Just rewatched the remastered version. Ugh, the effects are so inappropriate.
What Spinrad had in mind appears to have been quite different from either the rough bugle or a sleek and machined version of same. Also probably impossible, given the limited effects budget they had available for that episode.I prefer the rough original Bugle... This is probably the biggest thing these aliens ever built, and building on that scale isn't going to make it look sleek and machined as if it came from a factory (though that may be what Spinrad had in mind).
still way better than the CGI shot they replaced it with: its iconic!The only thing that lets the episode down is the final shot of the Constellation heading into the Doomsday Machine's maw! It is so obviously a toy with a melted plastic nacelle and spoils the effect that the last forty seven minutes had been building us up for!
JB
Well as a kid I always thought the fact that one of the Constellation's nacelles shook and vibrated a bit as the ship moved forward was kind of funny (talking about the original effects here not the remastered version ).The only thing that lets the episode down is the final shot of the Constellation heading into the Doomsday Machine's maw! It is so obviously a toy with a melted plastic nacelle and spoils the effect that the last forty seven minutes had been building us up for!
JB
The similarity of Spinrad's description for the planet-killer to aspects of Narada (including several concept drawings later simplified) had indeed occurred to me; both seemed well-suited to the task of reducing large planetary bodies to smaller, more easily-processed pieces.In other words— the Narada, or a ramscoop?
For CGI replacement of the original effects, I much preferred @Professor Moriarty 's take on it* to the official version provided by CBS.still way better than the CGI shot they replaced it with: its iconic!
i remember seeing it and liking it.The similarity of Spinrad's description for the planet-killer to aspects of Narada (including several concept drawings later simplified) had indeed occurred to me; both seemed well-suited to the task of reducing large planetary bodies to smaller, more easily-processed pieces.
For CGI replacement of the original effects, I much preferred @Professor Moriarty 's take on it* to the official version provided by CBS.
* Which I don't seem to be able to find online anymore. It was pretty impressive, though.
. . . I said to Gene, “After I went through all the work on this, this is what you shoot? It looks like a wind sock dipped in cement.” Gene, having been a pilot, said to me, “That’s what it is, it’s a wind sock dipped in cement. We didn’t have any money for anything else.”
Of course, G.R. was being facetious (assuming he actually said that). A wind sock dipped in cement would look like a stretched-out, soggy wind sock. IIRC, The DM model was actually a wire frame covered with multiple layers of colored gel or cellophane to give it that translucent quality.
While the planet killer is huge compared to a starship it is actually a tiny thing relative to a planet. Cutting up a planet could actually be a time consuming affair let alone digesting the entire planet. It might only require taking bite sized chunks out of a planet, which could still be quite devastating. It could also more easily consume asteroids, comets and small moons for fuel.
Consuming planetary matter is likely just a convenient side benefit to it’s actual purpose as a weapon of terror—a near unstoppable device to destroy inhabited planets or powerful defending/attacking spacecraft.
The DDM may not actually eat the entire planet anyway. Could actually be after the rare earth elements - radio-actives and such. The rest, becomes the asteroid mess you see the Constellation drifting in.
The tastiest parts of a planet are at its crunchy center. I like the previous post that heavy radioactive metals like uranium are the DDM's fuel. One would believe that as planets form from a molten state that the heavy elements concentrate and settle at its core. To get at the best fuel, the DDM blasts entire planets into rubble then selectively sucks up the goodies.
I always figured the term: "total conversion drive" meant that the DDM could convert any/all matter that it drew into its maw, to energy which could be used for propulsion or whatever else was requiredMaybe.
But Spock's sensors read some sort of total conversion drive was powering the machine. Who knows what elements would be needed in Trek tech terms?![]()
I always interpreted it as 100% E=mc², total conversion of matter into energy. An inverse process would be total conversion of energy into antimatter, explaining how the antiproton attack beam is generated.I always figured the term: "total conversion drive" meant that the DDM could convert any/all matter that it drew into its maw, to energy which could be used for propulsion or whatever else was required
As to the Planet Killer, what Spinrad says he imaged the machine looking like doesn't jibe with what he wrote.What Spinrad had in mind appears to have been quite different from either the rough bugle or a sleek and machined version of same. Also probably impossible, given the limited effects budget they had available for that episode.
StarTrek.com: What did you make of the machine they devised?
Spinrad: That was the only thing that was disappointing about it. The original idea, which was complicated, is maybe a machine, but it’s maybe an artificial organism, to serve the same purpose. Then you have the question, “When does an artificial organism become a machine and when does a machine become an artificial organism?" The thing I had in my head was not like the thing that they shot. Gene said to me after I finished the script, “Look, can you draw the thing for us, please?” I’m not much of an artist. I paint a little bit now, but I still can’t do it very well. So I really worked on it. I drew the thing. It had complicated tentacle things that had the laser or whatever on the tips. So the thing looked ambiguous; you wondered looking at it, “Is this alive or is it a robot?” Then, when they shot it, they showed me what they’d do it with. I said to Gene, “After I went through all the work on this, this is what you shoot? It looks like a wind sock dipped in cement.” Gene, having been a pilot, said to me, “That’s what it is, it’s a wind sock dipped in cement. We didn’t have any money for anything else.”
From Interview: "Doomsday" & More With Norman Spinrad, Part 1
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