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Hostage Situation in TFF

First, if you want your hostages liberated peacefully, you don't send James T. Kirk. I mean, really...

Second, STV would have worked a lot better if a) Paramount didn't think "krazy komedy" alone made TVH a hit, b) someone indeed told Bill Shatner he could direct but not provide the story and c) if they had to go look for God, actually made this movie about the main characters leading instead of being dragged along on someone else's quest. Make it about Spock, who gets a telepathic vision. Or not about God God but a weird Star Trek Created "legendary God" who actually could have been found and make this not such a waste. It was only barley about our leads. Making Sybok a Vulcan and Spock's brother and not really exploring that does little for the character. None of our regulars really grew. That's fine for a weekly series, but the films should be about something and make a difference.

But the dumb jokes kill this film more than bad plotting, which the movies tended to have issues with.
 
The post-TMP TOS movies were always intended to be Trek through the lens of Star Wars.

Invading Paradise City probably wouldn't be the best real world solution given the nationality of the ambassadors, and the potential political crisis had the ambassadors been harmed. But this being the post Star Wars version of Trek...

The invasion of Paradise City is the best non-Starship action piece in the whole original film series. The design of the city is interesting, the action well staged and exciting, and the cinematography is crisp, stylish and makes it easy to follow the action.

I have seen the film dozens of times, going back to '89, yet I am always amazed at how well done this scene is because we weren't accustomed to seeing this type of action in this series.

If only the film didn't have so many critics, this scene would be given the respect I think it deserves.

I do wish the ambassadors had been developed more as characters. They had David Warner, an interesting Klingon, and a pretty young Romulan in a film in desperate need of younger characters. They just stand around in the background through the whole film.
 
I do wish the ambassadors had been developed more as characters. They had David Warner, an interesting Klingon, and a pretty young Romulan in a film in desperate need of younger characters. They just stand around in the background through the whole film.

They weren't developed because they were just a plot device for Sybok to get the Enterprise to come to Nimbus III. Once that was accomplished, they were no longer integral to the story, except perhaps for Koord's dressing down of Klaa.
 
I'm pretty sure this is what would have happened "in reality", too, without the help of scriptwriters and plots. Sybok would have piggypacked his influence to any rescuing starship with the help of the "hostages", and then discarded those as unnecessary, leaving them just standing around exactly like he did with every other person he ever converted. Since Starfleet sent Kirk, the "hostages" were not rescued, but Sybok nevertheless got the ship and therefore didn't have any further role for the envoys.

As for "main characters leading", very little of that happens in ST:TMP, too. It's a valid storytelling technique, especially in connection with older or disillusioned characters who in the end regain their youthful vigor somehow. In ST:TMP, the regaining was all on the level of talk; here at least the heroes ultimately do take charge.

Timo Saloniemi
 
b) someone indeed told Bill Shatner he could direct but not provide the story

It was only barley about our leads. Making Sybok a Vulcan and Spock's brother and not really exploring that does little for the character. None of our regulars really grew. That's fine for a weekly series, but the films should be about something and make a difference.

I disagree with these two points.

I'd argue that Shatner's story was actually quite good. It was the execution of that story that was poor.

I'd argue that TFF explored the main characters as well as, if not better than, any other Trek film. Just because they weren't the ones who decided to go on the quest, doesn't mean the movie didn't develop them. Those are not mutually exclusive elements.
 
I'd argue that Shatner's story was actually quite good. It was the execution of that story that was poor.

What exactly was Shatner's story, though? What was the message he was trying to convey?

I'd argue that TFF explored the main characters as well as, if not better than, any other Trek film. Just because they weren't the ones who decided to go on the quest, doesn't mean the movie didn't develop them. Those are not mutually exclusive elements.

What exactly did we learn about the main characters?

Kirk: Is better than everyone else.
Spock: Has a half-brother that nobody knew about before, and his father was disappointed in him because he's too human.
McCoy: Euthanized his father right before a cure was found for his disease.
Scotty: ?
Uhura: ?
Sulu: ?
Chekov: ?
 
What exactly was Shatner's story, though? What was the message he was trying to convey?
I'm sure that Shatner would say that it was "God is right here, in the human heart."
What exactly did we learn about the main characters?
Scotty: Suddenly can't repair a ship when given three months to do it. Generally too focused on his job to succumb to mind control. Doesn't know the ship quite as well as he thinks he does. Bumps his head sometimes.
Uhura: Apparently has a secret crush for Scotty that was never even hinted at before. Ready to do a fan dance at the drop of a hat. Very forgiving of friends who get lost in the woods.
Sulu: He's never manually steered a shuttlecraft into a landing bay before. Gets lost in the woods.
Chekov: Too dumb to change his uniform insignia when he's impersonating a Captain. Also gets lost in the woods & lies badly in an attempt to cover up that fact.
 
What exactly was Shatner's story, though? What was the message he was trying to convey?



What exactly did we learn about the main characters?

Kirk: Is better than everyone else.
Spock: Has a half-brother that nobody knew about before, and his father was disappointed in him because he's too human.
McCoy: Euthanized his father right before a cure was found for his disease.
Scotty: ?
Uhura: ?
Sulu: ?
Chekov: ?

What are any of the stories trying to say? Revenge is bad? Save the fucking whales? They're sci-fi adventures, not sermons from the mount.

And, your breakdown of the character stuff in the film is reductive to the point of absurdity. There's more to it than that, and I'm quite sure you're aware of it.

And I said "main characters". Chekov and Co. aren't main characters in TOS. They're supporting characters to the big three.
 
What are any of the stories trying to say? Revenge is bad? Save the fucking whales? They're sci-fi adventures, not sermons from the mount.

But you didn't answer my question. What was the story for this particular film?

And, your breakdown of the character stuff in the film is reductive to the point of absurdity. There's more to it than that, and I'm quite sure you're aware of it.

And I said "main characters". Chekov and Co. aren't main characters in TOS. They're supporting characters to the big three.

By this point, they were all main characters. But fine, let's focus on just Kirk, Spock, and McCoy. So you tell me, since you didn't like what I wrote: what did we learn about those three characters that I didn't already mention?
 
But you didn't answer my question. What was the story for this particular film?



By this point, they were all main characters. But fine, let's focus on just Kirk, Spock, and McCoy. So you tell me, since you didn't like what I wrote: what did we learn about those three characters that I didn't already mention?

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...And I don't owe you anything due to not liking what you wrote. Not liking what you wrote doesn't somehow mean I owe you answers.

.....but besides that, let's go through it:

1. Why should I recount the story for you? Go watch it again. If you can't figure it out, I'm not going to handhold you through it in some attempt to "win the Internet argument," which is all this seems to be about. That's not my job.

2. Your summary that "Kirk is better than anyone else" is so one-sided and obviously negative-biased that it pains me I'm taking the bait. Now, whether or not you like or agree with the points, we learn plenty about Kirk:
He is adept at climbing mountains, he is a spiritual person to some extent (believes he'll die alone, believes "God" exists in the human heart). He is driven by his inner pain and shortcomings. He was unaware of certain elements of his best friends' backgrounds or psyches, and that troubles him. He has some "lightening up" regarding his attitude toward Klingons by the end of the film, given their involvement in saving him. This is at least as much, if not more, development than Kirk got in the other films, which was my argument.

Spock: To be dismissive that learning about Spock's background because you didn't like the idea that we'd never heard of Sybok before is ridiculous. Again, whether you LIKE it or not, this is a major character revelation, as were the dynamics associated with it. We also get an affirmation that he is beyond his pain regarding his father and that his sense of belonging is with Kirk and McCoy on the Enterprise, regardless of his strong ties to Sybok.

McCoy: Again, to be dismissive of the euthanasia element of McCoy's background, and the impact it has had on him, simply because you don't like it is weak. In what other Trek film did we get this kind of character background on McCoy? He likes chest medallions?

And further, we see the three main characters interacting with each other differently than we'd ever seen before in the franchise. We saw them as friends. Just friends...no mission, no ship, no nothing. Just each other's company.

So, not liking the film is perfectly reasonable...it's universally considered a turkey and I can't defend that despite my own personal (deeply minority) opinion. But trying to say that there was no character stuff there is a giant wagon filled with stinky horseshit.
 
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...And I don't owe you anything due to not liking what you wrote. Not liking what you wrote doesn't somehow mean I owe you answers.

.....but besides that, let's go through it:

1. Why should I recount the story for you? Go watch it again. If you can't figure it out, I'm not going to handhold you through it in some attempt to "win the Internet argument," which is all this seems to be about. That's not my job.

2. Your summary that "Kirk is better than anyone else" is so one-sided and obviously negative-biased that it pains me I'm taking the bait. Now, whether or not you like or agree with the points, we learn plenty about Kirk:
He is adept at climbing mountains, he is a spiritual person to some extent (believes he'll die alone, believes "God" exists in the human heart). He is driven by his inner pain and shortcomings. He was unaware of certain elements of his best friends' backgrounds or psyches, and that troubles him. He has some "lightening up" regarding his attitude toward Klingons by the end of the film, given their involvement in saving him. This is at least as much, if not more, development than Kirk got in the other films, which was my argument.

Spock: To be dismissive that learning about Spock's background because you didn't like the idea that we'd never heard of Sybok before is ridiculous. Again, whether you LIKE it or not, this is a major character revelation, as were the dynamics associated with it. We also get an affirmation that he is beyond his pain regarding his father and that his sense of belonging is with Kirk and McCoy on the Enterprise, regardless of his strong ties to Sybok.

McCoy: Again, to be dismissive of the euthanasia element of McCoy's background, and the impact it has had on him, simply because you don't like it is weak. In what other Trek film did we get this kind of character background on McCoy? He likes chest medallions?

And further, we see the three main characters interacting with each other differently than we'd ever seen before in the franchise. We saw them as friends. Just friends...no mission, no ship, no nothing. Just each other's company.

So, not liking the film is perfectly reasonable...it's universally considered a turkey and I can't defend that despite my own personal (deeply minority) opinion. But trying to say that there was no character stuff there is a giant wagon filled with stinky horseshit.

Sorry if you thought I was ‘baiting’ you, but you basically slammed my post while simultaneously not actually answering the questions I asked. But honestly I don’t really give a crap whether you answer my questions or not, so you can stop being all defensive.

So how about this...why don’t I just answer the questions myself?

1. What is the actual story?: Well, on the surface it looks like some really nice guy cult leader is led astray into thinking he’s going to find God and instead finds something that looks like God but isn’t God, which then kills him. But that’s not really what the film is about. Shatner might originally have had some idea about an allegory for televangelists or whatnot, but the actual plot of the film is simply that Kirk triumphs when everybody else fails. It’s as simple as that. The entire film is structured in such a way as to make Kirk look strong while every other character is made to look weak and/or stupid.

2. Character development for the three main leads: you accused me of making gross generalizations about what we learn of the three main leads. Sorry, but I stand by what I wrote. If you found something more meaningful, great. More power to you. But I didn’t, and here’s why.

McCoy: The euthanasia scene, while powerful, was just a plot device to make Bones look weaker than Kirk. It’s not like he spent the rest of the movie agonizing about his decision to end his father’s life. He got over it toot sweet just in time to be a Sybok convert and betray Kirk.

Spock: Again, the audience finding out he has a crazy half-brother who he hasn’t heard from in decades, is the hostage-taker, and who Spock does absolutely nothing to stop, so that Kirk can ream him out for being weak, is not character development. It’s contrived crap to reinforce that Kirk is stronger than Spock. And finding out that Sarek was disappointed in him? We already knew that from TOS, and Spock didn’t betray Kirk then. Why now?

Kirk: what was the point of the mountain climbing scene? One might think it’s, “perhaps Kirk is getting too old to be leading a reckless life”...but that’s not it. It’s the exact opposite of that, actually. It’s just Kirk being strong and fearless about death because he’ll always have his buddies to save him, which is exactly what happens. The “I always know I’ll die alone” line was not meant to be a philosophical musing about mortality; it was just an excuse to justify his behavior. And the Klingons were just cardboard villains that really had nothing to do with his negative feelings toward them based on what happened to his son. That was developed far more in TUC than here. And I never really felt that Kirk was in any way a spiritual person. As a matter of fact, throughout most of the film (and especially at the end), he pretty much mocks God and religion.

If you liked the film and got more out of it than I did, fine. I’m not trying to sway anyone’s opinion about it if they liked it. I’m just giving the specific reasons why I personally didn’t like it. And I feel that whatever character moments there were, were just secondary and really just there to reinforce that Kirk doesn’t fall for some flim-flam man’s bs about healing people’s pain while everyone around him does. To me it’s just a bunch of self-indulgent crap for Shatner through Kirk.
 
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If you liked the film and got more out of it than I did, fine. I’m not trying to sway anyone’s opinion about it if they liked it. I’m just giving the specific reasons why I personally didn’t like it.

Since I posted the topic a month or so ago, you've been posting completely off-topic slams against the film that have absolutely nothing to do with the initial question I posed (the topic was simply to ask about Kirk's choice to invade Paradise City by force, when it seems that his orders were to the contrary). You've used the very specific topic/question I posted to be a platform for generally smearing feces all over the place for several posts. So yeah, your interpretations are coming off as biased bait given that context. The stuff you've posted is off-topic and comes off exactly as you are saying you're NOT trying to come off (simply trying to sway opinions or argue). If you have something to say that's on-topic (because the topic sure as hell wasn't "Hay guyz do you like TFF???!?!" Y or N, ok!!!1!"), I'm happy to engage on it.

Hell, given what I have written below, it looks like I'm happy to engage regardless, so how about that...

And I feel that whatever character moments there were, were just secondary and really just there to reinforce that Kirk doesn’t fall for some flim-flam man’s bs about healing people’s pain while everyone around him does.

Whether the character moments are secondary to anything or not isn't relevant to my argument, which is simply that Star Trek V has as many or more character development points as any of the other franchise films. Also, Kirk isn't the only one who doesn't fall for Sybok's gag. McCoy and Spock stay solid despite being exposed to his technique, Scotty also doesn't waiver. So, not sure what film you saw.

What is the actual story?: Well, on the surface it looks like some really nice guy cult leader is led astray into thinking he’s going to find God and instead finds something that looks like God but isn’t God, which then kills him.
Ummm...ok....I guess this is supposed to be taken seriously and not considered "reductive," huh? The movie is about a fundamentalist/extremist who believes himself to be righteous because his actions are motivated by what he believes to be a "God" speaking directly to him. His quest turns out to be misguided, and he learns too late that his own arrogance was not only his undoing but led to harm of others as well. Again, whether or not this was executed to your liking is a totally different topic. But the movie had a plot and a theme.

But that’s not really what the film is about.

Oh, excellent, do tell us what the film is "really about!"

Shatner might originally have had some idea about an allegory for televangelists or whatnot, but the actual plot of the film is simply that Kirk triumphs when everybody else fails. It’s as simple as that. The entire film is structured in such a way as to make Kirk look strong while every other character is made to look weak and/or stupid.

No, not really. Sorry.

McCoy: The euthanasia scene, while powerful, was just a plot device to make Bones look weaker than Kirk. It’s not like he spent the rest of the movie agonizing about his decision to end his father’s life. He got over it toot sweet just in time to be a Sybok convert and betray Kirk.

Man, you are a huge Shatner fan huh?
1. How does McCoy killing his father make him look weaker than Kirk? That makes no sense. None whatsoever. In fact, the scene implies it took great emotional strength for McCoy to do what he thought was right, and the irony was that not long after he made the decision, a cure for the affliction was found...making McCoy's choice horribly tragic. That doesn't make him weak. The decision to "pull the plug" wasn't what McCoy's pain was based on...it was the tragedy of what came after. There's no "weakness" in that, and particularly not in comparison to Kirk.
2. Why would he spend the rest of the movie agonizing over his father's death? His realization that he did the best that he could do with the information he had available at the time helped him deal with it. Because, that was the truth of the realization that reason can overcome emotion. McCoy had no way of knowing that a cure would be found.
3. When was he a Sybok convert and when did he betray Kirk? This never happened. When was the last time you saw the film?

Spock: Again, the audience finding out he has a crazy half-brother who he hasn’t heard from in decades, is the hostage-taker, and who Spock does absolutely nothing to stop, so that Kirk can ream him out for being weak, is not character development. It’s contrived crap to reinforce that Kirk is stronger than Spock. And finding out that Sarek was disappointed in him? We already knew that from TOS, and Spock didn’t betray Kirk then. Why now?
Again, this is the most bizarre interpretation of this that I have ever read or seen.
1. Sybok isn't crazy. One of the main points of the film is that he's not crazy, and that he actually believes in what he is doing.
2. When Kirk gets angry at Spock, it isn't for being "weak." That's frigging ridiculous. This is a known terrorist who has taken intergalactic hostages, taken over a neutral settlement by force, and now is on the verge of commandeering a state-of-the-art starship for who knows what purpose. Kirk, as he clearly states in the brig, was ordering (yes, Captains can order their first officers) to defend the ship against hostile take-over, which is absolutely and completely within his right and responsibility as a starship captain. In fact, Kirk feels weak and embarrassed once he learns that Sybok is Spock's blood brother, and clearly is ashamed by his body language that he didn't understand this dynamic before he lays into Spock.
3. I didn't say we found out that Sarek was disappointed in him. I've seen Journey to Babel a few times myself, thanks. I said we found out that Spock has resolved his pain related to this due to his sense of belonging with Kirk, McCoy and the Enterprise crew.
4. Just like my reply above, since when did Spock betray Kirk? It never happens. When was the last time you saw the film?

Kirk: what was the point of the mountain climbing scene? One might think it’s, “perhaps Kirk is getting too old to be leading a reckless life”...but that’s not it. It’s the exact opposite of that, actually. It’s just Kirk being strong and fearless about death because he’ll always have his buddies to save him, which is exactly what happens.
So, why or how is this not character development? Just because you don't like it doesn't make it something else. The scene shows Kirk has taken an interest in thrill-seeking pursuits (and he's actually pretty good at it). This is, by all definitions, development of his character. So again, your argument falls flat. You're saying you don't like it. That's fine. It doesn't mean that it somehow is invalid.

The “I always know I’ll die alone” line was not meant to be a philosophical musing about mortality; it was just an excuse to justify his behavior.
And you know what the line was meant to convey HOW exactly?

And the Klingons were just cardboard villains
Truth

that really had nothing to do with his negative feelings toward them based on what happened to his son.
Not true. Kirk's "Klingon Bastards" line is lifted direct from Trek III, immediately calling back to the scene where Kirk's son dies. Kirk's demeanor changes when he realizes that Korrd has ordered Klaa to save him, and Kirk is obviously grudgingly grateful that this was done. He even salutes Klaa somewhat half-heartedly at the end of the film, as a difficult show of mutual respect. Again, just because you don't like it doesn't mean it doesn't exist.

That was developed far more in TUC than here.

Well, no kidding, that's what the entire film was about.

And I never really felt that Kirk was in any way a spiritual person.

That's your "feeling" but, I don't view it that way at all. Kirk has always had a spiritual side to him. He certainly has a grater appreciation for spirituality after his life-death-life experience with Spock (BTW, it never ceases to amaze me how people try to project their own belief systems onto characters). There are instances littered throughout the franchise that show that while Kirk is suspect of "God-like figures" and perhaps the need for organized religions, he does have some beliefs that go beyond the physical understanding of the universe.

As a matter of fact, throughout most of the film (and especially at the end), he pretty much mocks God and religion.

I never once saw him mock "God" or religion in Star Trek V. Perhaps you are seeing what you wish to see? He nods knowingly/solemnly when McCoy jokingly says "I'll call Valhalla and have them reserve a room." He questions that any "God" (or similar concept) would reach out directly to Sybok...or why Sybok would believe he had legitimately been spoken to, which is a perfectly legitimate concern. He asks what "God" would need with a starship, knowing full well that any being with the supposed power of a supreme creator would certainly have no need for a primitive metal shell put-putting along through space. He proclaims that perhaps the concept of "God" isn't a physical being that one can go see, but a concept that exists inside the "human heart" (which is itself a spiritual concept).

I'm also frequently amazed by people's inability to separate the concept of "spiritualitiy" from the concept of "religion." They are not the same. Kirk can be a spiritual person (believing in the human spirit or soul, as opposed to material things) without being interested in organized religious constructs. His statement about "God in the human heart" is spiritual, a recognition that "God" isn't likely to be a concept you can understand or physically interface with...but perhaps an entirely different construct that lives in the spirits of all beings. Kirk's line about "I've always known I'll die alone" directly implies some underlying spiritual belief he has developed, that is real to him but defies explanation.

So yeah, I guess I got more out of it than you did. As you said, "good for me!"
 
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Well, I have neither the interest nor the energy to go back and forth with you ad nauseum, picking apart a film you like but that I think is crap. So we'll agree to disagree about TFF. But I will speak to one of your points.

The movie is about a fundamentalist/extremist who believes himself to be righteous because his actions are motivated by what he believes to be a "God" speaking directly to him. His quest turns out to be misguided, and he learns too late that his own arrogance was not only his undoing but led to harm of others as well. Again, whether or not this was executed to your liking is a totally different topic. But the movie had a plot and a theme.

I'll concede that this was the 'plot' of the movie. However, just focusing on that description, I'm not sure how it could have been executed better. Why? Because this isn't a good plot at all for a Star Trek film. It doesn't add anything to the overall Star Trek story or mythos other than some half-brother of Spock's we've never heard of appearing out of nowhere just to die two hours later because of his own stupidity (and yes, Sybok and his quest are ultimately made to look stupid because Shatner apparently thought Kirk's supposedly humorous line "What does God need with a starship?" was a better way to show Sybok's fallacy than any kind of dramatic tension or real sympathy on Sybok's part that his religious beliefs and quest that he'd been striving for was for nothing. It's just a big (unfunny) joke, Sybok dies, and everybody immediately forgets about him. And while ST movies have had misguided villains before, only Sybok and his motivations were truly designed to be unrealistic and unsympathetic from the get-go. A literal search for God on some planet is just an incredibly stupid premise.
 
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Maybe one explanation for Kirk’s two pronged approach was that he intended to negotiate but with the transporter out and communications potentially spotty he had to put Plan B into action right away; it would take time to reach the planet in a shuttle and then get the strike team into position near Paradise City if negotiations failed. Without that head start the hostage takers could easily kill the hostages before Kirk could get there.

So Kirk left Chekov behind to attempt the diplomatic solution while he made his way down. Not too different from a modern day hostage situation where the police will surround the building but then wait for the negotiator to do their thing.

Kirk’s plan was probably to storm the place if Chekov hadn’t negotiated the release by the time he reached Paradise City; or simply pick up the hostages if Chekov had succeeded. With the Klingons only an hour away (and Chekov believed they’d destroy the planet when they got there) Kirk pretty much had to go in as soon as it was clear the hostages hadn’t been freed.
 
Indeed, Sybok wasn't Kirk's actual mission or chief worry. The Klingons were. It might count as mission accomplished if Kirk managed to kill the hostages before the Klingons did, really...

Timo Saloniemi
 
Indeed, Sybok wasn't Kirk's actual mission or chief worry. The Klingons were.

Huh? No they weren't.

Admiral Bob: Your orders are to proceed to Nimbus III, assess the situation, and avoid confrontation if possible. But, above all, you've got to get those hostages out safely.

Kirk: Have the Klingons responded?

Admiral Bob: No, but you can bet they will.

Kirk's mission was to find out what was going on on Nimbus, to not engage the terrorists unless it was absolutely necessary, but still find a way to rescue the ambassadors. They didn't even know if the Klingons were going to send a ship; they only assumed they would. And that assumption didn't preclude a confrontation with them; for all they knew the Klingons would just rescue Koord and then leave without caring about the Enterprise or the other hostages. The only reason why they had a problem with Klingons at all was because some bored young punk wanted to be a badass and fight Kirk. If Starfleet had sent any other captain, Klaa probably wouldn’t have even bothered.
 
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Regarding TFF's story, Manu Saadia, author of Trekonomics, has some interesting insight into it and I agree:

https://twitter.com/trekonomics/status/1164946898475573253?s=20

Nice read-through. Thanks for posting. Interesting how the author allowed himself to revisit the film and form a different opinion.

Meh. It sounds like this guy just used the movie as the subject of a college term paper and is just seeing things that aren’t really there in order to prove his thesis.

Or, you could have someone who just doesn't like the movie, is incredibly biased as such, and fails to see any contrary point of view whatsoever.

It works both ways, see?

Aren't opinions and points-of-view wonderful things?
 
Or, you could have someone who just doesn't like the movie, is incredibly biased as such, and fails to see any contrary point of view whatsoever.

It works both ways, see?

Aren't opinions and points-of-view wonderful things?

Or, you could take things way too personal and act all smarmy and condescending and then risk getting a warning by the mods.
 
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