I guess there's a clinical diagnosis for this, sort of like color-blindness.
Or its the other way around? Something like "someone is crazy if they take a movie this seriously..."
I guess there's a clinical diagnosis for this, sort of like color-blindness.
That's offensive to people who struggle with clinical disorders.I guess there's a clinical diagnosis for this, sort of like color-blindness.
You mean the guy who thought it was a great idea that kid Darth Vader build C-3PO? That George Lucas?Since it apparently hasn't sunk in the first two times, I'm going to triple-emphasize it:
Luke's character arc in the Sequel Trilogy was conceived of and written by George Lucas... not JJ Abrams, Lawrence Kasdan, or Rian Johnson.
You mean the guy who thought it was a great idea that kid Darth Vader build C-3PO? That George Lucas?![]()
There's nothing narratively wrong with Anakin/Darth Vader having been Threepio's "Maker".
Rian Johnson: I turned his character into a book burning crank that obsessed with fresh manatee milk and also he tried to kill his nephew and made him evil. I could have just slapped the actor and vomited in his face but this is art.
Exactly.I'm not sure I'm seeing the problem? I see a Luke Skywalker who nearly made a great mistake, seeing the galaxy as better off without his presence. He is a human being, or the Star Wars-equivalent, he is going to make mistakes. And sometimes those mistakes can be life-altering considering the power that he wields.
Your arrogance is unwarranted because you wrote absolute nonsense: The entire point is that Luke HAS ALREADY REACHED A POINT THAT HE HAS PROVEN EVEN THE MOST EVIL PERSON CAN BE REDEEMED and you practically make a strawman argument by saying "LALALALALA, HE WASN'T LIKE THAT IN THE PAST".
Your arrogance is unwarranted because you wrote absolute nonsense: The entire point is that Luke HAS ALREADY REACHED A POINT THAT HE HAS PROVEN EVEN THE MOST EVIL PERSON CAN BE REDEEMED and you practically make a strawman argument by saying "LALALALALA, HE WASN'T LIKE THAT IN THE PAST".
Who told you he was like that in that past? Hell, he didn't even want to leave his village at first.
The point is it's absolute nonsense to give up on Ben Solo when it was now easy to help.
He didn't give up. He reacted briefly.The point is it's absolute nonsense to give up on Ben Solo when it was now easy to help.
It's not only about the school, which is already nonsense. It continues further by giving up on him, explicitly, when he later confronts him.He didn't give up. He reacted briefly.
There's a difference.
You are ignored because you parrot a conspiracy theory. The official writer of the movie is Rian exclusively.Since it apparently hasn't sunk in the first two times, I'm going to triple-emphasize it:
Luke's character arc in the Sequel Trilogy was conceived of and written by George Lucas... not JJ Abrams, Lawrence Kasdan, or Rian Johnson.
You are ignored because you parrot a conspiracy theory. The official writer of the movie is Rian exclusively.
Every single Star Wars "thing" was "based on Lucas characters" on it for advertising it best.
Ask him, supposedly the official writer of the last jedi is a lie and someone else wrote it according to him.Oh, do tell about the conspiracy theory, please.
Luke gives Ben every opportunity. But, Ben refuses. So, Luke saves the lives he can.It's not only about the school, which is already nonsense. It continues further by giving up on him, explicitly, when he later confronts him.
Anakin not only refused, he even tried to push him to the opposite direction.Luke gives Ben every opportunity. But, Ben refuses. So, Luke saves the lives he can.
Ask him, supposedly the official writer of the last jedi is a lie and someone else wrote it according to him.
I was damn clear - I want well-written characters. If a character has spent their entire life in a military, they should be mentally hard-wired to not openly flout rules. For Rian Johnson to have two military characters as park willy-nilly on a beach is sloppy and bad writing, plain and simple. (To be fair, Finn doesn't think, act, or talk anything like a grunt in TFA, either, but that just makes both scripts garbage in his respect.)Where else did you want them to park their craft?
Why? Why should she or anyone in the audience believe that the cows wouldn't be easily rounded up the next day, and returned to captivity, or worse? Occam's Razor strongly suggests that they would be. Sloppy writing.Rose valued the Fathiers - as helpless creatures - over the people indulging themselves on the "spoils of war" and was confident that, once freed, the Fathiers could take care of themselves.
We use essential cookies to make this site work, and optional cookies to enhance your experience.