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Insurrection is a good film

DS9 fought a life and death struggle with the Dominion for the Alpha Quandrant while the TNG crew got to explore the unknown in Insurrection. That never seemed right.

Seems like precisely the same approach Starfleet took ~100 years earlier with Pike and the original Enterprise, though. So, even though it certainly seems weird, it may actually be Starfleet policy.
 
Seems like precisely the same approach Starfleet took ~100 years earlier with Pike and the original Enterprise, though. So, even though it certainly seems weird, it may actually be Starfleet policy.

And the Enterprise exploring during the Cardassian Wars in the early part of TNG.

Some novels were written that did have the Enterprise engaged in missions and battles during the War. And I never thought, despite what we saw in Insurrection, that the Enterprise was not engaged in the war. It was the flagship of the Federation. It's reasonable to think at times it would indeed be involved with the war, and at other times other missions important to Starfleet and the Federation. Even during wartime life has to go on.

I just figured during the time of Insurrection the Enterprise was on missions away from the frontlines for a period of time. Obviously the Ba'ku mission was not a sanctioned mission so I don't really count that. But they were on their way to an archaeological dig. On the one had you wonder why the Enterprise would be sent on a dig during wartime. However, at the same time we know nothing about that dig. Perhaps there was something about that pertinent to the war somehow. Looking for something that might help them. We just don't know.

And at the end Picard mentioned that he can't abandon the Federation to people who would destroy everything they stand for. That can have more than one meaning. It might not just mean the Federation Council. It could be a veiled reference to the war raging on in the quadrant, that he can't abandon the Federation to the Dominion but has to do his part.
 
I do find it kind of amusing, also perplexing that the ethical dilemma and commentary & drama about it in Insurrection is pretty similar to that in Avatar and most of both the public and sci-fi fandom really embraced the latter film including completely siding with the Na'vi.

A few major differences:
1) The Na'vi were native to their planet; they weren't simply lucky enough to find it before anyone else.
2) The Na'vi didn't flat-out refuse (through implication) human settlements on the planet.
3) The Na'vi didn't kick humanity off the planet originally. The humans are interlopers, welcome (by some at least) or otherwise.
4) INS complicates things when it becomes clear the Feds shouldn't even be involved because it's an internal matter between the Son'a and the Baku. Avatar has no such complication.
5) I'm not sure how many Na'vi are on Pandora, but it's clearly more than six hundred.
 
I do find it kind of amusing, also perplexing that the ethical dilemma and commentary & drama about it in Insurrection is pretty similar to that in Avatar and most of both the public and sci-fi fandom really embraced the latter film including completely siding with the Na'vi.

I liked Avatar even less than Insurrection. Avatar gets by on the novelty of its visuals for the most part.
 
A few major differences:
1) The Na'vi were native to their planet; they weren't simply lucky enough to find it before anyone else.
2) The Na'vi didn't flat-out refuse (through implication) human settlements on the planet.
3) The Na'vi didn't kick humanity off the planet originally. The humans are interlopers, welcome (by some at least) or otherwise.
4) INS complicates things when it becomes clear the Feds shouldn't even be involved because it's an internal matter between the Son'a and the Baku. Avatar has no such complication.
5) I'm not sure how many Na'vi are on Pandora, but it's clearly more than six hundred.
And they are blue and have fancy animals. Doesn't mean the stories aren't similar, though.
 
Except that the things I pointed out are likely more relevant to where one's sympathies reside than whether they're colored blue or have fancy animals.
 
The Na'vi didn't flat-out refuse (through implication) human settlements on the planet.

It's been a while but I believe Neytiri initially was tempted to, considered killing Jake because he was a human/outsider and it was more implied that the Na'vi hadn't moved against the human settlement before because they thought they couldn't successfully do so. Again, I think that Picard (after having met and talked with the Ba'ku leadership) suggests the solution that the Son'a move to and live on the planet means that the Ba'ku would accept it happening, a lot more than anything else implies they wouldn't.

The Na'vi didn't kick humanity off the planet originally. The humans are interlopers, welcome (by some at least) or otherwise.

It's not clear the Ba'ku did expel the Son'a, Ru'afo claims that (actually that they were exiled "to die slowly" ie just not being immortal) but it's at least possible to interpret that the Son'a weren't exiled but, after failing to take over, angrily left and were then surprised and then angry that they lost the youth effect as they did, were so angry they felt they had been exiled even though they were the ones who chose to leave.
But that revelation happening as it did, being unclear about whether it really happened and if so how, and that the film doesn't seem to admit that that makes a difference, that the Ba'ku aren't so good and the Son'a do have claim to the planet and its benefits, are big flaws of the film.
 
I honestly can't recall whether it's only in the extended version of the film or not, but Sigourney Weaver's character had opened a school to teach the Na'vi English (presumably not unwillingly). My understanding is that originally things between the humans and Na'vi were at least somewhat peaceful, but that matters had deteriorated by the time Jake arrives.
The fact is, if the Baku were willing to let the Son'a settle on the planet, that should have been explicitly stated by someone at some point. The closest I recall the film coming is when Dougherty summarily shoots Picard down saying that for some of the Son'a living on the planet wouldn't help them because they had already deteriorated too much.

I'm not sure it matters whether the Son'a left voluntarily or otherwise, as to me the fact remains that any dispute between them and the Baku is an internal dispute as they're the same people, while humans and Na'vi are not (barring some sort of future plot twist). If the Enterprise showed up in Avatar, and if Pandora was a Federation planet, Picard likely would have sided with the Na'vi. On the other hand, if Pandora is recognized as being in "human (the humans of that universe, that is) space", then Picard's likely violating the PD if he interferes in the affairs of a foreign power.
 
It shouldn't matter how many Ba'Ku were on the planet. Nor does it matter if they were not indigenous. They were there before the Federation existed. The planet was originally in the Klingon space. But regardless, they settled the planet first. By saying they were not indigenous is a valid excuse for forcefully relocating them, one could say the forced relocation of "Native Americans" is justified with such thinking. They originated from Asia. And before that, we all supposedly originated in Africa. The Federation was wrong.

As for the Ba'Ku being beautiful and Sona being ugly, I'm sure there was a Trek episode where the ugly looking alien was good and the beautiful one was evil. Besides, the Sona were only physically ugly because they were so old and had used every trick the could fine to live that long.
 
Either way, comparing avatar to insurrection is still comparing probably the most ambitious sci fi film ever made to one of the least.
 
^Which is which? :p

Personally I think the matter of whether the Baku are indigenous to the planet is relevant. The Baku weren't born to be immortal; they were just lucky enough to find it before anyone else, and then flipped the rest of the galaxy the bird and decided to keep it to themselves. I'm being intentionally hyperbolic here, but my point is that finding it first shouldn't give the Baku more right to the rings than anyone else...not when it's something that could relieve suffering. They are sitting on essentially and perhaps literally the cure for cancer.

Heck, I think the strongest argument that I could make in terms of this being a good film is that it raises such moral debate. Except that some of the debatable points are due to things that the film likely would have addressed if it was a better film, so it's a bit of a paradox.
 
The problem with this movie is it does not know what it wants to be, a complex moral dilemma with no easy answers or a simple good vs. evil story where the Ba'ku are right and the Son'a are wrong. It starts as one and ends as the other, rather than being consistent throughout.
 
Except everyone who did

As I've stated there are some things about the film that work, such as the first hour when Picard discovers the conspiracy. I think Michael Piller wanted to make an intelligent film in line with TNG. Unfortunately pesky actors and bad rewrites complicated things and we got a disappointing movie.
 
In retrospect, it's pretty deeply disappointing that all of the TNG films ultimately end with Picard in a one-on-one fight with The Bad Guy.

Especially considering the fact that he was never an action hero captain in the strict sense. Sure he could throw a punch when needed ("Starship Mine", etc), but it wasn't anything that was particularly central to his character. I also find it extremely frustrating that all the TNG movies resort to this sort of trope. One more reason why I'm not particularly fond of most of them.
 
Either way, comparing avatar to insurrection is still comparing probably the most ambitious sci fi film ever made to one of the least.

Avatar wasn't that ambitious when it had strong or even original special effects but the story was ripping off Pocahontas.

The problem with this movie is it does not know what it wants to be, a complex moral dilemma with no easy answers or a simple good vs. evil story where the Ba'ku are right and the Son'a are wrong. It starts as one and ends as the other, rather than being consistent throughout.

Agreed, the second half becomes a lot worse for feeling way too good-vs.-evil (as well as being that but not really in an entertaining way).

In retrospect, it's pretty deeply disappointing that all of the TNG films ultimately end with Picard in a one-on-one fight with The Bad Guy.

Except that Generations and FC are more two-on-one fights ;) But yes, still too repetitive, still too much four times in a row.
 
Avatar wasn't that ambitious when it had strong or even original special effects but the story was ripping off Pocahontas.
People who think so always forget the other half of the story: A wheelchair-bound guy gets to experience a new body where he can run again...
 
Thinking on that though, I wonder whether there's an uncomfortable subtextual suggestion that all physically disabled people inherently shouldn't be happy with the lives they have...and if so, is that problematic?
 
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