Watched the last one tonight, 40 years on. There's good reason for it often being voted best episode.
after my earlier mention I meant to do the same thing only to have it completely slip my mind.
Watched the last one tonight, 40 years on. There's good reason for it often being voted best episode.
It's a pity they didn't dramatize that. All seems to happen off screen. He just knows one day.if he didn't I don't think he missed them (most were of his dissident time and thinking his family were alive and well) but I expect once off earth and away from the suppressants etc that the federation pumped into the water supply etc it would have all come back.
That would have been a great idea. They could have played with the whole idea of Blake being brainwashed and giving up secrets.Blake got bits of his memory back - it's how he knew who Travis was and knew of his family - but the full extent isn't known. If they'd made Cally out to be an actual mind-reader type telepath other than "can send mental comms, sense vague weirdness and get targeted by alien villains of the week" she might have been portrayed as assisting him in recovering those memories.
I believe back in 1999 it was voted as one of TVs 100 greatest moments. Not sure where on the list it came.Then your memory is wrong.
By all accounts, the reaction in the U.K at the time would very much indicate was it wasn't.
"Blake" has been described as the show that ruined Christmas given when it aired in the U.K
And apparently Jacqueline Peace was pissed that Servelan wasn't there at the end but she was contracted for a certain number of eps and they'd been used up.
I watched Blake's 7 in its entirety for the first time a few years back. I thought it was really cool, notwithstanding their clear budget limits. For my money, the only major flaw was:
It's kind of noticeably sexist. Not quite as bad as TOS Trek, but also not as far along the curve as one might have hoped for by the time it was airing. And this becomes even more noticeable b/c it keeps introducing apparently kickass female crewmembers who after their introductions invariably deteriorate into stock damsels and love interests. There's also more than one episode about the Inherent Superpower of Masculinity that hits different these days. Servalan, at least, got to remain an interesting character throughout.
That said, the whole concept (much imitated and elaborated upon since) was excellent and I thoroughly enjoyed it.
I watched Blake's 7 in its entirety for the first time a few years back. I thought it was really cool, notwithstanding their clear budget limits. For my money, the only major flaw was:
It's kind of noticeably sexist. Not quite as bad as TOS Trek, but also not as far along the curve as one might have hoped for by the time it was airing. And this becomes even more noticeable b/c it keeps introducing apparently kickass female crewmembers who after their introductions invariably deteriorate into stock damsels and love interests. There's also more than one episode about the Inherent Superpower of Masculinity that hits different these days. Servalan, at least, got to remain an interesting character throughout.
That said, the whole concept (much imitated and elaborated upon since) was excellent and I thoroughly enjoyed it.
Any episode written by Ben Steed will have the characters out of character in order to hit his "Men are the superior gender" notes. The worst is Harvest of Kairos, where Servalan puts up (ostensibly because she's turned on by it) with being sexually assaulted, manhandled and told to shut up by a manly man who distrusts computers (which she's never been shown to let do her thinking for her before this ep), plus Dayna losing a fight to this guy solely to show that men are better.
But yes, the relegation of Cally and Jenna to "bridge bunnies" was bad. Dayna faired a little better and Soolin best of all - but only in that they barely had time to establish Soolin before Gauda Prime...
Can't think of any moments when Jenna really got a chance to shine. She was the pilot but generally Zen got do all the work.
For anyone who's read the behind the scenes stuff, was there any indication how they were going to resolve the final episode of the program?
I'm surprised there's never been a remake.
Probably already discussed this at some point, but...
There was a short-lived audio remake with an all-new cast and reworked storylines, but it didn't last long. Good cast, though, they even had Benedict Cumberbatch in one. The Big Finish audio adventures, on the other hand, use original cast members and are set firmly in the continuity of the first three seasons. They've taken a hit from the number of cast members who've died in recent years and have started doing some spinoffs focusing on guest characters. I've heard most of the B7 audios and they are well worth investigating.
Only that the writer intended any actors who wanted to return to have survived the shootout (obviously not Blake) - since we see no blood on anyone else, they could merely be stunned. Even if the weapons were lethal, people have survived hits before and lived long enough for medical attention to save them - depends if the Federation are in prisoner-taking mode.
If my 'Behind the Scenes' book interviews with the cast are anything to go by - the actors playing Dayna, Tarrant, and Soolin chose not to return for a fifth season, even though they were all offered raises in their salary.
Michael Keating and Paul Darrow were locks.
The opening scene of the fifth season would have begun with Avon locked in a cell, exiled from the Federation like Napoleon and Servalan coming in to offer a deal.
Just try to ignore the Ben Steed scripts. Definitely had a problem with women.I watched Blake's 7 in its entirety for the first time a few years back. I thought it was really cool, notwithstanding their clear budget limits. For my money, the only major flaw was:
It's kind of noticeably sexist. Not quite as bad as TOS Trek, but also not as far along the curve as one might have hoped for by the time it was airing. And this becomes even more noticeable b/c it keeps introducing apparently kickass female crewmembers who after their introductions invariably deteriorate into stock damsels and love interests. There's also more than one episode about the Inherent Superpower of Masculinity that hits different these days. Servalan, at least, got to remain an interesting character throughout.
That said, the whole concept (much imitated and elaborated upon since) was excellent and I thoroughly enjoyed it.
IIRC it's deliberate that a different gun is used for every shot. Some stun, some kill.Only that the writer intended any actors who wanted to return to have survived the shootout (obviously not Blake) - since we see no blood on anyone else, they could merely be stunned. Even if the weapons were lethal, people have survived hits before and lived long enough for medical attention to save them - depends if the Federation are in prisoner-taking mode.
IIRC it's deliberate that a different gun is used for every shot. Some stun, some kill.
An alien fleet stands poised to invade Federation space. The only vessel available to hold it back is the Liberator, commanded by Roj Blake and his crew.
As an intergalactic war breaks out, old enemies become allies, and friends will become separated. And Blake will be forced to leave behind all that matters to him...
This release consists of a one hour story plus a behind the scenes documentary.
**This title will be going out of print on CD when current stocks have been sold**
Actually, from recollection, it's a little bit of the fight, then they run off on a side mission.
We use essential cookies to make this site work, and optional cookies to enhance your experience.