh didn't fight as hard as he could have, partly because he was intent on giving Sheridan one last 'helping hand' (as evidenced in later episodes), and partly because he knew that his life was the price to be paid for the Vorlons' intervention in "Interludes and Examinations" and that if he didn't let himself die then there would be worse consequences.
Whereas for the Sinclair voice; it made my brain jump the tracks and for a split second forget that O'Hare is no longer with us and that it was actually him.
Not the worst attempt at a justification after the fact I can think of (not you, the book), but you would think if that really were the case the Shadows wouldn't have gone after Kosh like that. I mean it's not like they knew he was going for a sacrifice play, so the only reason they would show up as they did is if they were sure they could take him.
If we know one thing about the Shadows, it's that they never pick a stand-up fight unless they know they have an overwhelming advantage.
I think we can just chalk this up to one of those minor inconsistencies that are contrived out of the necessities of storytelling.
Babylon 5 celebrates its 30th anniversary this year and returning to voice their characters from the original series are Bruce Boxleitner as John Sheridan, Claudia Christian as Susan Ivanova, Peter Jurasik as Londo Mollari, Bill Mumy as Lennier, Tracy Scoggins as Elizabeth Lochley, and Patricia Tallman as Lyta Alexander.
The film also stars Paul Guyet (World of Warcraft) as Zathras and Jeffery Sinclair, Anthony Hansen (God of War) as Michael Garibaldi, Mara Junot (Green Lantern: Beware My Power) as Reporter and Computer Voice, Phil LaMarr (Futurama) as Dr. Stephen Franklin, Piotr Michael (Hogwart's Legacy) as David Sheridan, Andrew Morgado (Doctor Strange in the Multiverse of Madness) as G'Kar, and Rebecca Riedy (Magic: The Gathering Arena) as Delenn. Babylon 5: The Road Home was written and Executive Produced by series creator J. Michael Straczynski. The film was directed by Matt Peters (Batman and Superman: Battle of the Super Sons), Supervising Producer is Rick Morales (Mortal Kombat Legends: Snow Blind) and Executive Producer is Sam Register.
Special Features and Technical Specs:
- Babylon 5 Forever (New Featurette) – join the cast and filmmakers as they reveal the process behind creating the first state-of-the-art, animated adaption of Babylon 5.
- Audio Commentary with creator/writer/executive producer J. Michael Straczynski, actor Bruce Boxleitner and supervising producer Rick Morales.
- Optional English, Spanish, and French subtitles for the main feature
We don't know a ton about the Shadow civilization, so perhaps individual Shadows are somewhat akin to Borg drones, in the sense of being expendable relative to the whole?
Kosh caused the Vorlons to directly intervene in a Shadow attack, and therefore must be killed as an object lesson to the Vorlons and their allies. The Shadows know they can do it, but there will be casualties. The other option is to -not- do it and have Kosh still be alive causing more harm, whereas his death demoralizes his allies, who aren't going to care how many Shadows he took out in the process.
To borrow from another franchiseHere it is without going to the Amazon page:
Everything, everywhere, all at once - so unavoidable, I guess? Multiverse stories make me feel pretty much burnt out by SF. I can't imagine what will revive my enthusiasm, but even a B5 foray - if that is what this is and I don't know - seems unlikely to be provide the necessary defibrillation.Yeah, too many multiverse/alternate stories (Spiderman, The flash, B5) at the same time. I guess timing is everything.
Yeah, too many multiverse/alternate stories (Spiderman, The flash, B5) at the same time. I guess timing is everything.
That could be a doctrinal decision; to an extent, the Shadows need to be beatable for their teaching method to work, while the Vorlons gain nothing from allowing the slightest hope of defiance, and it's in their interest to be as close to indestructible as possible. Or, on the flip side, the Shadows believe making themselves too overpowered will prevent them from benefiting from evolution; if no Shadow can be killed, there's nothing separating the wheat from the chaff, and the civilization as a whole would stagnate (and, conversely, the Vorlons would order their entire society to clockwork perfection with everyone and everything in their proper place, and then never change it again if they had their way).
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