It's a visual medium.
Visuals are not just superficial.
Of course not, but this is art, not a documentary.
Shoot, it's probably time to just accept these interpretations for what they are and don't sweat the canon stuff because none of the things these producers had done connects. If you like these interpretations, which I do, then just like them and accept them as their own universe. Will any of this stuff ever connect with TOS? Never but does it really have to?To a connie-seur, yes. Man, I had the technical manual, the blueprints, a Trek nut in the 70s, and I never noticed the curve of the secondary hull was off, or the nacelles connect differently. I fully accepted it had a refit and unis changed. Everything in universe made sense to this 13-year-old in 1979.
They're going forward in time and things change.
To set a series before TOS and have it look more advanced and not a precursor visually to what we see in 2264 . . . that to me is a different thing than making a movie 13 years after a show and stating there have been upgrades.
Star Wars has kept its design/aesthetic ethos for 43 years through prequels, sequels, and spinoffs.
Timeline is off. First, Kirk and Khan say it was 15 years since Space Seed. Twenty years puts it 5 years before that, or around 2263-2265. The refit was about 5 years after Space Seed or around 2273, so, the refit Enterprise was only around 10 years old. Twenty years takes us back to the beginning of the Kirk era and TOS implying that the Enterprise was brand new at the beginning of TOS. Maybe the Pike Enterprise got destroyed and replaced with a new ship with the same registry number but they didn't start using the "-A" suffix, yet. Explains the Constellation's low registry number, too.![]()
it's a chronology that I've constantly had to change in response to information from new episodes and films. (When TNG: "The Neutral Zone" established a clear calendar date for the first time, I had to redo the entire thing from scratch to bump everything forward 60 years.)
You and me and much of fandom. The Spaceflight Chronology was a wonderful resource until then, wasn't it?
Look at Star Wars animated series. Each one has its own distinctive art and design style, and when characters cross over from one series to another, like R2-D2 or Yoda or Ahsoka, they have a different design in each series, redone to fit that show's distinctive look. But we still understand they're the same character. They're just being interpreted differently.
But they still looked like themselves, even if the art style was different. R2 didn't suddenly look like an R5 unit with a conical style head and red markings.
It's not like someone is going to present the Enterprise D with a triangle engineering section, and 16 nacelles unless the plot called for it.
I'm going to pause at this point because Star Wars and Star Trek have two very different design concepts. Star Wars is its own universe, set in a galaxy far, far, away. Even looking at Old Republic designs there is a distinct sameness of the technology, even with thousands of years passing. It is a fairy tale type story with no real connection to us here, aside from how we relate to the characters.Since we keep using Star Wars as a touchstone... The look goes a lot toward the feel of the universe.
Having visuals change is a part of that design path, as evidenced by TMP and then TWOK.
There is interpreted and then there is changed. What Star Wars has done is interpretation. The animated series have stylized the live action designs. But when Rogue One and The Force Awakens came along, they didn't stylize anything, they returned to the original designs and made subtle changes. The stormtrooper helmet has indented grills along the side where the original was just painted. The Star Destroyer is the ANH design, but with lights and a finished top surface which the original model did not have. The same with Doctor Who. They revisited the 1960's Tardis and recreated nearly everything exact, but the original had one wall that was a curtain backdrop and they made it solid. They did change some little things.Of course not, but this is art, not a documentary. What's important about the visuals is not whether it's "right" or whether it "fits." What's important is aesthetics and individual expression. In an art class, would you expect the teacher to insist that all the students paint the subject in exactly the same way, or to encourage them to find their own individual styles? Creativity is about individuality, not lockstep conformity.
Look at Star Wars animated series. Each one has its own distinctive art and design style, and when characters cross over from one series to another, like R2-D2 or Yoda or Ahsoka, they have a different design in each series, redone to fit that show's distinctive look. But we still understand they're the same character. They're just being interpreted differently.
There is interpreted and then there is changed.
So there is no way to align what Star Wars did with animation to what Discovery did to live action.
Under CBS the production royally messed up. It was at CBS's direction, let's not forget that. It was not copyright, it was not copyright. It was more greed than anything - wanting new designs for merchandising most likely.
Previous to Discovery, care was taken to at least honor the past, if not replicate it.
People keep going back to that, but IT WAS CHANGED IN THE STORY. Sure, we don't get an explanation for the different look of the Klingons for over 20 years, but all the changes to the Enterprise were explained in the story. IT was not just presented to us as the same. We even saw an old connie on screen from time to time. The movies had Franz Joseph's drawings appear on screen. TNG showed us the old TOS style connie on the library screen and on the wall in the conference room. It was there in the story. They honored and moved on in a way that worked.Yes, and Star Trek has changed things before, starting with TMP. It's allowed to. There's nothing wrong with it. This is a franchise whose literal mission statement is to boldly seek out the new.
And you think Star Wars and Star Trek technophiles are different? All were given birth from Star Trek and Franz Joseph's tech manual and general plans. If anything, fans have gotten picker as time has gone on. I could never find accurate plans of the Excelsior so I have ended up drawing my own. Gary Kerr has created the most accurate plans of the TOS Enterprise (though he hasn't released them publicly). And in Star Wars you would think that they might fix the Millennium Falcon set so it would actually make sense, but no, the TFA set, Solo set, and the Galaxy's Edge attraction all follow the same messed up ANH layout that can't possibly fit inside the model/exterior set. And right here on this site there are discussions about the TOS Enterprise and how to fit the Bridge inside the dome on the 11 foot model. The answers range from changing the scale to changing the decks to a combination. So yeah, I hold Star Trek to the same standards I hold Star Wars. I expect the story to fit and the visuals to match. Otherwise it is just a reboot.Yes, that is my whole damn point, that it's wrong to expect Star Trek to duplicate the way Star Wars does things. Star Wars does not rule the whole universe. It is not the absolute standard that everything else has to conform to. I only cited the Star Wars animation redesigns as an example of the wider principle, nothing more.
No, it's individuality. Creativity is not about marching in lockstep to some rigid dogma. It's about individual expression. Every artist, every designer, has their own style. Every film or TV producer has their own sense of aesthetics that guides them in choosing designers and deciding among the designs they offer. So naturally the design choices are going to be different from production to production. It's naive to expect otherwise.
I was there in 1979. They changed the look and.... WROTE IT INTO THE STORY. It is part of the story that the ship is different. And it's not like that was the first uniform change or phaser change or communicator change. That happened between WNMHGB and the series. It is in the story. How to you write the changes in Discovery into the story? How? The Enterprise gets a total refit between the Cage and Discovery and then again between Discovery and WNMHGB. As well as changing uniforms and changing back. But the story discontinuity is too great to reconcile the stories. Discovery is a full reboot. TMP was a minor cosmetic facelift. And right there on the rec deck was the TOS Enterprise, acknowledging the original look of the ship. And then Trials and Tibbleations went back and went into a TOS story. Then Ent went to when Defiant came out of interphase and it was the same ship (they did have some new sets as well). So before Discovery, Trek acknowledged its visual past so what happened in TMP was an in universe visual change. The old still exists and the new exists beside it. Discovery creates change to that timeline of existing visual looks for the first time. TMP did not demand that of us.No, it bloody wasn't. I was there in 1979. They changed the look of the universe just as drastically in TMP as they did in DSC.
The studio is not responsible for fans pickiness.And you think Star Wars and Star Trek technophiles are different? All were given birth from Star Trek and Franz Joseph's tech manual and general plans. If anything, fans have gotten picker as time has gone on
No, they are not responsible, but they are quite stupid if they don't take it into account. And let's face it, the CBS brass passed on Star Trek the first time so they don't exactly have a good track record with it.The studio is not responsible for fans pickiness.
And? Whatever the brass may think that doesn't invalidate changes. I can reconcile Discovery just like TMP. I don't need it explained to me and Star Trek not following the Star Wars model is probably the best thing that could be done with a property supposedly about our humanity's future. Star Trek isn't about consistent visuals-it is about our humanity.No, they are not responsible, but they are quite stupid if they don't take it into account. And let's face it, the CBS brass passed on Star Trek the first time so they don't exactly have a good track record with it.
An area where Discovery blew it. In the first Episode!!!! But previously Trek was about following what came before. With Discovery it is rewritten and not done well. It is pathetic compared to Picard.And? Whatever the brass may think that doesn't invalidate changes. I can reconcile Discovery just like TMP. I don't need it explained to me and Star Trek not following the Star Wars model is probably the best thing that could be done with a property supposedly about our humanity's future. Star Trek isn't about consistent visuals-it is about our humanity.
Mileage will vary. Because I see no harm done. Star Trek being treated like Star Wars is a fool's errand. TOS still exists, is still a part of the greater continuity. Changed visuals are not invalidating that.An area where Discovery blew it. In the first Episode!!!! But previously Trek was about following what came before. With Discovery it is rewritten and not done well. It is pathetic compared to Picard.
People keep going back to that, but IT WAS CHANGED IN THE STORY.
And you think Star Wars and Star Trek technophiles are different?
So yeah, I hold Star Trek to the same standards I hold Star Wars.
If you want individuality and creativity, MAKE A NEW SETTING!!!!!
If you are going to go back to TOS or TNG or Enterprise eras, FOLLOW THE ESTABLISHED DESIGNS!
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