Maybe Reg watched TMP before Realm of Fear XDIt was the first time it happened, though!
Maybe Reg watched TMP before Realm of Fear XDIt was the first time it happened, though!
How interesting the scene could've been if McCoy was present when the accident happened? Game changer for the character.If that was the intent then it leant a creepy vibe in a strange way. Largely because McCoy's fear of the transporter is largely played for laughs in the next scene. It's strange.
Indeed. But, I think we would be hard pressed to have a quiet chuckle at McCoy's "let's see how it scrambles their molecules" comment. McCoy's attitude would take on a much weightier tone.How interesting the scene could've been if McCoy was present when the accident happened? Game changer for the character.
The irony is that Kirk did to Decker what Decker’s father did to him in assuming command.
It's such an unnecessary scene. And then McCoy's worry about the transporter is treated with a chuckle. It's so strange.
Frankly, Kirk comes off as terrible in this movie and the seeds are being laid for "Kirk has a midlife crisis" as literally the basis for the first four movies but most certainly in "Wrath of Khan." In both movies, Kirk's attempts to relive out his glory days gets a bunch of innocent Starfleet officers killed.
Good observations, but you’ll remember Kirk mention he has been earthbound for only a couple of years in TMP, TWoK takes place 10/15 years later and we don’t know how long has passed since Kirk has Ben last in command. People change, get “rusty” and can make mistakes.
Also, at that point he was probably worried about carol and David and suffering from the “reopening of an old wound”, being attacked by another Starfleet ship was clearly something quite removed from his expectations.
Kirk comes off as terrible in both films, just in different ways. TWOK he freezes up and TMP he runs roughshod over the crew. Poor example of leadership that does not favors in continuing on with Kirk from TOS.
Getting older is the plot, so it is as justified as TMP. Getting old is, well, a very old plot device.But TWOK sticks a fork in TMP and does a reset. Kirk's "terribleness" in TMP is justified by the circumstances of the plot and setting. In TWOK, it's "because aging". So much for the youthful, confident explorer that returns at the end of TMP. Very next film, Kirk is gloomy and self-pitying, with little justification for this about-face, other than he's now older and needs glasses, or something.
Getting older is the plot, so it is as justified as TMP. Getting old is, well, a very old plot device.
I sympathize with the jarring nature as I feel the same way with going from TOS to TMP and from TMP to TNG. But, if there is a plot device for TMP of Kirk being "not himself" the same is true of TWOK. Now, for me, the theme in TWOK is an interesting one of aging, and fitting for the psychological needs that humans often demonstrate and is understandable from that point of view. But, that doesn't mean Kirk's behavior is continuous from film to film.I'll grant you that there's a plot device at work. And maybe Kirk had just grown soft. But I wonder what Spock's excuse is for shutting Saavik up when she makes a valid interjection? Was Spock trying to create another Kobayashi Maru?
Further, it's extremely jarring to suddenly announce, in as many words: "Ta-da! We have an aging bunch of space heroes now. Please believe us. They look twenty years older and even need glasses! See? No pun. We got some themes here. Thwack, thwack, thwack."
Now, of course, actors age, and back then, there was little in the way of "anti-aging" technology, beyond hair, makeup, and strategic lighting. Now actors can be de-aged with a computer algorithm. But it's pretty strange and more than a little whiplash-inducing to emphasise how old the crew is when they'd just got back together in the previous film, and all looked considerably trimmer and healthier in their first big-screen outing. In addition, Star Trek (the original move timeline) is meant to be set in the 23rd Century, but these people are as vulnerable to the scourge of aging as 20th Century humans? It's all very on-the-nose.
Same with the poor Enterprise. It was a gorgeous hunk in TMP. Practically brand new. Raised to perfection. A sleek star voyager. But one movie later, it's a training vessel, and by the mid-point of the movie it has become a sorry wreck. After limping home in ST III, we even learn it's thought to be be old and is going to be decommissioned. Again, these movies might as well be taking place in parallel universes. There is little real continuity between TMP and the rest. And that's because Roddenberry was scapegoated for all the production problems on TMP and "kicked upstairs" where he couldn't interfere. Only when he returned for TNG was there anything like a proper continuation to what he began with TMP.
I sympathize with the jarring nature as I feel the same way with going from TOS to TMP and from TMP to TNG. But, if there is a plot device for TMP of Kirk being "not himself" the same is true of TWOK. Now, for me, the theme in TWOK is an interesting one of aging, and fitting for the psychological needs that humans often demonstrate and is understandable from that point of view. But, that doesn't mean Kirk's behavior is continuous from film to film.
But, at the same time, I have no issue with "on the nose" storytelling. That is one way Trek did stories. And, despite my distaste with TWOK and its long shadow over the franchise, the characters and their stories have an element that I can engage with.
As for the Enterprise-it's poorly handled from a destruction point of view, and completely unnecessary from a storytelling point of view.
And, if these movies take place in a parallel universe so what? As long as the story is entertaining and grips the audience in a way that is relatable on some level. TMP works for some and not for others. TWOK works for many and not as much for others. I'd rather it not be the well Trek returns to but can't do anything about that.
But, as much as I can appreciate wanting a proper continuation I think TMP, as a work, stands apart because there is nothing else like it. It doesn't need a continuation.
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