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The Classic/Retro Pop Culture Thread

Richie hasn't been in our spotlight for a lack of hit singles at this point, but the song he performs here, "High Flyin' Bird," will be part of his opening itinerary at that place in upstate New York...what's
Richie Havens was one of my all time facorite '60's singers. There are a group of artists whose voices I would love to have been born with and Richie is prominent on that list.

With Richie Havens and Terry Callier's deaths (2012 and 2013 respectively), two towering figures in folk music (especially black folk music), left us.
 
_______

Dragnet 1968
"The Big Shipment"
Originally aired December 28, 1967
Xfinity said:
When a plane crashes, a large amount of narcotics is found aboard--but the pilot is missing.

Sgt. Joe Friday said:
This is the city: Los Angeles, California. With less than 3 percent of the nation's farms, California produces 25 percent of the nation's table food. There are only a few crops that cannot be grown in California. One of them is marijuana. Another is the opium poppy, the source of heroin. They're imported from Mexico. When they are, I go to work. I carry a badge.

Tuesday, September 26 (1967): Friday and Gannon are working the night watch out of Narcotics Division following a failed sting operation involving a heroin sale when Captain Trembly (Clark Howat) gets a call about the crashed plane, which is said to be carrying 150 pounds of marijuana and $100,000 worth of heroin. At the scene they're filled in on the situation by a uniformed sergeant played by William Boyett, who uses the word "weed" without making it sound like it's in quotation marks. Friday wants to turn the scheduled delivery of this shipment into a new sting operation, so he sign-o-the-timesily convinces the gathered reporters to sit on the story for six hours.

The pilot of the plane is identified by the rental agency and the detectives investigate an address that he'd given, but it's obviously a false one when Friday and Gannon knock on the door at 1:45 a.m. to wake up a married couple. Some further investigation turns up a tip from a cab driver who dropped off a man with a limp in the area that they're searching based on the false address. Evidently scouring apartment lobbies, they find an name and address that match the ones given by the pilot after a couple of transpositions, his actual name being Jerome Frank rather than Frank Jerome. They go to the apartment and speak to his wife (Lorraine Gary), who says that she hasn't seen him, wasn't aware of the true nature of the cargo that he was smuggling, informs them that that he lost a leg in Vietnam and has a girlfriend, and gives them her address.

They go to the address and bust in to find Frank (Fred Vincent) with his prosthetic leg off. They arrest both him and his girlfriend (Elaine Devry). He thinks he's got his bases covered with the people he was smuggling for because he's the one who called the reporters about the crashed plane, but when Friday informs Frank that he killed the story, he persuades Frank to cooperate and give him details about the scheduled drop. The detectives set up a multi-team stakeout with the shipment planted at the location, an obviously fake but very elaborate vacant field set. They arrest the two men who arrive to pick up the shipment (John Sebastian and Julian Burton, the former not the one from The Lovin' Spoonful) and take them downtown. One of them pretends to be deaf and dumb, but Friday conveniently finds a receipt from a record store in his wallet and he squeals about the identity of the big man they were working for.

The Announcer said:
On Thursday, November 30, trial was held in Department 180, Superior Court of the State of California, for the County of Los Angeles....The suspects were found guilty of conspiracy to violate Sections 11501 and 11531, Health and Safety Code, State of Caliornia, which makes it a crime to illegally transport, import, sell, or furnish any narcotic. The penalty described by law is imprisonment in the state prison from five years to life.
Dragnet51.jpg
Dragnet52.jpg

The radio callsign of the car that Friday and Gannon are using is 1-Kay-80.

And so the Dragnet marathon reaches payoff, as we've finally caught it up with...

_______

The Wild Wild West
"The Night of the Arrow"
Originally aired December 29, 1967
Wiki said:
Jim and Artie are out to find Strong Bear of the Sioux Indians, who is threatening to break the territorial peace treaty.

Jim and Artie have been assigned to look into worsening Indian relations, with the obvious obstacle being General Baldwin (Robert Wilke), an outspoken Indian hater whose victories have made him a presidential contender, such that President Grant (Roy Engel)--who actually shows up at the train a couple of times to talk to the boys, because sitting presidents get around that easily--doesn't dare touch him. Baldwin's daughter, Aimee (Jeannine Riley, formerly of Petticoat Junction), seems to have eyes for West as well as a knack for showing up where the trouble is. There's an ambush at the fort that quickly appears to be a set-up; during the ambush, Jim fires a flare projectile from his pistol. Disguised as a cavalry lieutenant, Artie uses a wind-up lockpick to break into the office of Col. Rath (Frank Marth) and finds evidence that the Indians were cavalry officers in disguise.

It sounds like Conrad had a cold in at least one scene. When Jim returns with Aimee from a hostile but non-lethal encounter with some Indians while trying to find Strong Bear, her clothes all cut up and Jim not wanting to tell the General about the incident for fear of escalating the situation, Jim is placed under arrest. Artie gets himself arrested for drunk and disorderly conduct to compare notes with Jim, who escapes by using thermite on the bars of his window to make a rendezvous arranged by Oconee, the "half-breed" liaison (Robert Phillips) who's been making a big show of being disgruntled with white men, but it's a trap to make it look like Jim killed Strong Bear. Jim falls into a pit but survives because it has a ledge not too far down, and escapes with the help of his ever-handy piton pistol, but not before Aimee wanders into the scene and causes him to fall back in by stepping on his fingers.

In the meantime, Artie has effected his own escape by changing disguises in his cell, pretending to be a down-on-his-luck trapper type who wants to stay for free grub. It turns out that Rath, Oconee, and Aimee were in cahoots to underhandedly help the General to get elected. Artie turns the tables on them by pretending to be Strong Bear rising from the dead for the benefit of the Indians whom Oconee has been manipulating, which in retrospect wouldn't be Artie's finest moment.

Chronological note: It's said to be 1874.

______

I think it was Pigpen, sir.
Are you doing a Marcie there?

Well, that's pretty sad. Also unusual, as it implies that hubby got custody, which was practically unheard of in those days.
I hadn't been listening to the lyrics that closely, but looking into it, it seems there was a reason for that. The song was written by Bobby Goldsboro and originally performed by male artists (Johnny Darrell's version having been a hit on the Country chart in 1968). Carr was doing a gender-swapped version of the song.

Richie Havens was one of my all time facorite '60's singers.
I'm looking forward to seeing more of him at that festival thing that's happening in August....
 
_______

55 Years Ago This Week

Wiki said:
May 12 – Twelve young men in New York City publicly burn their draft cards to protest the Vietnam War; the first such act of war resistance.


Selections from Billboard's Hot 100 for the week:
1. "My Guy," Mary Wells
2. "Hello, Dolly!," Louis Armstrong & The All Stars
3. "Love Me Do," The Beatles
4. "Bits and Pieces," The Dave Clark Five
5. "Do You Want to Know a Secret," The Beatles
6. "Ronnie," The Four Seasons
7. "Don't Let the Rain Come Down (Crooked Little Man)," The Serendipity Singers
8. "Dead Man's Curve," Jan & Dean
9. "White on White," Danny Williams
10. "It's Over," Roy Orbison
11. "Can't Buy Me Love," The Beatles

13. "(Just Like) Romeo & Juliet," The Reflections
14. "Chapel of Love," The Dixie Cups

16. "Little Children," Billy J. Kramer w/ The Dakotas
17. "Wish Someone Would Care," Irma Thomas
18. "I'm So Proud," The Impressions
19. "Suspicion," Terry Stafford
20. "Twist and Shout," The Beatles
21. "Walk On By," Dionne Warwick
22. "Do You Love Me," The Dave Clark Five

24. "Money," The Kingsmen
25. "The Shoop Shoop Song (It's In His Kiss)," Betty Everett
26. "My Girl Sloopy," The Vibrations

28. "That's the Way Boys Are," Lesley Gore

30. "A World Without Love," Peter & Gordon
31. "The Pink Panther Theme," Henry Mancini & His Orchestra
32. "The Very Thought of You," Rick Nelson
33. "P.S. I Love You," The Beatles
34. "Glad All Over," The Dave Clark Five

37. "Today," The New Christy Minstrels

40. "The Matador," Major Lance

44. "Once Upon a Time," Marvin Gaye & Mary Wells

47. "People," Barbra Streisand

49. "Thank You Girl," The Beatles
50. "You're a Wonderful One," Marvin Gaye
51. "Every Little Bit Hurts," Brenda Holloway

54. "Viva Las Vegas," Elvis Presley

79. "What's the Matter with You Baby," Marvin Gaye & Mary Wells

96. "Not Fade Away," The Rolling Stones


Leaving the chart:
  • "Hey, Bobba Needle," Chubby Checker (9 weeks)
  • "Nadine (Is It You?)," Chuck Berry (10 weeks)
  • "Needles and Pins," The Searchers (10 weeks)
  • "Stay Awhile," Dusty Springfield (7 weeks)
  • "The Way You Do the Things You Do," The Temptations (11 weeks)

Recent and new on the chart:

"Once Upon a Time," Marvin Gaye & Mary Wells
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(May 2; #19 US; #3 R&B; #50 UK)

"What's the Matter with You Baby," Marvin Gaye & Mary Wells
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(B-side of "Once Upon a Time"; #17 US; #2 R&B)

Total Beatles songs on the chart: 6

And new on the boob tube, Ed's guests this week include Gerry & The Pacemakers in their second week on the show, performing "Don't Let the Sun Catch You Crying" again, as well as their 1963 UK hit and future US hit "I Like It"; Dusty Springfield performing "Stay Awhile" and "I Only Want to Be with You"; and Phyllis Diller...all shown on Best of the Ed Sullivan Show.

_______
 
Friday wants to turn the scheduled delivery of this shipment into a new sting operation, so he sign-o-the-timesily convinces the gathered reporters to sit on the story for six hours.
He's got experience with those newsboys. Did I mention that TCM showed -30- not too long ago?

Evidently scouring apartment lobbies, they find an name and address that match the ones given by the pilot after a couple of transpositions, his actual name being Jerome Frank rather than Frank Jerome.
What a master of disguise. :rommie:

They go to the address and bust in to find Frank (Fred Vincent) with his prosthetic leg off.
Not to mention his pants down.

The Wild Wild West
At last. :D

with the obvious obstacle being General Baldwin (Robert Wilke), an outspoken Indian hater whose victories have made him a presidential contender
The more things change.....

President Grant (Roy Engel)--who actually shows up at the train a couple of times to talk to the boys, because sitting presidents get around that easily
He was a man of action. He couldn't be confined to the Oval Office. :rommie:

Are you doing a Marcie there?
You got it, sir. :D

I hadn't been listening to the lyrics that closely, but looking into it, it seems there was a reason for that. The song was written by Bobby Goldsboro and originally performed by male artists (Johnny Darrell's version having been a hit on the Country chart in 1968). Carr was doing a gender-swapped version of the song.
Ahh, that explains that.

"Once Upon a Time," Marvin Gaye & Mary Wells
I don't remember this at all, but it's not especially memorable.

"What's the Matter with You Baby," Marvin Gaye & Mary Wells
I like this one better.
 
_______

50 Years Ago This Week

May 13 – May 13 Incident: Race riots occur in Kuala Lumpur, Malaysia.
May 14 – Colonel Muammar Gaddafi visits Mecca, Saudi Arabia.
May 15 – An American teenager known as 'Robert R.' dies in St. Louis, Missouri, of a baffling medical condition. In 1984 it will be identified as the earliest confirmed case of HIV/AIDS in North America.
May 16 – Venera program: Venera 5, a Soviet spaceprobe, lands on Venus.
May 17 – Venera program: Soviet probe Venera 6 begins to descend into Venus's atmosphere, sending back atmospheric data before being crushed by pressure.


And The Old Mixer is the size of an apple. Very Beatlesque.


Selections from Billboard's Hot 100 for the week:
1. "Aquarius/Let the Sunshine In," The 5th Dimension
2. "Hair," The Cowsills
3. "Get Back," The Beatles w/ Billy Preston
4. "It's Your Thing," The Isley Brothers
5. "Love (Can Make You Happy)," Mercy
6. "Hawaii Five-O," The Ventures
7. "The Boxer," Simon & Garfunkel
8. "Atlantis," Donovan
9. "Gitarzan," Ray Stevens
10. "These Eyes," The Guess Who
11. "You've Made Me So Very Happy," Blood, Sweat & Tears
12. "Oh Happy Day," The Edwin Hawkins Singers feat. Dorothy Combs Morrison
13. "Time Is Tight," Booker T. & The M.G.'s
14. "Goodbye," Mary Hopkin
15. "The Chokin' Kind," Joe Simon
16. "Only the Strong Survive," Jerry Butler
17. "Gimme Gimme Good Lovin'," Crazy Elephant
18. "Sweet Cherry Wine," Tommy James & The Shondells
19. "Grazing in the Grass," The Friends of Distinction
20. "Pinball Wizard," The Who
21. "Do Your Thing," The Watts 103rd Street Rhythm Band
22. "Stand!," Sly & The Family Stone
23. "In the Ghetto," Elvis Presley
24. "I Don't Want Nobody to Give Me Nothing (Open Up the Door, I'll Get It Myself), Pt. 1" James Brown
25. "Too Busy Thinking About My Baby," Marvin Gaye
26. "More Today Than Yesterday," Spiral Starecase
27. "The Composer," Diana Ross & The Supremes
28. "Twenty-Five Miles," Edwin Starr

30. "I Can't See Myself Leaving You," Aretha Franklin
31. "Galveston," Glen Campbell
32. "My Way," Frank Sinatra
33. "Bad Moon Rising," Creedence Clearwater Revival
34. "Where's the Playground Susie," Glen Campbell
35. "Morning Girl," The Neon Philharmonic
36. "Don't Let Me Down," The Beatles w/ Billy Preston

38. "Day Is Done," Peter, Paul & Mary
39. "Mercy," Ohio Express
40. "Heather Honey," Tommy Roe
41. "Brother Love's Traveling Salvation Show," Neil Diamond

46. "Cissy Strut," The Meters
47. "Love Theme from Romeo and Juliet," Henry Mancini & His Orchestra

52. "Everyday with You Girl," Classics IV feat. Dennis Yost
53. "One," Three Dog Night

55. "Lodi," Creedence Clearwater Revival

57. "The Windmills of Your Mind," Dusty Springfield
58. "Black Pearl," Sonny Charles & The Checkmates, Ltd.

73. "In-a-Gadda-da-Vida," Iron Butterfly

83. "Let Me," Paul Revere & The Raiders

93. "What Does It Take (To Win Your Love)," Jr. Walker & The All-Stars

96. "Israelites," Desmond Dekker & The Aces

99. "I Threw It All Away," Bob Dylan


Leaving the chart:
  • "Dizzy," Tommy Roe (15 weeks)
  • "Don't Give In to Him," Gary Puckett & The Union Gap (9 weeks)
  • "I Can Hear Music," The Beach Boys (10 weeks)

Re-entering the chart:

"In-a-Gadda-da-Vida," Iron Butterfly
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(Originally charted Aug. 24, 1968, reaching #30 US and spending 12 weeks on the chart; reaches #68 US this run)


New on the chart:

"I Threw It All Away," Bob Dylan
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(#85 US; #30 UK)

"Let Me," Paul Revere & The Raiders
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(#20 US)

"Israelites," Desmond Dekker & The Aces
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(#9 US; #1 UK)

"What Does It Take (To Win Your Love)," Jr. Walker & The All-Stars
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(#4 US; #1 R&B; #13 UK)


And new on the boob tube:
  • The Saint, "Portrait of Brenda"

_______

He's got experience with those newsboys. Did I mention that TCM showed -30- not too long ago?
Jack Webb was in other stuff? You're destroying the illusion!

I don't remember this at all, but it's not especially memorable.
I like this one better.
They're both obscuros, but "Once Upon a Time" has caught on with me more so far.
 
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Congratulations! You're in the 90th percentile by dates.

"In-a-Gadda-da-Vida," Iron Butterfly
Classic. :mallory:

"I Threw It All Away," Bob Dylan
He's using his "Heaven's Door" voice.

"Let Me," Paul Revere & The Raiders
Hardly a man is now alive who remembers this one.

"Israelites," Desmond Dekker & The Aces
A strange classic. :rommie:

"What Does It Take (To Win Your Love)," Jr. Walker & The All-Stars
I didn't recognize the title at first, but this is a good one.

Jack Webb was in other stuff? You're destroying the illusion!
Er... maybe Joe Friday has an identical cousin.
 
"Israelites," Desmond Dekker & The Aces
(#9 US; #1 UK)

While it was a successful song, it was never the darling of radio playlists beyond that year (meaning oldies stations in the following decade). However, it received a short-lived burst of new interest when it was used as the end credits music for Gus Van Sant's independent film classic (the best movie of his career), Drugstore Cowboy (Avenue Pictures, 1989).

"What Does It Take (To Win Your Love)," Jr. Walker & The All-Stars
(#4 US; #1 R&B; #13 UK)

Instant classic, and fit so much of the mood of the period.
 
Congratulations! You're in the 90th percentile by dates.
Had to look up what that was about. :p I'm just going by the fruits on the website.
Weight: 7 lbs., 12 oz.
Length: 20-1/2 in.

A welcome return to the playlist, however long it lasts. Full-on psychedelic rock seems to have faded at this point, in favor of trends like...country rock:

He's using his "Heaven's Door" voice.
Or more immediately, his "Lay Lady Lay" voice. This album was off my radar because it's not on the RS list, but I just got it, though I haven't listened to it yet. I should note that on the album front, my purchasing and listening is on track, though my reviewing has fallen behind somewhat. Hoping to get back on that soon.

Hardly a man is now alive who remembers this one.
As their more forgettable hits of this era go, though, it's not too bad.

A strange classic. :rommie:
While it was a successful song, it was never the darling of radio playlists beyond that year (meaning oldies stations in the following decade). However, it received a short-lived burst of new interest when it was used as the end credits music for Gus Van Sant's independent film classic (the best movie of his career), Drugstore Cowboy (Avenue Pictures, 1989).
Noteworthy here is that it's an early example of a reggae hit in the US. As for its retro value, I certainly heard it on oldies radio in the 2000s.

Instant classic, and fit so much of the mood of the period.
RJDiogenes said:
I didn't recognize the title at first, but this is a good one.
Yeah, this is one of those where I often draw a blank at the title, but when I put it on, it's an "Oh, that!"

RJ, you'll be happy to know that Me just got into Season 3 of Petticoat Junction this morning...which means Lori Saunders...IN COLOR!
 
The Mod Squad cast suffers another loss: Peggy Lipton dead at 72.
Oh, that's a shame. 72 sounds so young to me now. RIP, Peggy Lipton. :(

Had to look up what that was about. :p
I worked in women's health for 22 years, so you'll find me throwing in stuff that's gibberish to civilians. :rommie:

Or more immediately, his "Lay Lady Lay" voice.
Right. There was a time, early on, when I didn't even realize this was Dylan.

Noteworthy here is that it's an early example of a reggae hit in the US. As for its retro value, I certainly heard it on oldies radio in the 2000s.
I've got it in my MP3 folder. I remember it from the 70s more than the 60s. The go-to Top 40 station in Boston before FM took over, WRKO, was really good about throwing older songs into the mix. Maybe all Top 40 stations were, but that's the one I had.

Yeah, this is one of those where I often draw a blank at the title, but when I put it on, it's an "Oh, that!"
Yeah, that was exactly it. :rommie:

RJ, you'll be happy to know that Me just got into Season 3 of Petticoat Junction this morning...which means Lori Saunders...IN COLOR!
Groovy. That's what Petticoat Junction is all about for me. :D
 
Thanks to the IMDB's Freedive I have been revisiting "Dallas" (1978-1991). Right now I'm about a quarter of the way into season 3. I was really hooked on the series during it's original run and can still see why. It is definitely compelling and terrifically fun. No other villain has been so captivating than J.R. Ewing (R.I.P. Larry Hagman). I started a slow walk away from the series after the death of Bobby and over the course of the dream season so it'll be interesting to see the episodes beyond that point. I do have to say that with a lot more life under my belt I do sympathize with Sue Ellen a 1000% more than I did the first time around. Of course season 3 ends with one of the greatest cliffhangers ever, "Who shot J.R.?" Great stuff.
 
The Mod Squad cast suffers another loss: Peggy Lipton dead at 72.
Oh, that's a shame. 72 sounds so young to me now. RIP, Peggy Lipton. :(
That is a shame and it does seem too young these days.

Yeah, that was exactly it. :rommie:
Honestly, that sax riff should be the title of the song!

Thanks to the IMDB's Freedive I have been revisiting "Dallas" (1978-1991).
My Mom used to watch it. The TV stayed on CBS Friday nights with the Incredible Hulk / Dukes of Hazzard / Dallas lineup. I paid attention for a bit surrounding the "Who Shot J.R.?" thing. Even elementary school boys were abuzz about that.

Somebody let me know if they hear anything about Me running Mod Squad episodes in tribute to Peggy. There's nothing currently on their site, but it was announced in the middle of the weekend.
 
I started a slow walk away from the series after the death of Bobby and over the course of the dream season so it'll be interesting to see the episodes beyond that
I wasn't actually a fan of Dallas, but I always taped it because my Mother and Grandmother watched, and it gave us something to talk about. :rommie: The best thing about the dream season was that it featured Jenilee Harrison, who I had a big crush on.

I paid attention for a bit surrounding the "Who Shot J.R.?" thing. Even elementary school boys were abuzz about that.
I actually correctly guessed whodunit, and that suspect actually had long odds. I should have placed a bet. My guess was based on an article I saw that said her contract had only been renewed for the first several episodes of the next season. :rommie:

Somebody let me know if they hear anything about Me running Mod Squad episodes in tribute to Peggy. There's nothing currently on their site, but it was announced in the middle of the weekend.
Nothing yet. Their bi-weekly email usually comes on Tuesday, sometimes Wednesday, so maybe there'll be something then.
 
That's what I'm seeing, too, and no emails have come. I don't think they've ever had The Doris Day Show, so I'm not sure what kind of a tribute they'd have for her.
 
_______

The Good, the Bad and the Ugly
Directed by Sergio Leone
Starring Clint Eastwood, Lee Van Cleef, and Eli Wallach
Released December 23, 1966 (Italy); December 29, 1967 (US)
Wiki said:
The Good, the Bad and the Ugly (Italian: Il buono, il brutto, il cattivo, lit. "The good, the ugly, the bad") is a 1966 Italian epic Spaghetti Western film directed by Sergio Leone and starring Clint Eastwood, Lee Van Cleef, and Eli Wallach in their respective title roles. Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni and Leone (with additional screenplay material and dialogue provided by an uncredited Sergio Donati), based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score including its main theme. It is an Italian-led production with co-producers in Spain, West Germany and the United States.

The film is known for Leone's use of long shots and close-up cinematography, as well as his distinctive use of violence, tension, and stylistic gunfights. The plot revolves around three gunslingers competing to find fortune in a buried cache of Confederate gold amid the violent chaos of the American Civil War (specifically the New Mexico Campaign in 1862), while participating in many battles and duels along the way. The film was the third collaboration between Leone and Clint Eastwood, and the second with Lee Van Cleef.

The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The film was a financial success, grossing over $25 million at the box office, and is credited with catapulting Eastwood into stardom. Due to general disapproval of the Spaghetti Western genre at the time, critical reception of the film following its release was mixed, but it gained critical acclaim in later years. The Good, the Bad and the Ugly is now seen as one of the greatest and most influential Western movies.


I think I mentioned upthread that I hadn't been getting into the prior installments of the Dollars trilogy much. I can certainly see where they were stylistically influential, but this is one of those cases where I feel more on the same page with the original critics. I'm not big on characters having to be "likeable," but there's nothing much to invest in with these films. Eastwood's character is labeled "The Good," but we barely see the slightest hints of conscience, compassion, and morality from him toward the end of the film, which is when the best stuff happens. The rest just sort of rambles. With that in mind...

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That was a nice bit at the end, teasing us into thinking that Blondie was just going to let Tuco hang, then having him pull his old trick of shooting the rope, which had been their con game earlier in the film--Blondie collecting the reward for turning him in, then rescuing him from hanging in that manner.

I also thought it was a bit of an odd choice to have a Western set during the Civil War rather than the usual timeframe of after it. I have to wonder if there's anything that I hadn't known to look for in the previous two films to contradict that.

_______

I don't think they've ever had The Doris Day Show, so I'm not sure what kind of a tribute they'd have for her.
https://www.metv.com/videos/the-doris-day-show
Decades has Binged it in the past as well.
 
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I'm not big on characters having to be "likeable," but there's nothing much to invest in with these films. Eastwood's character is labeled "The Good," but we barely see the slightest hints of conscience, compassion, and morality from him toward the end of the film, which is when the best stuff happens.
Apparently, "Good" is relative in the Old West. "Ugly," on the other hand, seems to fit right in.

https://www.metv.com/videos/the-doris-day-show
Decades has Binged it in the past as well.
Huh. I don't remember ever seeing it on the schedule. They do have several episodes available online. Looks like they're doing their tribute to Tim Conway by airing Tim-centric Carol Burnett episodes next week, but nothing yet about Peggy Lipton or Doris Day.
 
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