As for property, you are arguing on the basis of American law, not moral. The German constitution (Grundgesetz), for instance, says that "property entails obligation. Its use shall also serve the public good" (Article 14.2). Now, would you argue that the German constitution is immoral?
The German constitution is entirely irrelevant to an American corporation basing its creation and protection of its work within the American laws designed to protect it.
So, yes, being a work of art absolutely makes a difference, and that goes for any film produced under the assumption that it was meant to be released. The people who worked on the film worked on it for it to be seen. And while legal ownership is obvious, moral ownership, when it comes to a work of art, is not as clear cut.
"Meant to be released" does not in any way mean
obligation. A film or TV production is first and last--a product. Those who worked on the product provided a service (labor) and in turn, were paid for said service. That relationship was not violated when WB decided to shelve
their property, as the
desire (from some who worked on
Batgirl) for it to be seen is--again--not an obligation on the studio's part. You are performing an Olympian level of mental gymnastics all to get back to a false conclusion that by
any means necessary,
Batgirl footage should be accessed against the will and legal right of WB.
It does not work that way.
But who is stealing? Is it even stealing, in a moral sense, when there is no damage to the owner?
Again, you are performing an Olympian level of mental gymnastics all to get back to a false conclusion that by
any means necessary,
Batgirl footage should be accessed against the will and legal right of WB. In other words, fans' desires mean more than any societal / moral / legal acceptance.
That is what you are arguing.
The consumer would not be stealing a leaked film. The consumer would merely watch it. The illegal distribution would be done on the part of the leaker and any platform showing the leaked film.
Do you
read what you're posting?
Receiving stolen property is just that; the law does not focus only the means or vehicle used to obtain it. It cares that you obtained it. The recipients on the street had no right to it whatsoever.
And I notice that you still ignore my question regarding Snyder leaking material from his version of Justice League WELL before HBO Max came along. Was Snyder stealing there? Did you look at the pictures he posted online? If so, were you stealing, then?
Again, try as you might, I am not the subject. I did not see footage or images possessed by Snyder, but through a multitude of interviews and other close sources, I became well aware of the BTS issues in the wake of Whedon's disaster, and how Snyder wanted to finish his true JL. That sparked my support of the "Release the Snyder Cut" movement, so no, I am not part of the criminal chain you are so relentlessly supporting regarding WB employees and fans who have no issue with receiving stolen property in the form of the shelved
Batgirl.
Which means, the test screenings aren't evidence for the films quality one way or the other. Which is what I've been saying all along.
Screenings are
experience with the film, as opposed to you constantly dreaming up scenarios where
Batgirl somehow was the opposite of the reactions to it / decisions by WB to shelve it. You are not basing your scenarios on fact.
As someone who has taken part in multiple test screeings, I can tell that, yeah in fact it does come down to like/dislike choices. When the movie is over, you're given a sheet with a list of parts of the movie, and it asked if you like or didn't like them, and why.
I've attended screenings as well, hence my statement on how its not so simple a decision--they want specifics--it is the way they gauge and/or fine tune the work. There's little to be gained by "yes" and "no".