No. They needed to get the story off the station and onto Bajor.are you suggesting it should have been a two-parter or such?
No. They needed to get the story off the station and onto Bajor.are you suggesting it should have been a two-parter or such?
I thought none of the Skrean where let onto the planet?No. They needed to get the story off the station and onto Bajor.
Haneek's son tries to make a forced landing on Bajor, but is killed in a firefight with Bajoran interceptors.I thought none of the Skrean where let onto the planet?
Personally, I always preferd, for the most part, shows that were on the space station.
Also,
I just always imagined that they would need food crops that would not be useful in anyway to others or the Bajorans.
For me, Kira was a great character from the very beginning. Dax took awhile to grow on me. I didn't really get into her character until Blood Oath. Then when she got with Worf, her character seemed to shine much more. Leeta...well...to me she was a typical bimbo, nowhere near as interesting as the other two. And Wynn and the female changeling were great villains.DS9 did a great job with the female characters. Granted, there aren’t many of them, but both Kira and Dax are strong, unique, with their feminine sides, Dax bein more playful and Kira being more mournful. Even with Leeta, they did well, different than Kira and Dax, uneducated bu smart enough to find happiness.
If you like "Necessary Evil", you will like "Things Past". The tables were turned in "Things Past".“Necessary Evil”- Any episode that delves into the Bajoran/Cardassian situation is going to get a little extra love from me. I like that we also begin to get some backstory for both Kira and Odo.
So much of the episode is its atmosphere. The director does a good job of contrasting life on the station under the Cardassians and under Bajoran/Federation control. With some redressing and darker lighting, life on Terok Nor feels oppressive and hard; the whole environment of the station feels heavier during the Occupation. Every space we see on the station feels smaller during the Occupation scenes.
The most important element of this episode is that the audience sees how the non-Starfleet portion of the cast first came together. Odo is drafted by Gul Dukat into investigating a murder, Kira is his first suspect, and Quark gives her an alibi. We learn that Odo has functioned as an unofficial arbiter among the Bajorans on the station, which Dukat manipulates to his advantage. When Dukat first introduces himself to Odo, he can’t look Dukat in the eye. He almost seems afraid of Dukat, but it could also be interpreted as shyness rather than fear. Odo doesn’t like the Cardassians or being thought of as working for them, but the role Dukat gives him as an investigator will reshape the course of his life from that time forward as he proves himself to be capable and honest in his assigned role. Ironically, the accusation of his working for the Cardassians (by Kira, no less) would lead to his discovery of the motive behind the murder and the involvement of genuine collaborators who sold out the Bajoran people to their oppressors for purely selfish gain.
A major theme of this episode is trust, and more specifically, how trust can be used and abused. In their first encounter, Odo learns that he cannot trust Quark, since Quark will do nearly anything if the price is right. Kira manages to convince Odo that she isn’t responsible for Vaatrick’s murder until the truth comes out years later, leaving her to ask how this has affected his trust in her. The episode ends without Odo giving her an answer. Vaatrick’s widow is blackmailing certain Bajoran people in exchange for her silence in knowing their roles as collaborators during the Occupation. The episode even starts with a conversation between Quark and Rom (while performing a secret job on someone else’s behalf) that betrays how Quark doesn’t entirely trust his brother, forcing Rom to perform underhanded deeds that would only serve to reinforce that distrust.
Overall, a good episode although we never learn what happens to the parties involved in Odo’s investigation when the truth regarding Kira’s involvement comes to life. She manages to escape serious consequence but it does create something of a plot hole moving forward.
Okay, I’ve left off partway into “Rivals”, and I’m going to try to get to it in the next couple of days.
CRM-114,
How do you feel DS9, a 90s sci-fi series, holds up today? I personally think all the post-TNG series hold up. I only think TOS looks and feels dated, even the remastered episodes. ST: ENTERPRISE probably holds up the best, due to the improved visuals.
That's an interesting observation, i don't see how TOS could hold up better than TNG either narratively or visually, which doesn't just include the visual effects but also costume, makeup, and set design. There are really obsolete episodes like Gary 7, even the music feels dated. As for VOYAGER i would have to agree, a series like that should have been more serialized, BSG kind of showed how it should have been done. ENTERPRISE holds up the best IMHO both visually and narratively since it's a post-911 series and that event had a huge cultural impact.Honestly, visually speaking, I think TNG feels more dated now than TOS (at least the TOS remastered version on Netflix). DS9, VOY and ENT all seem pretty even to me.
Narrative wise, I'd have to say TOS holds up even better and TNG even worse. Voyager also feels a lot more dated narratively than DS9 or ENT.
That's an interesting observation, i don't see how TOS could hold up better than TNG either narratively or visually, which doesn't just include the visual effects but also costume, makeup, and set design. There are really obsolete episodes like Gary 7, even the music feels dated. As for VOYAGER i would have to agree, a series like that should have been more serialized, BSG kind of showed how it should have been done. ENTERPRISE holds up the best IMHO both visually and narratively since it's a post-911 series and that event had a huge cultural impact.
The synthesizer music of the early TNG seasons, some of the costumes and hairstyles do give off an 80s vibe, but narratively i feel that TOS was far more influenced by the culture of its time than TNG. TOS had stories about fears of nuclear annihilation, automation, hippies, etc.Certain episodes aside, TOS just feels somewhat timeless to me. Whereas TNG for much of its run feels very, very specifically 80s.
We use essential cookies to make this site work, and optional cookies to enhance your experience.