I like the Romulan theme from Balance of Terror, the when it starts quiet and subdued, and gradually builds. I like how it's used in episodes beyond Balance to convey a sense of gradually building menace.
I like the Romulan theme from Balance of Terror, the when it starts quiet and subdued, and gradually builds. I like how it's used in episodes beyond Balance to convey a sense of gradually building menace.
In case you didn't know...its being reused in PICARD....though so subtly its difficult to hear.
The ending is reused when the landing party beam aboard Botany Bay.
Off the top of my head, its reused in its re-recorded form during Daystroms breakdown, when Adam dies on Eden, the opening of Act I of Mark of Gideon, and perhaps most effectively on the Defiant in The Tholian Web.
And NEVER sleep-inducing, TNG.
Bottom line—TOS had some of the best damned music in science fiction. It certainly had the best music in all the Trek franchise.
The Idiot Berman actually instructed that the music be "sonic wallpaper".And NEVER sleep-inducing, TNG.
That's re-used from the opening of Act 1 of Friday's Child.One of mine is the music right after the opening credits of "The Changeling", when it shows the Enterprise, then goes into the bridge with the power being restored. But the music sounds a lot like what James Horner would do with TWOK and TSFS. Very similar, a triumphant sounding piece of music.
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