Well, the movies should not have forgotten that Star Trek is about Kirk, Spock, and McCoy.
Scotty, Sulu, and Chekov were all officers of the line. Scotty already displayed legendary command skills within TOS. He and Sulu should have had their own commands by the time of TMP (and this should have been mentioned in TMP); Chekov was rightly given a first officer posting in TWoK. The way Chekov was used in TWoK, and the way Sulu was used in TUC, were memorable and appropriate. It was not reasonable to expect the whole “gang” to be together forever. The only time it was cool was in TSfS, where it would have been even cooler if it were the one time Kirk “put the A-team back together again” of all four captains — it would then have been super extra cool to see them.
If you watch TMP and pay attention to Sulu and the rest of the minor actors, they ham the crap out of every line they were given, it’s really distracting and embarrassing. Likewise Scotty with all his unnecessary business in TWoK, and pretty much all of them in TUC (except Sulu).
Curtis was definitely more Spock-Like than the multiple facets I found and appreciated from Kirstie Alley's version of Saavilk. This was what Nimoy wanted, a neutered character who couldn't possibly be a part of the ensemble any longer. When IV came around, just throw Curtis' Saavik by the curb and drive off and never look back! As the dust and exhaust fumes blow in her face.In my opinion, Robin Curtis is the best Saavik (and appears in the best Trek films). I find her performance very subtle and nuanced, and she has more of a Vulcan look.
(That's not to say I dislike Kirstie Alley's Saavik, though)
You are more than welcome to hold this opinion. I just want to know who, according to your statement, felt obliged to include them.This is a controversial opinion, then.![]()
I suppose you want us to get off your lawn too?
I rewatched "Galaxy's Child" just a few years ago and yeah, it does come off quite differently nowadays, doesn't it.I hope not. Re-watch "Galaxy's Child". I hadn't seen it since I was a kid. Totally different experience now. There's so much I didn't get, that I wasn't thinking about back then, that it was like watching a whole other episode.
That "romance" was strictly one-sided. Brahams tried to be completely professional the entire time and then this guy comes on to her because he likes her and automatically assumes she'll like him too. Without even trying to actually get to know where or find out more about her first. Like... her being married. For one. For another, setting up that dinner date which, like Brahams said, wasn't appropriate.
"I like her! So she'll be my girlfriend!" That's junior high, early high school type thinking. Which is why I didn't pick up on what was wrong with it back then. But watching it now... that makes Geordi look really bad. Setting aside whether or not Brahams was married, not even once does he think about what she might think. A relationship is supposed to be two-sided. Geordi only viewed it one way. Everyone else in the episode realizes this except Geordi, and that's what redeems the episode, but he himself doesn't come off looking very good. It's like he was a 13-year-old trapped in a man's body.
So, to have Geordi and Leah be a couple in Picard would be a huge mistake. It's rewarding adolescent thinking in what's supposed to be a show that's geared towards adults. PIC, more than any other Star Trek series, is aiming to be "mature" and "adult". So this would undercut that completely.
This reminds me:I like Leah Brahms and liked what we got in "All Good Things..." and just went with it. And Susan Gibney has spoken fondly of her time on Trek and the relationship Brahms had with Geordi (as odd as that may sound to some), so if they wanted her back, I'd be all for it. Should they actually follow up on their alternate timeline relationship? They could ignore it if they've come to similar conclusions or have a different creative direction they want to pursue. Or they could go with the relationship like they did the Irumodic syndrome and let the fans talk it out. That alone could make it "adult" since relationships start for all sorts of reasons.
This reminds me:
Susan Gibney was wooden. She should never have been considered for Janeway, Seven of Nine, the Borg Queen, or for that matter, Captain Benteen.
I don't know, I think the point you are trying to score is parenthetical and pedantic.You are more than welcome to hold this opinion. I just want to know who, according to your statement, felt obliged to include them.
True, but they weren’t all in every episode, either.Scotty, Sulu, Uhura, and Chekov were secondary characters in TOS and they were secondary characters in the TOS Movies. So their use in the movies feels just about right to me, because it wasn't any different from in the series.
This is simple. You wrote:I don't know, I think the point you are trying to score is parenthetical and pedantic.
Who are "they?"they should have felt obliged
I've noticed her in several prodecural crime dramas, and each time I've been less than impressed. Her appearances in TNG were appropriate: she was playing a hologram and a standoff-ish woman. In her two DS9 episodes, it felt like she was intruding in the conversations, rather than participating.What else has she been in? The wooden acting could come down to how she was directed.
I don’t feel you are engaging me in good faith. I ask you to please drop it.This is simple. Who are "they?"
I won't continue, but the question was fair. You made a claim without context or evidence. You provided a tangent about the qualities of fans that did not necessarily relate. I can only recall one time that there was pressure on producers to include more of the TOS cast in a TOS project, and it did not come from fans: it was Leonard Nimoy who threatened to withdraw from TAS should Takei and Nichols not be employed as well.I don’t feel you are engaging me in good faith. I ask you to please drop it.
Nimoy definitely appeared to be the person would insist upon including the whole cast when possible.I won't continue, but the question was fair. You made a claim without context or evidence. You provided a tangent about the qualities of fans that did not necessarily relate. I can only recall one time that there was pressure on producers to include more of the TOS cast in a TOS project, and it did not come from fans: it was Leonard Nimoy who threatened to withdraw from TAS should Takei and Nichols not be employed as well.
It's too easy to bash anything post 09 trek (and barely controversial at this point, just tired/tiring) so here's a sort of hot take: I'm glad Enterprise never showed the Romulan War because it would had butchered it.
It would had just been a Romulan surprise attack, maybe even analogous to Pearl Harbor or more horrendously a rehash of 9-11. Then Earth somehow sees itself alone and the crew has to re-recruit the Andorians and Vulcans and Tellarites. "Battles" would just be one of the four NXs or so against a handful of Romulan ships. Then Earth is attacked, repulsed somehow, and then immediately it's the battle of Cheron with a united fleet and the Romulans surrender over radio. Maybe a atrocity on the Andorians.
It wouldn't had felt at all like a war. Maybe I'm not giving the ENT writers or artists enough credit, their Xindi battles had a dozen or MORE ships at a time, which was a step in the right direction, but I really feel like the Romulan War would had been a rushed job that the screen wouldn't had done justice, because they had stuffed the UE and UESPA and starfleet into such a small timeframe (2130s+) it never felt like a big, grounded organization.
I am influenced by fanon stuff like the Museum and the books from 09'-11' which I read in HS but yea.
Deep Space 9 season 1-3 are criminally underrated. Conversely (besides a few episodes) season 6 and especially 7 went so off the rails that they wrecked so much of what made the show great.
This should be quite controversial: I think Tuvok was a better Vulcan character than Spock.
Much of Spock's characterisation was quite crude ("oh, this is one of your human emotions"), Tuvok's was more subtle. Spock acted as if he didn't understand emotions, Tuvok as if he was surpressing them largely, but was still able to understand. Spock was largely a machine, Tuvok a stoic.
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