From what it looks like, being the first episode deals with something pretty urgent, I agree.
Spoilers New Sneak Peek ...
- Thread starter DaveyNY
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The first time onboard, yes definitely.
But after awhile, it probably does get tedious.
I suspect Pike is not eager for it.
Besides have you seen the length and path design of the turbolift corridors in the Disco version of the 1701?
It's brand new.Besides have you seen the length and path design of the turbolift corridors in the Disco version of the 1701?
"They gave her back to me, Hemmy."
"Gave her back to you, sir? I doubt it was that easy with Nogura."
"Your right."
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I LOVE everything I am seeing here. I only have one request, and it's a very small request.
For the love of god...
Twist and texturize the sleeve braid, and break the small stripes the way they were in TOS. For love of GOD! Puh-leaze! It's literally all I want to change!
For the love of god...
Twist and texturize the sleeve braid, and break the small stripes the way they were in TOS. For love of GOD! Puh-leaze! It's literally all I want to change!
Does Pike look kinda pissed here? Is it possible he's bugging over his predestined fate? I think maybe...
That's pretty much what has been described about the character Pike's troubles.
Oh no...they have done it again.
I really do wish film makers would stop thinking that in the future people are going to live in a BLUE SATURATED world. Its not Blade Runner , its not Twilight it's STAR TREK.
Not some nihilistic Max Max World. Even Mad Max did not have this crap lighting/blue filter.
And no its not cinematic.... It looks cheap and depressing and cheap...
Compare this murky/gloomy/dirty filmography to TMP or ST2/4/6 or even TNG/VOY/DS9
Is there a way to contact these people? To wake them up.
So i could give them a piece of my mind.
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I'd worry about that, just in case ya can't spare any.
I wonder if you're writing these things just as a joke, or if you're serious.
If you are serious: TMP was released murky, due to prints being sent wet to theatres, but was still murky. TWOK was dark and had dark overtones (including the Enterprise bridge!)
Of course, I'm sure Paramount would love to see examples of your work and how you would make it look better. No sense in having that talent wasted!
Well compare that scene of the SNW over view with TMP overview. You will how crisp clean it was compared to this dinghy murky dark dismal looking blue light .
I really won't compare them, since they are 2 different things conveying 2 different things. Plus, TMP was shot for a movie on film stock, SNW is being shot digitally with different processes.
Actually, no.
Two different projects, two different styles. No comparison needed. TMP will stand or fall on its own. SNW will stand or fall on its own.
Comparison is a waist of time and the thief of joy.
So? So was tng/ds9/voy...
Your saying you can't shoot films with normal lighting with digital camera but have to use blue saturation?
I have a digital camera it shoots real colours not this murky rubbish...
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