They should go back in time and talk to Tracy Torme and take notes. His anthology "what if" show, "Sliders" got the same sort of flak from the get-go because (certain audiences) thought it was "Communist propaganda" while sleep-watching and not understanding what isn't exactly Shakespeare or collegiate. It's a sci-fi TV show that goes to parallel worlds not based on ours but took one small issue and expounded on it as if it became the dominant factor, keeping in enough realistic aspects while making huge embellishments, even subtly parodying (which the bulk of them did do and enough for people to pick up on it to feel reassured) and by the hour's end they win and move on to the next made up world.
Fiction, it's what's for breakfast.
But (IMHO) I'd rather see a parallel universe exploration anthology of numerous ideas than trying to stretch one issue as an ongoing lengthy series. The idea they present could be interesting, but isn't going to last as they'll run out of issues to exploit, even the unexpected areas (that were unsurprising to me when I read up on history a few years back and remember enough of the unexpected aspects of it, but whatever) they could use for plot fodder. Either way, I can already imagine certain audiences screaming in tantrums over those elements. I'll admit there's a lot they can do if they bother to explore the whole of the issue. I suspect they
won't, though if using controversy as publicity is the current fad, then I suspect they
might - to certain extents
...
Umm... pro-South folks would scream just as loudly if the characters were based on their writings and actions, not the modern conceptions of them as champions of States Rights.
I don't like Game of Thrones, I do like alternate history... so I'll give it a chance.
Yep, depending on content somebody is going to scream (there's no way around it) and some of those tantrums are entertaining but for all the wrong reasons. But do audiences generally take TV shows as being how-to guides or entertainment pieces? The makers will make what they want starring who they want, it's their vision and the way they want to make it, it's not a big deal. Audiences get to reply with the usual: The biggest critics will complain, the biggest fans will adore every little piece no matter what and everything in between, even those who don't care.
I wasn't a fan of GoT either but being more an ideas person - and there's another issue afoot: I'm not going to actively seek out or avoid producers based on previous shows just because of how I saw them, or how popular or not they were. Joss Whedon is an acclaimed producer but like me many don't like all his shows. Firefly was cool, Dollhouse is way-cool if not weird given who the true protagonists are (it's not the puppet, who plays them well), Buffy was overrated. Individual audience members' mileage may vary. If for example I didn't bother with his stuff because of "Buffy" I'd have missed out on something more fascinating. (It's another reason not to balk at "Picard" before seeing it.)