Star Trek (2009) was prepared especially for IMAX screenings. It even had it's own unique poster.
It was quite the adventure, not quite a ‘rollicking’ one but an adventure nonetheless. But here is a spoiler from the end of the movie, before the credits it said that...Was it an adventure?
Maybe, but nobody really likes science fiction.Maybe they’ll make a sequel one day?
Unless it has blackjack and hookers.Maybe, but nobody really likes science fiction.
I'm still wondering how Spock became knowledgeable about the Refit's engine difficulties. Spock had 'labored long' to achieve Kolinahr, but after changing his mind and joining up with the Enterprise, he somehow fixes the warp drive issue in less than three hours. Compare that to Scotty, the chief engineer 'miracle worker' who had spent 18 months working on the refit and couldn't get it to work on her first flight out.Spock had some high hopes. Not only was he monitoring the ship's transmissions (were they not encrypted? Like that would bother him), but he also got a regulation haircut just in case he needed to reactivate his commission. He easily suspected his help wouldn't be refused. Then he called for a cab...
There is no comparison.Seeing TMP again made me realise it has the best soundtrack of any Star Trek movie.
TMP's soundtrack is one of the best in the past 50 years of Hollywood films.
I happened to catch part of Ghostbusters: Afterlife yesterday. The score, by Rob Simonsen, seems to be a conscious homage to Goldsmith's scores.I mean, it's Jerry. A man so good at his job that he's somehow both lauded and underrated.
It does? It pretty closely hews to Elmer Berstein's original Ghostbusters score as far as I recall.I happened to catch part of Ghostbusters: Afterlife yesterday. The score, by Rob Simonsen, seems to be a conscious homage to Goldsmith's scores.
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