“FACETS”
“Psychopath? Who—me?!!”
Of the three Dax stories this season, “Facets” is by far the most successful and is perhaps second only to “Rejoined” as my favourite Dax episode. It’s an insightful and inspired episode, rather quiet and low-key, yet thoroughly engaging and compelling throughout.
The concept of the Trill’s Zhian’tara rite of passage is faintly reminiscent of a psychological technique called Voice Dialogue, in which we actually create a dialogue and interact with the various aspects of our personality. Although, as human beings, we have an inherent sense of being a singular, distinct entity, neuroscience has revealed that we don’t actually have one, specific, unchanging “self”; but rather a collection of various programs, ideas and identities, some of which are even contradictory and in conflict with each other. So, psychic transference aside, the zhian’tara ritual is more rooted in science than you might first think.
This is definitely one of the most insightful episodes for Jadzia, even though my hopes weren’t altogether high to begin with. The first few hosts we meet only briefly, and while it’s always fun to see the main cast branch out and play different characters, it does slightly veer into caricature territory. That said, because we literally only get a couple of minutes to meet each past host, it would be hard to create a particularly three-dimensional sense of character. Instead, the episode takes a light-hearted tone, and it’s certainly fun to get a glimpse into Dax’s past lives, with Colm Meaney being particularly amusing as the jitterish Tobin. Quark as Audred is definitely played for laughs, but this leans a little too heavily on the notion that a man acting in a feminine way is in itself funny. Also, if I’m to get on my soapbox, I think I’ve reached a point in the series where I’m finding the references and frequent demonstrations of Oo-mox a little...icky. Given that Oo-mox is pretty much the Ferengi equivalent of a handjob, I felt a little awkward watching Jadzia manipulate Quark into taking part by rubbing his ears and acting solicitously in front of everyone else in the wardroom. I mean, imagine if O’Brien or Bashir had wanted a favour from Jadzia and started fondling her breasts? I know you can’t take this shit seriously, but there are definitely some aspects of the show that haven’t aged terribly well.
It also seems a little sad that, of DS9’s extended cast, the only other female character eligible for the ritual female ritual apart from Kira, is Keiko, who has more or less disappeared this season (apparently due to Rosalind Chao’s unavailability). Sure enough, I don’t suppose Kai Winn would have been particularly happy to join in. So, the writers bring back Leeta, who made her rather forgettable debut in “Explorers”, and try to shoehorn in a friendship between she and Dax, even though I don’t think we ever see them exchange a word any episode hence. Unfortunately, Chase Masterson doesn’t seem to even try to differentiate Emony Dax from Leeta in terms of personality or speech patterns.
Things take a sharp tonal shift around halfway through the episode, when Sisko volunteers to embody Joran the murderer. I have to say, Avery Brooks is utterly
terrifying as Joran, depicting his as pretty much the Trill equivalent of Hannibal Lecter (and apparently they even re-shot this scene because Brooks’ first take was even more disconcerting). I’m not sure quite why Joran is SO unhinged that he even tries to murder Jadzia (and therefore, in a way, himself) although I don’t suppose psychosis ever much adheres to logic. It’s a superb, tense and eye-opening scene and nicely executed. Joran immediately hones in on Jadzia’s insecurity and plays on it mercilessly, perhaps representing that critical, destructive part of our mind which tends to turn on itself and cause so much suffering.
Things relax a little yet take an interesting twist when Odo hosts Curzon and the two personalities somehow merge into one. Rene Auberjonois is utterly wonderful as the gregarious, larger than life and somewhat domineering Curzon. He really steals the show, and I love that the first thing he does is go to see Sisko, giving us a taste of the undying bromance we’ve long heard about but never got to see. Curzon/Odo (Curdo?) lights up the screen with such wonderful exuberance and yet it’s clear he’s being just a tad disrespectful of Jadzia, until he comes out and admits that he didn’t consider her a worthy initiate. It’s worth noting that Terry Farrell is excellent throughout the episode, and more than holds her own even as she plays across a captivating Auberjonois. She conveys Jadzia’s sense of insecurity and unworthiness quite beautifully—something I suspect just about all of us have experienced at some time or another. She’s charming, yet vulnerable and particularly wonderful in her closing scene with Odo, where her smile and the warmth in her eyes is heart melting.
The revelation that Curzon was ashamed for falling in love with Jadzia is actually quite poignant, thanks largely to the heartfelt performances of Auberjonois and Farrell and some gorgeous music by Dennis McCarthy. I did wonder how, given that Curzon’s memories were part of the Dax symbiont, Jadzia didn’t have any knowledge of his feelings, but the psyche is admittedly a complex thing and it’s possible that such feelings were deeply buried. There’s something quite beautiful about the way Jadzia’s sense of unworthiness is resolved by what I guess you could say is self-love.
The sub-plot extends the theme of overcoming self-doubt and proving one’s worthiness to succeed. It’s wonderful to see follow up on Nog’s journey to becoming a cadet, and it’s particularly noteworthy for Rom’s jaw-dropping reaction when he discovers that Quark sabotaged Nog’s test. Max Grodenchik is simply wonderful here, and I find myself really beginning to love what originally started off as a fairly one-note character. Overall, a fun and engaging episode with some great character insight.
Rating: 8