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The Classic/Retro Pop Culture Thread

Dude from that time when General Hospital was a thing.
Ah, he's Luke, of Luke and Laura--didn't realize that.

Been there. :rommie:
Ditto.

This was a bad thing to do, Mike.
Steve seemed OK with it...he came off as pretty self-assured. I'm not sure what else the actor is known for, but he had a Hestonesque quality to him. I should note that the scene of Steve confirming the truth to Archie gets played a lot in retrospectives as an example of the groundbreaking nature of the show.

I never heard that. That was probably good for ratings, too. :rommie:
The general public wouldn't have been hearing the tapes until at least a few years later, by which point the show was firmly established.

The two major mistakes that prevent this episode from carrying weight are making Peter Marcia's adversary instead of Greg and Peter (or Greg) not also succeeding. Plus it's kind of weird that these kids who think they're so hip are more old-fashioned than their parents.
I'd say that Greg was Marcia's adversary...even if he didn't get to play Sunflower Girl, he was the driving force behind that. And boys not thinking that girls could do everything they could do rings true with my own childhood, which overlaps with the Bradys (though even Cousin Oliver was five years older than me).

You're right about the lack of plot drivers on this show. It's basically just a sequence of events between Lou getting separated and then getting over it. Funny I never noticed that.
I never put it in those terms, but that helps put the finger on it. As I recall, whatever Mary said did seem to shame Lou into tucking his tail between his legs and calling Edie.

Was MTM the original show about nothing...?
 
Steve seemed OK with it...he came off as pretty self-assured.
Maybe he was just keeping it from Archie specifically, because he knows Archie.

The general public wouldn't have been hearing the tapes until at least a few years later, by which point the show was firmly established.
Ah, right.

I'd say that Greg was Marcia's adversary...even if he didn't get to play Sunflower Girl, he was the driving force behind that.
Yeah, but from a story standpoint it would have been better if they went head to head. The plot contrivance of an age restriction makes me wonder if Greg objected to doing it.

Was MTM the original show about nothing...?
Oh, no. That was definitely not one of my favorite shows. :rommie:
 
_______

50th Anniversary Viewing Revisited

_______

I just a few days ago realized that among the things that I do have available remotely are the more recently recorded Wild Wild West and Mod Squad episodes that I was planning to cover at an undetermined time; and that with the current gappiness in my viewing schedule, now would be a great opportunity to start picking away at them. We pick up with the previously missed second and third episodes from WWW's third season.

_______

WWWs3e02.jpg
"The Night of the Firebrand"
Originally aired September 15, 1967
Wiki said:
West travels to Fort Savage to help prevent a revolution in Canada that outlaw Shawn O'Riley has plans to incite. However, once there, he finds that O'Riley is in control of the fort and is holding the fort's major and his men captive.

West rides into the fort while under hot pursuit by a band of Iroquois. There he meets with Sean O'Reilley (a top-o-the-morning-accent-sporting Pernell Roberts; the Wiki contributor spelled his character's name wrong, despite it being prominently displayed in the closing credits), who attempts to pose as Major Jason, but Jim sees through his ruse. Jim takes down several of O'Reilley's men, but is knocked out by his lovely associate Sheila "Vixen" O'Shaugnessy, a senator's daughter who's believed to have been kidnapped, but is now a dyed-in-the-wool revolutionary. O'Reilley plans to blow up West--who's obligatorily hanging by his wrists shirtless--and the imprisoned compliment of the fort, and make it look like the Iroquois were responsible, but once O'Reilley and his men have left, Jim manages to swing to a water barrel to put out the fuse and frees himself using his boot dagger, to the delight of the real Major Jason (Len Wayland) and his men. They set off a blast outside the fort for O'Reilley's benefit, and Jim heads to British Columbia to get the stolen ammunition wagon back to the fort in time for an anticipated Iroquois attack.

Up in the Great White North, Artie, posing as a hard-drinking trapper, is recruited by O'Reilley's contact, Andre Durain (Paul Lambert)...which includes having to face down right-hand man Briscoe (Russ McCubbin) with his back turned to him. One of O'Reilley's men, Clint Hoxie (Paul Prokop), drops in to arrange a rendezvous between O'Reilley and Durain. West sneaks into O'Reilley's camp, is caught by Vixen again, but puts her out with a nerve pinch before she can sound the alarm. West sets a wagon full of explosives to blow and gets away with the wagon he wants, now also carrying Vixen, but is pursued by O'Reilley and his men...who are surprisingly unscathed by what should have been a massive explosion in their midst, but just ended up being a rude alarm clock. A makeshift smokescreen helps Jim to temporarily evade his pursuers, but he subsequently suffers a wagon wheel mishap.

While Jim finds himself in a standoff with O'Reilley--Jim using blowing up the wagon (which seems to be close enough to O'Reilley & co. this time) as his leverage--Artie rides into the scene as Pierre Beaumont, an emissary of Durain, and persuades O'Reilley to let Jim live...which involves being tied up outdoors again, but retaining his shirt. Artie slips Jim a concealed knife and Jim knocks out Vixen--who's showing signs of softening to West following the standoff--in his gentlemanly fashion again. He and Artie ride off with the wagon and Vixen (again), and are pursued (again). Jim hops off with a bundle of dynamite to cover for Artie and the wagon. Artie quickly finds himself with new pursuers--the Iroquois--but makes it to the fort in time, and Major Jason's men promptly dig into the arms. Back a bit further north, Jim manages to disperse O'Reilley's men enough that he finds himself in a melee with the top dog, who quickly falls down a ravine. The remaining men, though still armed, are intimidated into surrendering to Jim.

In the coda, Jim and Artie are returning Vixen to her finishing school via the train, to get her "back into the feminine fold". When she objects, Jim takes advantage of her pressure point one more time.

_______

WWWs3e03.jpg
"The Night of the Assassin"
Originally aired September 22, 1967
Wiki said:
West and Gordon disrupt an assassination attempt on Mexico's President Juarez. Their plan is to return to Texas with the assassin they have captured, but first they must deal with the merciless Colonel Barbossa.

Switch to south of the border--that train sure does get around! Jim and Artie are accompanying Ambassador Griswold (Donald Woods), who's being hosted by a Don Tomas (Ramon Novarro), when a man dressed as a priest smuggles a rifle into a bell tower to get a shot at Juarez (Frank Sorello), but is spotted by Jim, who confirms what he sees with his little pocket telescope. Jim spooks el presidente's carriage horses to throw off the assassin's aim, then races across rooftops to get to the gunman, but is opposed by an accomplice, who dies falling from a fall and turns out to be an American. A curfew is declared, during which Jim sneaks around at night and follows an artisan named Perrico Mendoza (Nate Esformes) to the assassin, Frank Halvorsen (Conlan Carter), who's also an American. While Jim's trying to get info from Halvorsen on the street, patrolling soldiers open fire on them and wound the assassin, while Jim takes refuge in a house, where he makes out with the attractive senorita (Nina Roman) to throw off the soldiers.

Halverson is taken prisoner by Colonel Arsenio "Arsenic" Barbossa (Robert Loggia). Jim visits the prison escorting Artie, who's posing as Halverson's father, and bearing a visitation order from el presidente. While Artie chats with Halverson, Perrico is executed by firing squad. Halverson offers to talk if Artie can spring him and get him back to Texas, and Artie slips him a sleeping pill so he can evade being tortured prior to the escape. Jim and Artie proceed to Perrico's place and search for a letter that Halverson told them about, but find a few armed bandito types hiding within...and are confronted by the senorita whom Jim had previously made out with, who wants to know what Halverson told his "father," and is also looking for the letter. Jim and Artie fight off the banditos, with the senorita slipping out during the fight, then find the letter behind a portrait of Juarez. The letter concerns a meeting to discuss the assassination of Juarez, and mentions a key that unlocks the meeting place.

Jim sneaks into the prison with the help of his trusty piton pistol and a stolen uniform, only to be caught within by Barbossa...but Jim is helped by Halvorsen through his cell door window. Artie is waiting disguised as an undertaker with a coffin for smuggling Halverson out. But when Jim makes his rendezvous with Artie outside the prison, he finds Artie tied up in the coffin, having been put there by the senorita, who took Halverson...but not before he told Artie that he doesn't even know who hired him for the assassination, and was able to reveal the location of the key.

Back at Mendoza's place, the senorita is searching for the key when Jim reveals himself and shows it to her. She identifies herself as Col. Lupita Gonzalez of the Mexican Secret Service. She knows what the key opens, so they cooperate, and Jim finds himself ascending a hidden staircase into a room occupied by Don Tomas...who clarifies that he isn't the ringleader, though Barbossa is there to reveal himself. Artie and Lupita pop out of the staircase in time to help Jim deal with Arsenic's men, and Lupita shoots Barbossa, who falls from a balcony.

In the coda, Jim and Artie are hosting Lupita on the train, and it turns into a double date when she reveals her bodyguard, Lt. Ramirez (Phyllis Davis).

_______

Next we'll be skipping to the 1968-69 television season, and covering various previously missed Mod Squad Season 1 episodes before picking up where MeTV dropped WWW late in its fourth season.

_______

Maybe he was just keeping it from Archie specifically, because he knows Archie.
As I recall, he said he just didn't want people making a big deal about it. And people were generally less open about the topic in those days. Kelsey knew and was OK with Steve, but approached Mike about it because he was also under the wrong impression about Roger, and was afraid of his place becoming one of "those places".

The plot contrivance of an age restriction makes me wonder if Greg objected to doing it.
You mean Barry Williams, I presume? Hey, he went full drag on M:I.
 
We pick up with the previously missed second and third episodes from WWW's third season.
Coolness!

West--who's obligatorily hanging by his wrists shirtless--
He should be able to touch his toes without bending over by now.

Jim heads to British Columbia to get the stolen ammunition wagon back to the fort in time for an anticipated Iroquois attack.
That renowned Iroquois punctuality.

is caught by Vixen again, but puts her out with a nerve pinch
Hey, wrong show!

Jim knocks out Vixen--who's showing signs of softening to West
If I was knocked out that many times, I'd be soft too.

The remaining men, though still armed, are intimidated into surrendering to Jim.
Hour's up!

In the coda, Jim and Artie are returning Vixen to her finishing school via the train, to get her "back into the feminine fold". When she objects, Jim takes advantage of her pressure point one more time.
Something tells me she won't finish finishing school. :rommie:

Switch to south of the border--that train sure does get around!
I picture a bunch of guys laying down track about a mile ahead and another bunch picking it up again a mile back.

Jim takes refuge in a house, where he makes out with the attractive senorita (Nina Roman) to throw off the soldiers.
The old make-out-with-the-attractive-senorita-to-throw-off-the-soldiers trick.

She identifies herself as Col. Lupita Gonzalez of the Mexican Secret Service.
Very secret indeed!

In the coda, Jim and Artie are hosting Lupita on the train
They should have added her to the team.

Lt. Ramirez (Phyllis Davis).
Beatrice from Vega$

You mean Barry Williams, I presume? Hey, he went full drag on M:I.
Interesting. I wonder if that was before or after.
 
55th Anniversary Album Spotlight

Having a Rave Up with the Yardbirds
The Yardbirds
Released November 15, 1965
Chart debut: December 18, 1965
Chart peak: #53 (February 12, 1966)
#353 on Rolling Stone's 500 Greatest Albums of All Time (2003)
Wiki said:
Having a Rave Up with the Yardbirds, or simply Having a Rave Up, is the second American album by English rock group the Yardbirds. It was released in November 1965, eight months after Jeff Beck replaced Eric Clapton on guitar. It includes songs with both guitarists and reflects the group's blues rock roots and their early experimentations with psychedelic and hard rock. The title refers to the driving "rave up" arrangement the band used in several of their songs.

The album is neatly split between a studio side featuring Beck and a live side featuring Clapton.
The album contains some of the earliest live recordings with Clapton. Recorded in March 1964, they appeared on the band's British debut album, Five Live Yardbirds, which was not issued in the United States. The songs with Beck were recorded in the studio in the months after he joined the group in March 1965. These include several charting singles and introduced "The Train Kept A-Rollin'", one of the Yardbirds' most copied arrangements. Although most were not written by the group, the songs became a fixture of the group's concert repertoire and continued to be performed after Jimmy Page replaced Beck.

The album opens distinctively with the first studio track, "You're a Better Man Than I," written by Mike Hugg of Manfred Mann and his brother Brian, and first recorded by the Yardbirds:
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The song reflects the folk-rock style of the time with socially conscious lyrics.
"You're a Better Man Than I", along with "Shapes of Things", is perhaps the best example of Jeff Beck's experimentation with distorted guitar instrumentals and use of feedback in the Yardbirds' recordings.


Next is "Evil Hearted You," which was originally released as a single in the UK, where it reached #3. This is one of two originals on the album written for the group by future 10cc member Graham Gouldman, who'd previously penned "For Your Love," the breakout single that caused Clapton to leave the group.
Music critic Cub Koda describes the song as a "minor-key pop classic" and guitarist Jeff Beck's solo as "equal parts classical and James Bond soundtrack".


Following that is Beck's reworking of the band's version of Bo Diddley's blues classic "I'm a Man" (charted Oct. 30, 1965; #17 US):
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Clapton employs a more traditional sound with chording, whereas Beck takes a more novel approach, which [biographer Martin] Power describes: "[T]hings changed radically at one minute, 28 seconds into the song when Beck's foot smashed into his Tone Bender [and he] and Relf chased after each other in a manic harmonica/guitar interface, notes swooping in and out of the mix". Although just over two and a half minutes, critic Cub Koda calls the Beck version "perhaps the most famous Yardbirds rave-up of all" and Power asserts "it was the closest the group had yet come to capturing the sound of the 'rave-up' on tape".
The band's "rave-up" style is covered in more detail below.

"Still I'm Sad" is the only track on the album written by band members--bassist Paul Samwell-Smith and drummer Jim McCarty. Wiki describes it as "a slow, brooding piece with psychedelic pop elements. Built on a mock-Gregorian chant, the song has seven vocal parts with producer Gomelsky adding a droning bass vocal under Relf's melody."

Prior hit single "Heart Full of Soul" (charted July 31, 1965; #9 US; #2 UK) is the album's other original written by Gouldman:
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"Heart Full of Soul" is one of the earliest rock songs to incorporate Indian musical influences. Several months before the Beatles popularised the sound with "Norwegian Wood", demos for "Heart Full of Soul" were attempted with sitar accompaniment. However, the Indian sitar player had difficulty with the 4/4 metre and the instrument lacked the power the group desired. Instead, Beck produced a sitar-like effect by bending the higher notes on his guitar in an Eastern-sounding scale and using a Tone Bender distortion device to get a more distinctive tone.


The studio side closes with "The Train Kept A-Rollin'," a cover of what had originally been recorded in 1951 as a "jump blues" song by Tiny Bradshaw, and subsequently in a 1956 rocakabilly arrangement by the Johnny Burnette Trio, upon which the Yardbirds' version was based:
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I was particularly struck by the Johnny Burnette version when it found its way into my collection, because it struck me as having a very British Invasion-era sound, such that I felt the need to verify that the version I was purchasing was the original 1956 recording.
Beck biographer Annette Carson notes, 'the Yardbirds' recording plucked the old Rock & Roll Trio number from obscurity and turned it into a classic among classics'."


Side two features the 1964 recordings of the band playing live with that Clapton fellow. Historical perspective:
The group made several attempts at recording in the studio, but were unable to reproduce their live sound to their satisfaction. Manager Giorgio Gomelsky then arranged to have a March performance at London's Marquee Club recorded. A key element of the Yardbirds' live shows was an extended instrumental section during some songs. Clapton recalled, "While most other bands were playing three-minute songs, we were taking three-minute numbers and stretching them out to five or six minutes, during which time the audience would go crazy". Dubbed a "rave up", this musical arrangement usually came during the middle instrumental section, in which the band shifted the beat into double-time and built the instrumental improvisation to a climax. The rave up has roots in jazz and became a signature part of the Yardbirds' sound. Musicologist Michael Hicks describes it:

Wherever it occurred, the rave-up made a small narrative curve that introduced a basic conflict (backbeat vs. off-beats), drove that conflict to a climax (by getting more and more raucous), then resolved it (by returning it to a 'normal' beat). Through this technique the Yardbirds created a rock mannerism; sometimes the rave-up seemed the whole point of the song.​


The ravin' up commences with a cover of Howlin' Wolf's "Smokestack Lightning":
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In his autobiography, Clapton identifies Howlin' Wolf's "Smokestack Lightning" as the Yardbirds' most popular live number. They usually played it every night and performances of the song could last up to 30 minutes....Howlin' Wolf reportedly referred to the group's "Smokestack Lightning" as "the definitive version of his song".
Wolf's 1956 original is #285 on Rolling Stone's 500 Greatest Songs of All Time--one of two entries on the list that induced me to take a bit more of an interest in his work.

Next is "Respectable," originally a non-charting 1959 single by the Isley Brothers.

Following that is the live, Clapton-endowed version of "I'm a Man".

The album closes with another live rendition of a Bo Diddley number, "Here 'Tis".

Next to their 1967 Greatest Hits collection, Having a Rave Up is the Yardbirds' highest-charting album in the US and remains their longest-lasting release.
Rolling Stone magazine ranked the album at number 355 on its list of the "500 Greatest Albums of All Time". The accompanying review noted, "Freed from Eric Clapton's blues purism and spurred by Jeff Beck's reckless exhibitionism, the Yardbirds launched a noisy rock & roll avant-garde. This is the bridge between beat groups and psychedelia."

Typical of my listening preferences, I found the studio side to be of more interest, as it was bringing something cutting-edge to the table in its time. The live side may be of historical interest, but was already history by the time the album was released.

_______

He should be able to touch his toes without bending over by now.
His toes do the touching, more or less.

That renowned Iroquois punctuality.
That did strike me as odd, but there was an anticipated pattern of attacks.

Something tells me she won't finish finishing school. :rommie:
Maybe she'll occupy the headmistress's office...

I picture a bunch of guys laying down track about a mile ahead and another bunch picking it up again a mile back.
Cullen Bohannon was in good with President Grant...

Interesting. I wonder if that was before or after.
Before, I covered it last season.
 
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The album opens distinctively with the first studio track, "You're a Better Man Than I,"
I never heard that before. It's good.

Sounds like something that would happen on Facebook. Punctuation is important, guys. :rommie:

Typical of my listening preferences, I found the studio side to be of more interest
Same here. I generally prefer that an artist go into the studio and perfect it before it gets to me-- although the Yardbirds seemed to have the opposite feeling.

Maybe she'll occupy the headmistress's office...
America's first student takeover.

There you go. His friends probably laughed at him and he vowed, "Never again." :rommie:
 
55 Years Ago This Week

Wiki said:
February 20 – While Soviet author and translator Valery Tarsis is abroad, the Soviet Union negates his citizenship.
February 23 – An intra-party military coup d'état in Syria replaces the previous government of Amin al-Hafiz by one led by Salah Jadid.
February 24 – A coup d'état led by the police and military of Ghana raises the National Liberation Council to power while president Kwame Nkrumah is abroad.
February 26 – A curfew is declared in Jakarta, Indonesia.



Selections from Billboard's Hot 100 for the week:
1. "These Boots Are Made for Walkin'," Nancy Sinatra
2. "Lightnin' Strikes," Lou Christie

4. "Uptight (Everything's Alright)," Stevie Wonder
5. "My World Is Empty Without You," The Supremes
6. "My Love," Petula Clark
7. "Don't Mess with Bill," The Marvelettes
8. "California Dreamin'," The Mamas & The Papas
9. "Elusive Butterfly," Bob Lind
10. "Working My Way Back to You," The Four Seasons
11. "Zorba the Greek," Herb Alpert & The Tijuana Brass
12. "Crying Time," Ray Charles
13. "Listen People," Herman's Hermits
14. "I Fought the Law," Bobby Fuller Four
15. "Barbara Ann," The Beach Boys
16. "What Now My Love," Sonny & Cher
17. "A Well Respected Man," The Kinks

19. "No Matter What Shape (Your Stomach's In)," The T-Bones
20. "The Cheater," Bob Kuban & The In-Men
21. "At the Scene," The Dave Clark Five
22. "Call Me," Chris Montez
23. "Going to a Go-Go," The Miracles
24. "We Can Work It Out," The Beatles
25. "Batman Theme," The Marketts
26. "Just Like Me," Paul Revere & The Raiders
27. "I See the Light," The Five Americans
28. "You Baby," The Turtles
29. "Michelle," David & Jonathan
30. "My Baby Loves Me," Martha & The Vandellas
31. "Homeward Bound," Simon & Garfunkel
32. "Night Time," The Strangeloves

34. "Lies," The Knickerbockers
35. "Jenny Take a Ride!," Mitch Ryder & The Detroit Wheels
36. "Love Makes the World Go Round," Deon Jackson

38. "A Hard Day's Night," Ramsey Lewis Trio
39. "Five O'Clock World," The Vogues
40. "She's Just My Style," Gary Lewis & The Playboys
41. "Baby Scratch My Back," Slim Harpo
42. "634-5789 (Soulsville U.S.A.)," Wilson Pickett

45. "Like a Baby," Len Barry
46. "19th Nervous Breakdown," The Rolling Stones

48. "Batman Theme," Neal Hefti

55. "Woman," Peter & Gordon

63. "It Won't Be Wrong," The Byrds

67. "Shake Me, Wake Me (When It's Over)," Four Tops

69. "One More Heartache," Marvin Gaye

70. "Batman," Jan & Dean
71. "Magic Town," The Vogues
72. "I'm So Lonesome I Could Cry," B. J. Thomas & The Triumphs

76. "Daydream," The Lovin' Spoonful

79. "Set You Free This Time," The Byrds

81. "This Old Heart of Mine (Is Weak for You)," The Isley Brothers

84. "Get Ready," The Temptations

87. "Walkin' My Cat Named Dog," Norma Tanega

96. "Inside, Looking Out," The Animals

97. "Time Won't Let Me," The Outsiders


Leaving the chart:
  • "As Tears Go By," The Rolling Stones (9 weeks)
  • "Day Tripper," The Beatles (10 weeks)
  • "The Duck," Jackie Lee (14 weeks)
  • "I Ain't Gonna Eat My Heart Out Anymore," The Young Rascals (9 weeks)
  • "A Must to Avoid," Herman's Hermits (9 weeks)
  • "The Sound of Silence," Simon & Garfunkel (14 weeks)

New on the chart:

"Get Ready," The Temptations
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(#29 US; #1 R&B)

"Walkin' My Cat Named Dog," Norma Tanega
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(#22 US; #22 UK)

"Magic Town," The Vogues
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(#21 US)

"Daydream," The Lovin' Spoonful
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(#2 US; #2 UK)

"19th Nervous Breakdown," The Rolling Stones
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(#2 US; #32 R&B; #2 UK)


And new on the boob tube:
  • Branded, "Yellow for Courage"
  • 12 O'Clock High, "The Survivor"
  • Batman, "The Thirteenth Hat"
  • Batman, "Batman Stands Pat"
  • Gilligan's Island, "Ship Ahoax"
  • The Wild Wild West, "The Night of the Puppeteer"
  • Hogan's Heroes, "The 43rd, a Moving Story"
  • Get Smart, "I'm Only Human"

_______

Same here. I generally prefer that an artist go into the studio and perfect it before it gets to me-- although the Yardbirds seemed to have the opposite feeling.
I thought you might make an exception here, as the live side features your god... :D
 
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"Get Ready," The Temptations
Classic Temptations.

"Walkin' My Cat Named Dog," Norma Tanega
Never heard this one before. It's okay.

"Magic Town," The Vogues
Ibid, capitalized.

"Daydream," The Lovin' Spoonful
Classic Spoonful.

"19th Nervous Breakdown," The Rolling Stones
Classic Stones.

I thought you might make an exception here, as the live side features your god... :D
I very well might. It's not like I hate live music or anything. The Boss did some great live stuff when he was sober, and I've got a couple of Who concerts on DVD.

Phil Carey was on GH's sister soap One Live To Live for a couple of decades
I did not know that. I don't think I knew that the two soaps were related, either-- did they cross over?
 
50 Years Ago This Week

Wiki said:
February 21 – The Convention on Psychotropic Substances is signed at Vienna.
February 25 – A partial solar eclipse was visible from Europe, Africa, Asia, and was the 18th solar eclipse of Solar Saros 149.
Mark Lewisohn's The Beatles Day by Day said:
February 26 – Paul appears in court giving evidence in the Beatles & Co. case. the others testify in written affidavits.
Wiki said:
February 26 – Secretary General U Thant signs the United Nations proclamation of the March equinox (March 21) as Earth Day.
February 27 – Doctors in the first Dutch abortion clinic (Mildredhuis in Arnhem) start to perform abortus provocatus.



Selections from Billboard's Hot 100 for the week:
1. "One Bad Apple," The Osmonds
2. "Mama's Pearl," Jackson 5
3. "Knock Three Times," Dawn
4. "Rose Garden," Lynn Anderson
5. "If You Could Read My Mind," Gordon Lightfoot
6. "I Hear You Knocking," Dave Edmunds
7. "Sweet Mary," Wadsworth Mansion
8. "Amos Moses," Jerry Reed
9. "Mr. Bojangles," Nitty Gritty Dirt Band
10. "Me and Bobby McGee," Janis Joplin
11. "Watching Scotty Grow," Bobby Goldsboro
12. "For All We Know," Carpenters
13. "Have You Ever Seen the Rain?" / "Hey Tonight", Creedence Clearwater Revival
14. "Theme from Love Story," Henry Mancini, His Orchestra and Chorus
15. "Amazing Grace," Judy Collins
16. "Just My Imagination (Running Away with Me)," The Temptations
17. "She's a Lady," Tom Jones
18. "Groove Me," King Floyd
19. "Doesn't Somebody Want to Be Wanted," The Partridge Family
20. "Don't Let the Green Grass Fool You," Wilson Pickett
21. "Proud Mary," Ike & Tina Turner
22. "Lonely Days," Bee Gees
23. "If I Were Your Woman," Gladys Knight & The Pips
24. "Temptation Eyes," The Grass Roots
25. "(Do the) Push and Pull (Part 1)," Rufus Thomas
26. "Your Song," Elton John
27. "Help Me Make It Through the Night," Sammi Smith
28. "Jody's Got Your Girl and Gone," Johnnie Taylor
29. "It's Impossible," Perry Como
30. "Stoney End," Barbra Streisand
31. "Remember Me," Diana Ross
32. "Cried Like a Baby," Bobby Sherman

35. "(Where Do I Begin?) Love Story," Andy Williams
36. "My Sweet Lord" / "Isn't It a Pity", George Harrison

39. "One Less Bell to Answer," The 5th Dimension

41. "We Gotta Get You a Woman," Runt
42. "Let Your Love Go," Bread

44. "Blue Money," Van Morrison
45. "Country Road," James Taylor
46. "You're All I Need to Get By," Aretha Franklin

48. "Wild World," Cat Stevens
49. "What's Going On," Marvin Gaye

53. "Oye Como Va," Santana
54. "Free," Chicago

57. "One Toke Over the Line," Brewer & Shipley

65. "Superstar," Murray Head w/ The Trinidad Singers
66. "What Is Life," George Harrison

68. "No Love at All," B.J. Thomas
69. "Love's Lines, Angles and Rhymes," The 5th Dimension


71. "Heavy Makes You Happy (Sha-Na-Boom Boom)," The Staple Singers

77. "Eighteen," Alice Cooper

84. "Soul Power (Pt. 1)," James Brown

91. "Bell Bottom Blues," Derek & The Dominos


95. "I Don't Know How to Love Him," Helen Reddy

98. "Celia of the Seals," Donovan
99. "Timothy," The Buoys


Leaving the chart:
  • "Born to Wander," Rare Earth (11 weeks)
  • "I Really Don't Want to Know" / "There Goes My Everything", Elvis Presley (9 weeks)
  • "Love the One You're With," Stephen Stills (11 weeks)

Re-entering the chart:
  • "Timothy," The Buoys

New on the chart:

"Bell Bottom Blues," Derek & The Dominos
(#91 US)

"Celia of the Seals," Donovan
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(#84 US)

"Soul Power (Pt. 1)," James Brown
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(#29 US; #3 R&B)

"Love's Lines, Angles and Rhymes," The 5th Dimension
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(#19 US; #6 AC; #28 R&B)

"No Love at All," B.J. Thomas
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(#16 US; #4 AC)

"What Is Life," George Harrison
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(#10 US; #31 AC)


And new on the boob tube:
  • Hogan's Heroes, "The Kamikazes Are Coming"
  • Rowan & Martin's Laugh-In, Season 4, episode 23
  • All in the Family, "Mike's Hippie Friends Come to Visit"
  • Hawaii Five-O, "The Bomber and Mrs. Moroney"
  • Ironside, "The Riddle in Room Six"
  • Adam-12, "Log 164: The Poachers"
  • The Brady Bunch, "The Winner"
  • The Partridge Family, "Road Song"
  • That Girl, "Stag Party"
  • The Odd Couple, "A Taste of Money"
  • Love, American Style, "Love and the Heist / Love and the Love Potion / Love and the Teddy Bear"
  • Mission: Impossible, "A Ghost Story"
  • The Mary Tyler Moore Show, "Smokey the Bear Wants You"

_______

Classic Temptations.
One of those that surprises you with how mediocre it charted on the Hot 100 in the day...I'd say that the R&B chart was more on the mark here.

Never heard this one before. It's okay.
Ditto, before I got it.

Ibid, capitalized.
You forgot the period. Punctuation is important.

Classic Spoonful.
The latest in their string of goodies.

Classic Stones.
A bit critically lethargic this morning? Anyway, I'd say that the Stones are on a...well, you know.
 
I did not know that. I don't think I knew that the two soaps were related, either-- did they cross over?
Yes, all of the ABC soaps* exist in the same universe. Characters have migrated back and forth between the shows. On occasion, characters on the shows played by the same actors, have wound up as relatives. :lol:

*Except for Dark Shadows.
 
Good one. God is omnipresent. :D

"Celia of the Seals," Donovan
The brief, shining moment that we know as Donovan is over, but you can still see something of that brilliant poet among the too-awkward preaching.

"Soul Power (Pt. 1)," James Brown
Yup, that was a James Brown song. :rommie:

"Love's Lines, Angles and Rhymes," The 5th Dimension
Not one of their greatest, but the lyrics flow nicely, and what a voice.

"No Love at All," B.J. Thomas
Not much to say here.

"What Is Life," George Harrison
But I absolutely love this one.

One of those that surprises you with how mediocre it charted on the Hot 100 in the day...I'd say that the R&B chart was more on the mark here.
Especially when you hear some songs that did chart higher. :rommie:

You forgot the period. Punctuation is important.
Damn it!

A bit critically lethargic this morning? Anyway, I'd say that the Stones are on a...well, you know.
I confess to a bit of lethargy lately. I'll be funnier soon. :rommie:

Yes, all of the ABC soaps* exist in the same universe. Characters have migrated back and forth between the shows. On occasion, characters on the shows played by the same actors, have wound up as relatives. :lol:
I never knew that. They beat the MCU to it. :rommie: But then, so did The Beverly Hillbillies, now that I think of it.

*Except for Dark Shadows.
Do we know that for sure?
unsure.gif
 
_______

50th Anniversary Viewing Revisited

_______

The Mod Squad
"Bad Man on Campus"
Originally aired October 1, 1968
Wiki said:
Pete, Linc and Julie work undercover in a high school to break up a juvenile car theft ring.

We pick up Mod Squad with the first regular episode after the pilot/premiere.

The episode opens with a middle-aged couple looking for bait or something under a pier when they find the body of Martha Carstairs, a young high school history teacher. The kids at the school were tight-lipped with the regular cops, so Greer sends the Mods in--Linc as the new history teacher, Pete as a gym teacher, and Julie as a transfer student. The students prove to be a rowdy, insubordinate, and overaged-looking bunch. Linc and Pete both find flashy local loan shark Gandy Schaffler (Clive Clerk) to be a handful, but he takes an interest in Julie. The Mods compare notes in the Library through the shelves, while we learn that Gandy is stealing cars for a man named Parker (Norman Alden). Greer speculates that Gandy uses kids who can't pay up to steal cars for him. Everyone's interested in the whereabouts of a student named Doc Lightner, who seems to have skipped town in relation to Carstairs's murder.

Mr. Hayes takes an interest in a student named Leila (Judy Pace), whose recently declining grades coincide with Lightner's disappearance. Doc tries to pay a visit to Leila that night, and Greer is waiting, but Lightner runs and Greer loses him. Gandy gets called away from a date with Julie, and Pete and Linc follow him to a meeting with Doc (Booker Bradshaw) at the mortuary where Carstairs's body is lying. Doc, holding a gun on Gandy, accuses him of having talked, which resulted in Carstairs's death. He lets Gandy go and slips away before Pete and Linc can get to him.

Afraid for Doc's well-being, Leila tells Linc where he's hiding--at a closed pierside amusement park. They find him playing harmonica in a tunnel attraction and nab and question him. He tells them how he got into debt with Gandy buying something for Leila, and then told Miss Carstairs, who was killed for knowing about it; and that he's now trying to find out who Gandy's working for. But as they're leaving the attraction, the trio are fired at by Parker and a couple of henchmen, who followed them from Leila's, and Doc is killed. A chase ensues through the park and under the pier, with Linc and Pete hightailing it down the shoreline. Parker & goons nab Julie, whom they saw with the other Mods, and bring her to Parker's boss--school lunch wagon vendor Mr. Oswald (J. Pat O'Malley). Pete and Linc lean on Gandy to get them and Greer into Oswald's lair, where more chasing ensues, with Linc taking down Parker outside.

In the coda, Linc--now outed as the fuzz--tough-talks Leila into staying in school. Outside with the other Mods, Linc gets a laugh out of how somebody should have said the same things to him, then they walk off to the woodie.

_______

The Mod Squad
"My, What a Pretty Bus"
Originally aired October 8, 1968
Wiki said:
A wily ex-con, unaware that Pete, Linc and Julie are cops, recruits them for a big counterfeiting caper.

The episode opens with Linc sassily making a produce delivery to a prison, which gets him in a staged fight with embedded inmate Pete, during which Linc grabs a small box of smack from Pete's pocket. (Pepper Martin plays a prison guard who breaks up the fight.) Pete is subsequently approached by fellow inmate Herbert Mills (Henry Jones), who spotted this transaction and a previous one during a visitation from Julie. Somehow this doesn't clue him in that they're undercover cops--rather, he expresses to an accomplice an interest in using the three of them for a caper when all three inmates are oh-so-conveniently released the following week...after which he'll have to dispose of the young trio to avoid splitting the take too many ways.

Greer's mission on behalf of the warden accomplished, Pete has a moment at Julie's pad in which he expresses to his fellow Mods how his fake incarceration affected him. Mills, now in civvies, pays a surprise visit, smooth-talking Julie and recruiting them for the caper, which first involves a warehouse robbery. Greer has them go along to find out what it's about. Linc gets caught by a watchman, and an alarm is sounded while a struggle ensues...which ends with Linc avoiding seriously hurting his opponent, whom he asks about later. Examining the scene after the Mods split the scene in the woodie, Greer finds that what they were stealing was blank paper...which turns out to be suitable for counterfeiting.

Mills discusses the next phase of the caper over a dinner he makes at Julie's--having helped himself in while they were away--which is stealing a bus. They press him for more info, but he remains cool at the prospect of losing their help. Still stringing them along, he takes them to the community of Seaside, where he speaks the episode title while introducing them to their target--a colorfully embellished hippie microbus...which he wants them to photograph, inside and out. He then takes them to their new HQ, a beach house, and introduces them to his taciturn former inmate of an accomplice, Turk (Val Avery). Managing to search the place, the Mods find that another microbus is being shipped to Mills the next day; they also hear a printing press in another room.

Mills has the Mods paint his new bus to match the one that they photographed. With the help of a distraction from Julie, Pete slips into Mills's trunk while he makes a rendezvous with a man apparently named Mason (Byron Morrow) at the garage where the original bus is parked. While they're waiting for Pete, Linc and Julie have a personal moment comparing notes about their backgrounds...but Morrow gets suspicious about Pete's absence, such that he has them at gunpoint when Mills returns. Pete hastily goes along with an overheard alibi about being out for a swim, wetting his hair with a hose before entering the house. With that matter settled, Mills informs the Mods that they'll be stealing half a million dollars the following day.

To that end he has them count exactly $568,000 worth of his counterfeit bills and load it in bags for the Seaside Merchants Exchange. At the garage, Mason supervises as the Exchange's van delivers similar bags, which are loaded into the original bus as a means of covertly transporting the money. Julie in thigh boots on a motorcycle distracts the suitably disguised drivers, the first step in an intended switching of the buses...such that the counterfeit money will be taken to the Federal Reserve vault, so that nobody knows that the real money was stolen. Pete rides up on another motorcycle, fake harasses Julie to make her skid out on a beach, and the drivers get out to help while the buses are switched. (Notably, we see both vehicles in the same scene, and realistically, the paint jobs aren't quite identical.)

While Linc and Julie are wiping the paint off the stolen bus, they succumb to Mills's drugged wine. Mills then shoots Turk, which clearly wasn't part of the plan they'd discussed. Back at the beach where the drivers had left him roughed up, Pete has to convince a motorcycle cop that he's a colleague to get in a radio call to Greer...and a ride. Meanwhile Linc and Julie come to and hitch a ride with a convertible full of hippies, coming upon Pete and his escort on the highway. They all head for the dock where the ship that brought in the second bus is, with Mills overhearing a follow-up radio call. The bus is forced into a crash and catches fire, but Mills is retrieved before it blows...these guys don't know how to take advantage of a good drinking set-up.

Linc repeats the episode title in the coda, which is familiar from having later been used as the walk-off scene of "A Time for Remembering," the second season clip show, complete with...

Linc: The Maharishi said, "Never drink champagne out of a paper cup."​

...which now has some context. After a huggy moment among the trio, Greer joins them for the walk-off on the dock. (Alas, they don't walk off the dock...)

The premise of a charismatic elder criminal schemer taking the Mods under his wing reminded me a lot of the previously viewed second season episode with Maurice Evans, "Never Give the Fuzz an Even Break".

Pete meeting clandestinely with Greer.

_______

Good one. God is omnipresent. :D
"Jehovah & The Jacks"...?

The brief, shining moment that we know as Donovan is over, but you can still see something of that brilliant poet among the too-awkward preaching.
I included this because it was on the Donovan compilation that I bought. He is being times-signy with the ecology thing, and he's still pleasant to listen to. But this is almost it from him for our purposes in this timeline...he'll be popping up in a couple of years with one last Hot 100 single.

Yup, that was a James Brown song. :rommie:
Yup. Sounds like he's still jamming the same song as the last couple, but it's still funky.

Not one of their greatest, but the lyrics flow nicely, and what a voice.
Bit of a snoozer, but these guys have still got some chart life ahead of them before they fade out...and it helps me to appreciate the egg-frying song a bit better.

Not much to say here.
No opinion at all? Yeah, can't blame ya.

But I absolutely love this one.
[Insert massive album spotlight plug here.]

Especially when you hear some songs that did chart higher. :rommie:
Exactly!

I confess to a bit of lethargy lately. I'll be funnier soon. :rommie:
Gotcha.

Do we know that for sure?
unsure.gif
Certainly would have been a good explanation for a character suddenly leaving one of the shows. "Her body was found in Collinsport mysteriously drained of all blood."
 
Last edited:
so Greer sends the Mods in--Linc as the new history teacher, Pete as a gym teacher, and Julie as a transfer student.
At least they're not all students. :rommie:

and overaged-looking bunch.
Then again, this is TV.

Afraid for Doc's well-being, Leila tells Linc where he's hiding--at a closed pierside amusement park.
Always a favorite.

and Doc is killed.
Yikes.

Parker's boss--school lunch wagon vendor Mr. Oswald (J. Pat O'Malley).
Wow. Is that the only time he ever played a villain? :rommie:

Greer has them go along to find out what it's about.
Sometimes the criminals come to you.

...which ends with Linc avoiding seriously hurting his opponent, whom he asks about later.
Nice touch.

Pete hastily goes along with an overheard alibi about being out for a swim, wetting his hair with a hose before entering the house.
Which makes him smarter than most TV detectives. "Swimming? Why, his hair's not even wet. It's a setup!"

At the garage, Mason supervises as the Exchange's van delivers similar bags, which are loaded into the original bus as a means of covertly transporting the money.
It kinda loses me at this point. :rommie:

Mills then shoots Turk, which clearly wasn't part of the plan they'd discussed.
Messy, after all that planning.

Linc: The Maharishi said, "Never drink champagne out of a paper cup."
It seems like this is a line from a song, but I can't place it.

After a huggy moment among the trio, Greer joins them for the walk-off on the dock. (Alas, they don't walk off the dock...)
...into the drink.

"Jehovah & The Jacks"...?
"Thou shalt rock!"

Certainly would have been a good explanation for a character suddenly leaving one of the shows. "Her body was found in Collinsport mysteriously drained of all blood."
That would have been fantastic. :rommie: And probably good for both shows.
 
_______

50th Anniversary Viewing

_______

All in the Family
"Gloria's Pregnancy"
Originally aired February 16, 1971
Wiki said:
The Stivics start looking for an apartment after Gloria reveals her pregnancy, making Archie furious. Though he eventually comes around, Gloria has a miscarriage, and he comforts her for the loss.

The episode opens with Archie and Mike having a discussion about chicanos (in the acceptable parlance of the time) protesting in California. Edith and Gloria come home from the doctor chomping at the bit to share some wonderful news. Alone with Gloria, Mike quickly figures it out for himself and goes into the customary unprepared father panic. They go out to tell Archie, and Edith hints at the news in such a way that it makes it sound like she's the one who's pregnant. While everyone else is ecstatic, Archie is speechless, and repeatedly glares at Mike. When the two of them have the room, Archie bawls out Mike about not being able to support the baby, and Mike declares that he'll quit school. In the time that it takes Archie and Edith to have a scene in the kitchen, Mike secures an apartment via a friend, but Archie remains skeptical that the Stivics will be going anywhere.

Edith pressures Archie to tell the kids that they can stay. Then a very pregnant friend of Gloria's named Mona (Holly Near) drops by to congratulate her. Archie uses an argument about what kind of sausage he prefers to excuse himself to go to a diner, following which the subject of natural childbirth comes up. Everyone has a hearty laugh when Edith reveals that she was such a nervous mother that she never counted baby Gloria's toes, and Gloria starts to have complications. A doctor makes a house call and confirms that she's going to be fine, and will be able to have more babies. Then Archie comes in, not knowing what's happened, with a giant stuffed panda and announces that the kids will be staying. Mike and Edith break the news, and Archie visibly deflates. He goes up to Gloria's room and pays her a very gentle, fatherly visit, with few words but much love and understanding between them.

In the coda, Archie's back to commenting about Mike and Gloria making out.

_______

Hawaii Five-O
"Dear Enemy"
Originally aired February 17, 1971
Wiki said:
A woman (Vera Miles) falsifies evidence linking two murders in an attempt to trick McGarrett into re-investigating the homicide charge for which her husband was convicted. Gary Collins also guest stars as the woman's lawyer/accomplice, and local television personality/pitchman David "Lippy" Espinda appears as the bartender.

Fast-talking real estate swindler Ray Tobias (Dub Taylor) has just arrived on a cruise ship and calls somebody trying to make a deal. He leaves a bar to make a rendezvous at a pier where he trips on a bad stair, is hit from behind, and his face is held in the drink by gloved hands. Tobias had been a witness in the conviction for murder of a man named Fred Whiting (John Lupton), which the papers try to make a connection to. McGarrett gets barked at to put and end to the story by state senator Amos Bolin (William O'Donnell), who's apparently subbing for the Governor this week. Steve then gets called to meet with attorney Henry Lockman (Gary Collins) and his client, Flora Whiting (Vera Miles), who's been in a mental hospital. Fred is said to have been a political rival of Bolin's for a US Senate seat, and Lockman was his campaign manager. Mrs. Whiting claims that Tobias wrote her offering to get her husband's case reopened, and seems erratic and desperate.

Danno talks to the Harry the bartender (David "Lippy" Espinda) while Steve goes to the pen to talk to Fred about a piece of cuff link found at the scene of the murder that Flora thinks may be his. Fred describes how he met and had an affair and fought with the victim, Betty, and admits to having hit her when she threatened to blackmail him, but swears that he didn't kill her. Flora and Lockman then show up at Steve's office with a page from Tobias's letter. The other half of the cuff link is turned up, which comes to three complete cuff links, making it possible that somebody else was at the beach house where the murder occurred and may have framed Fred. We then see Lockman, wearing the gloves, knocking out a hotel maid while going through Tobias's stuff.

Five-O discovers that Tobias called Lockman's office about a land deal the day before. They bring in Bill Makoto (Ah Vah), the assistant jeweler whom they believe made the cuff link, who was about to fly to Japan with a decent wad of cash, which suggest a payoff. Lockman and Flora are brought in, and when she reacts to seeing Makoto, it comes out that he'd just made the third cuff link for her a few days ago. Steve confronts her about having done what the Wiki contributor told us she did up front...if only Steve could read Wiki. She's taken away back to her hotel, and while Lockman is using one of Five-O's phones to call a doctor, he listens in on a conversation about a car that was used by the hotel attacker.

In her hotel room, Lockman seems interested in making a connection between the sedated Flora and the balcony, but is stymied by the presence of a neighbor on her balcony. Flora wakes up and he fixes her a drugged drink. She pieces some things together, guessing that he ransacked Tobias's room and accuses him of having killed Tobias and Betty. He admits that Betty was threatening to expose him for setting her up with Fred, just as she passes out. He's finally carrying her to balcony when Five-O bursts in for some booking, explaining how Lockman needed to silence Flora because she knew that he was using the car that she'd rented. Steve gets a hug from Flora.

_______

The Brady Bunch
"Lights Out"
Originally aired February 19, 1971
Wiki said:
Cindy develops a fear of the dark after seeing a magician's "disappearing lady" act at a party. Peter helps Cindy deal with her fear by asking her to be his assistant for a magic act at his school's upcoming talent show. The whole thing is nearly undermined when Bobby plays a cruel joke on his sister, but Cindy shows courage when she learns that Peter's new assistant, Jan, hurt herself in gym class.

Unable to sleep, Cindy wakes up the other girls by turning on the light. When a commotion ensues, Mike gets involved and asks her what's going on. She wants to sleep with the parents, and tells them why when she's in their bed. It turns out that she saw the disappearing part at a birthday party, but ran out so she didn't see the assistant reappear. But even with the parents, she doesn't want the light turned out. Meanwhile, Peter takes an interest in doing magic for a school vaudeville show after having attended the same party. Mike takes Peter to a store, where the owner (Snag Werris) demonstrates a number of tricks. Peter practices one of them at home--making a bottle disappear from one tube and appear in the other--and Cindy takes an interest, so Carol suggests that Peter use Cindy as his assistant. He also bought a book for building his own disappearing cabinet, but Cindy doesn't want to do the trick. Peter tries to demonstrate with Bobby, but Bobby doesn't cooperate with the reappearing part, which reaffirms Cindy's trauma. (I know they're being coy about how the tricks work for our benefit, but it seems like Peter would have to show Cindy how it works, which might help her to overcome her fear.)

Cindy bows out of assisting Peter, even after Bobby reappears, so Jan takes over, and Cindy won't even watch them demonstrate their tricks for the family. The show's tryouts come, but Jan can't make it because she sprained her ankle in gym class, so Peter goes out to solo what tricks he can, though he gets hung up on describing for the judges the good tricks that he can't do. Then Alice brings in Cindy in the nick of time, and she volunteers for the booth to help him win. The trick goes smoothly (so Cindy must know how it works), and Cindy overcomes her fear, wanting to do it again.

_______

The Odd Couple
"You've Come a Long Way, Baby"
Originally aired February 19, 1971
Wiki said:
Felix must take care of a baby left behind at his studio.

Felix is developing photos he's been taking of babies all day for an ad campaign. While Oscar's on the phone with him, Felix hears a baby crying and finds him in the studio. Back at the apartment, neighbor boy Phillip (Christopher Shea) drops by on Oscar with his chihuahua, and I'm too distracted by the fact that he has Linus's voice to pay attention to why he's there or what the scene's about. Felix comes home with the baby in a bassinet, and is surprisingly good with him, though Oscar is less comfortable. Felix and Oscar are scheduled to perform a skit at a dinner, so when Nancy Cunningham comes over (apparently she'll be regularly recurring into the next season), she volunteers to wait for the mother to show up (Felix having left a note on the studio door).

Murray comes by and Felix thinks that Oscar called him because Oscar thinks that the baby was abandoned deliberately; but he's there for a different reason. They usher him out without letting him see the baby, but then the baby comes up missing, and it turns out that Phillip took him, apparently to commandeer the bassinet for his dog. As the time for the dinner nears, Oscar reveals that he has since called Murray, but didn't tell him what it was about. Murray nevertheless hears the baby and figures it out, and is taking charge of the situation when Mrs. Lee (Lisa Lu) arrives. She tries to explain how she accidentally left the child in the studio, but breaks into rapid Chinese, so nobody understands her.

In the coda, we learn that Felix and Oscar didn't win for best skit, but they start demonstrating their version of Abbott and Costello doing "Who's on First" for Nancy.

_______

Mission: Impossible
"Kitara"
Originally aired February 20, 1971
Wiki said:
In order to rescue a renowned resistance leader imprisoned in an African colony governed by apartheid, the IMF utilize drugs and a special light bulb to trick a white governor (Lawrence Dobkin) into believing that his race has been altered.

In Bocamo, West Africa, a man named John Darcy (Robert DoQui), who says that he's a schoolteacher from another province, is chased down and caught in the jungle by a group of government police types. Their leader, Colonel Alex Kohler (Lawrence Dobkin), accuses him of being somebody named Kitara, who stole a military truck full of gold bullion.
The regular-sized reel-to-reel tape at a small amphitheater with a burning barrel nearby which fairly screams that the usual method is coming said:
Good morning, Jim. [Ooh, less formal!] This is John Darcy, code name Kitara, leader of a liberation movement in the African nation of Bocamo, which for over a century has been ruled by a colonial minority practicing severe racial segregation. Darcy has been captured by Colonel Alex Kohler, a provincial governor and a ruthless tyrant. If Kohler succeeds in torturing Darcy into revealing his true identity, the liberation movement, deprived of leadership and inspiration, will be destroyed.

Your mission, should you choose to accept it, is to free Darcy and end Kohler's tyranny. As always, if you or any member of your IM Force is caught or killed, the Secretary will disavow any knowledge of your actions. Good luck, Jim!
The method is so usual that Jim doesn't even have to be told anymore! In the briefing, Barney and Doug demonstrate and explain how a special bulb, placed in Kohler's bathroom ceiling fixture, will activate a drug that he's given to actually turn his skin black!

In Bocamo, Kohler's questioning Darcy after letting him out of a hotbox when Colonel Jim and Dr. Doug arrive on the scene on fake behalf of Kohler's superior general, tasked with confirming that Kohler has the right man. Kohler doesn't heed Doug when he insists that Kohler be treated for his heat exposure. When Kohler has left the scene, they sow some doubt about Kohler's intentions in his aide, Captain Maxfield (Rex Holman). Posing as a reporter, Dana is treated to Kohler talking about his background, and slips the drug into his tea. Meanwhile, Barney sneaks into the colonel's bathroom and replaces the bulb. Over tea with Kohler and Dana, Dr. Doug describes how he's an expert in people attempting to pass themselves off as being of a different race, and exposits about a case when a nervous disorder caused someone to be revealed as an impostor. Barney, after having dropped his gear down to Paris in the bushes, gets himself captured as an intruder.

Kohler showers under the light, and as he sleeps, his skin gradually darkens. In the morning, he wakes up to find himself in blackface, and tries to wash it off. Jim and Doug continue to express their suspicions about the colonel to Maxfield, including about how his wife died while pregnant, and what that might have revealed; as well as about how he always keeps his head shaved. Barney gets himself tossed in the hotbox, so he can tap a coded Swahili message to Kitara, filling him in on his role in the plan. By phone, Kohler agrees to let Doug examine Darcy, and Doug gives him a canteen, the lid of which he uses to exchange messages with Barney. A guard catches their noisy tapping, and takes Barney in to be questioned by Col. Jim. Kohler summons Dr. Doug, wanting to be given something to lighten his skin; Doug recommends a long, hot bath. Paris examines the tape of Barney's interrogation, which is littered with code-phrases that stand for letters, spelling out Sugano, the name of the village where the bullion is hidden.

Dana brings Kohler an old picture from the house where he grew up, which matches one in Kohler's possession of him sitting on his grandfather's lap...but in this picture, his grandfather is black. She takes him to the shop where she bought the picture, which is run by Paris, who--now passing himself off as 1/16 black--rubs a chemical over Kohler's original photo to somehow "reveal" that it's been doctored and that the grandfather is actually black in that copy as well. (I suspect that a photo-switching was involved, but I didn't catch it.) Then Dana knocks him out with the usual ring, and Doug comes in talking about his susceptibility to hypnotic suggestions while under the drug's influence. Meanwhile, Kohler's manservant, Hawn (Jason Wingreen), has tipped Maxfield off about some of the strange goings-on with Kohler, and Maxfield heads for the shop.

At the shop, Paris, disguised as the fake grandfather (Ken Renard), plays out a fake recovered memory from Kohler's childhood, revealing how he's perpetrated the deception that Kohler is white. Kohler passes out again and Paris resumes his shopkeeper role, reviving him. Maxfield arrives and sees Kohler with his new complexion; then Paris draws a gun and offers Kohler an escape. Dana brings Maxfield up to speed on Kohler's fake background, and Col. Jim promotes him to Kohler's position. Paris brings Kohler to the hut where the gold is hidden, but Maxfield's men quickly swoop in and a chase ensues, while Maxfield finds the gold in Kohler's fake hideout. Col. Jim convinces Maxfield that Kohler is actually Kitara, and is subsequently allowed to drive off with Barney, Darcy, and the gold. Mission: Accomplished.

The problems with this episode from a modern perspective are obvious; but also, Dobkin in blackface simply wasn't convincing as an actual native African.

_______

The Mary Tyler Moore Show
"A Friend in Deed"
Originally aired February 20, 1971
Wiki said:
Mary's bubbly forgotten pal from summer camp, "Twinks" McFarland (Pat Finley), turns up as WJM's new receptionist and wants to be Mary's best friend again---with an unsuspected ulterior motive.

The guys are talking about how overly friendly the new receptionist is, when Twinks comes in and pounces on Mary with a hug. Mary doesn't recognize her, and has to be reminded of how they knew each other. This appears to be another case in which the old friend is more attached to that moment than Mary, as Twink has a camp scrapbook and talks about how she's still getting the camp's newsletter.

Lou: I went to a Notre Dame reunion...it was terrific!
Mary: I didn't know you went to Notre Dame!
Lou: I didn't, but those guys really know how to throw a bash. Word to the wise, Mary...the best kind of reunion is one where you don't know anybody.​

Twinks visits Mary's apartment and tries to impose herself in all of Mary and Rhoda's plans, including a potential vacation to Hawaii. (They should take her...imagine Five-O fishing Twinks out of the drink...) Back at WJM, Twinks continues to be an annoyance to Lou for routinely hugging him despite his deliberate rudeness toward her. Then Twinks springs the news that she's getting married, cornering Mary into serving as her maid of honor, and Rhoda into being a bridesmaid.

Mary isn't enthusiastic about her maid of honor duties, and finds the pink dress that Twinks picked out to be horrendous. Then Twinks drops in and breaks the news that her best friend who wasn't going to be able to fly out for the wedding will be able to make it after all, so she's going to be the maid of honor as originally planned. With some egging on from Rhoda, Mary expresses to Twinks how used she feels over the whole ordeal...and Rhoda realizes that she's still stuck being a bridesmaid, in the purple version of the horrendous dress.

_______

At least they're not all students. :rommie:
There was actually a gag about that--when Greer tells them he's putting them undercover at the school, Linc objects that they're too old to pass as students, and Greer drops the bomb that he's putting Linc in as a teacher.

Then again, this is TV.
Linc's objection was perhaps lampshading that all of the other students looked like they were in their 20s as well.

Wow. Is that the only time he ever played a villain? :rommie:
Dunno.

Nice touch.
Also, after knocking the guard out, Linc put a makeshift pillow under his head! :D

Messy, after all that planning.
Not at all...it was definitely part of Mills's plan the entire time. He was reducing how much he'd have to split the take even further. What was messy was that he didn't actually off the two Mods who were at his mercy (which Turk was supposed to do)...but then, I don't think he found out they were cops until the very end, so if he was skipping the country, he probably thought that leaving them behind was sufficient.

The secret identity reveals for characters who don't figure out for themselves that the Mods are really cops tend to be fun bits of business to watch for. Here, Pete's interaction with the motorcycle cop was more entertaining than my summary got across. The cop is completely stone-faced, clearly thinking that Pete's bullshitting him, and Pete's saying something like, "Look, what I'm trying to tell you is that I'm..." [cut to Greer on the phone] "...exactly what he says he is!"

It seems like this is a line from a song, but I can't place it.
The first search result is quoting Linc; the rest are about whether you should drink wine from paper/plastic cups.
 
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The Mary Tyler Moore Show
"A Friend in Deed"
Originally aired February 20, 1971
Mary's bubbly forgotten pal from summer camp, "Twinks" McFarland (Pat Finley), turns up as WJM's new receptionist and wants to be Mary's best friend again---with an unsuspected ulterior motive.

Between The Bob Newhart Show and The Rockford Files, Pat Finley had some pretty good recurring gigs in the '70s. Then she pretty much vanished (though she did appear with Asner again on Lou Grant).
 
They go out to tell Archie, and Edith hints at the news in such a way that it makes it sound like she's the one who's pregnant.
Talk about unprepared father panic. :rommie:

Archie uses an argument about what kind of sausage he prefers to excuse himself to go to a diner, following which the subject of natural childbirth comes up.
Archie wants nothing to do with the nuts-and-bolts of pregnancy. :rommie:

and Gloria starts to have complications.
She must be only a few weeks, so that would be common. This is why people wait to say anything.

Then Archie comes in, not knowing what's happened, with a giant stuffed panda and announces that the kids will be staying. Mike and Edith break the news, and Archie visibly deflates. He goes up to Gloria's room and pays her a very gentle, fatherly visit, with few words but much love and understanding between them.
This is the sort of thing that really elevated the show. They made a point to humanize the characters, rather than just use them as mouthpieces for dueling tirades.

and his face is held in the drink by gloved hands.
They're no longer waiting for people to just fall in.

McGarrett gets barked at to put and end to the story by state senator Amos Bolin (William O'Donnell), who's apparently subbing for the Governor this week.
Yeah, it seems that it's been a while since Steve was barked at. And what does a state senator care?

...if only Steve could read Wiki.
Especially odd since it's a Hawaiian word.

Steve gets a hug from Flora.
And the state senator nods curtly, turns on his heel, and exits.

It turns out that she saw the disappearing part at a birthday party, but ran out so she didn't see the assistant reappear.
Fear of the dark is obviously a good theme for a show about kids, but the disappearing act trigger seems to be stretching it a bit.

Meanwhile, Peter takes an interest in doing magic for a school vaudeville show after having attended the same party.
Secretly hoping that he can make all his stepsisters disappear.

Bobby doesn't cooperate with the reappearing part, which reaffirms Cindy's trauma.
Jerk. :rommie:

Peter goes out to solo what tricks he can, though he gets hung up on describing for the judges the good tricks that he can't do.
He should have turned it into a standup act. "At this point I would have made my sister disappear, but she already disappeared on her own."

Then Alice brings in Cindy in the nick of time
Why didn't he just use Alice? She's game for just about anything.

and Cindy overcomes her fear, wanting to do it again.
Okay, was this about a fear of the dark or a fear of being disintegrated by a magician?

I'm too distracted by the fact that he has Linus's voice to pay attention to why he's there or what the scene's about.
"I'm here to tell you the good news about the Great Pumpkin, Oscar Goldman.."

(Felix having left a note on the studio door).
Good grief, Felix Unger! :rommie:

but then the baby comes up missing, and it turns out that Phillip took him
"The Great Pumpkin demands sacrifice, Unnamed Baby."

Murray nevertheless hears the baby and figures it out, and is taking charge of the situation when Mrs. Lee (Lisa Lu) arrives. She tries to explain how she accidentally left the child in the studio
Y'know, the next time could be in a parked car. Call Social Services, Murray.

In Bocamo
Bermuda, Bahama, come on pretty mama...

who stole a military truck full of gold bullion.
That would make a lot of gold soup!

The method is so usual that Jim doesn't even have to be told anymore!
I wonder if Jim has ever actually met the voice. They should have developed the voice character a bit more. Even Charlie got in on the action a couple of times. Imagine Phelps activating the tape recorder and hearing, "You've got to save me, Jim..."

In the briefing, Barney and Doug demonstrate and explain how a special bulb, placed in Kohler's bathroom ceiling fixture, will activate a drug that he's given to actually turn his skin black!
And then he has to resign and apologize on Twitter. Mission: Accomplished!

Barney gets himself tossed in the hotbox
I think it's time for an intervention at this point. :rommie:

She takes him to the shop where she bought the picture
A Photo Shop, if you will.

(I suspect that a photo-switching was involved, but I didn't catch it.)
You just use the "Replace Color" tool.

is subsequently allowed to drive off with Barney, Darcy, and the gold.
"Sorry, voice, we didn't find any gold."

The problems with this episode from a modern perspective are obvious; but also, Dobkin in blackface simply wasn't convincing as an actual native African.
It reminds me of that Mork & Mindy episode where Mork encountered the KKK. He uses his Ork powers to turn them all different colors. "Welcome to America." :rommie:

This appears to be another case in which the old friend is more attached to that moment than Mary
Which is actually pretty believable, I think. :rommie:

including a potential vacation to Hawaii. (They should take her...imagine Five-O fishing Twinks out of the drink...)
"I just couldn't take it another minute!"
"Book her, Danno."

...and Rhoda realizes that she's still stuck being a bridesmaid, in the purple version of the horrendous dress.
Always the Bridesmaid of Frankenstein. :(

There was actually a gag about that--when Greer tells them he's putting them undercover at the school, Linc objects that they're too old to pass as students, and Greer drops the bomb that he's putting Linc in as a teacher.
"This is not 21 Jump Street."

Also, after knocking the guard out, Linc put a makeshift pillow under his head! :D
Awww. :)

Not at all...it was definitely part of Mills's plan the entire time.
I know, but with all that elaborate planning, wouldn't he have included a plan to kill him in a safe place and dispose of the body where it would never be found?

The cop is completely stone-faced, clearly thinking that Pete's bullshitting him, and Pete's saying something like, "Look, what I'm trying to tell you is that I'm..." [cut to Greer on the phone] "...exactly what he says he is!"
Greer's a good guy. He doesn't disavow his operatives. :rommie:

The first search result is quoting Linc; the rest are about whether you should drink wine from paper/plastic cups.
Damn. It's still on the tip of my brain.
 
Yeah, it seems that it's been a while since Steve was barked at. And what does a state senator care?
Apparently the murder was a source of scandal for him because the guy convicted of it was his political opponent...or something.

He should have turned it into a standup act. "At this point I would have made my sister disappear, but she already disappeared on her own."
[rimshot]

Why didn't he just use Alice? She's game for just about anything.
Too old? It was a school contest.

"I'm here to tell you the good news about the Great Pumpkin, Oscar Goldman.."
Are we bringing another show into this? Did Oscar win six million dollars?

I think it's time for an intervention at this point. :rommie:
Hadn't even though of that!

I know, but with all that elaborate planning, wouldn't he have included a plan to kill him in a safe place and dispose of the body where it would never be found?
Guess he was counting on hightailing it out of the country taking care of that loose end.
 
Apparently the murder was a source of scandal for him because the guy convicted of it was his political opponent...or something.
Ah, okay.

Too old? It was a school contest.
Probably true, even if she was just an assistant.

Are we bringing another show into this? Did Oscar win six million dollars?
:rommie: He has plans for Felix. BIG plans.

Guess he was counting on hightailing it out of the country taking care of that loose end.
He got impatient at the end and it made him sloppy. I would never do that. Not that I would ever do that.
 
:rommie: He has plans for Felix. BIG plans.
He has the technology. Better...stronger...maybe a little less fussbudgety and allergy-prone.

He got impatient at the end and it made him sloppy. I would never do that. Not that I would ever do that.
I didn't get that impression at all. Offing his partner was part of his plan all along...patience was stringing the guy along for the entire scheme. His mistake was not sussing out that the Mods were cops. "And I would've gotten away with it, too, if not for you meddlesome undercover hippies!"
 
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