The TNG, DS9, et. al. we saw prior to ST:FC all MUST have played out differently.
Not sure why that would be a bad thing? Just expands storytelling possibilities.
The TNG, DS9, et. al. we saw prior to ST:FC all MUST have played out differently.
I'll stand by these three.
It is all canon, though I break elements down into distinct timelines.
Timeline A: TOS/TAS/TMP
Timeline B: Star Trek II- Star Trek VI, TNG, DS9, VOY, TNG movies
Timeline C: The Abramsverse
Timeline D: (spun off the events of Star Trek: First Contact) ENT, Star Trek: Discovery
Similar events can happen in multiple timelines, like the five year mission. Broad strokes are mostly the same across most of the timelines, details are different.
Based on their conversation near the end of this episode, they did. Stamets is going to either teach on Vulcan or live on a Starbase and Culber is going to become part of the 1701 crew.Stamets and his husband (I just love it I can type those words) need to make up or break up, they are getting on my nervous.
Obviously, to CBS it's all one perfect continuity.
Yep - CBS concerns about continuity stop after:I doubt CBS cares about continuity beyond how it can be used to sell All-Access subscriptions.
Thrilled to see the stuff about the team jumping into the future is incredibly likely now. I’ve had fun in the 23rd century these past two seasons, but it has never been my favorite Star Trek setting. Even if this forward momentum is somehow temporary I will surely treasure it.
Now the big question is whether they’ll land 950 years in the future or somewhere around 2400. As much as I think it would be fun to see the latter, there are already some breadcrumbs tantalizing fans for the notion of seeing more of the 33rd century, so that seems likelier.
That's debatable...The writers certainly care.
To CBS the writers are a production cost - CBS makes the money it spends on such things back by advertising and mechanizing revenue (assuming the show is popular enough for such a profitable market to exist).The writers certainly care.
Me too. It's definitive Star Trek. Everything else is basically an afterthought to me.Interesting. The 23rd century setting is really the only setting I ever truly cared about.
Oh, the casting is probably the best in the history of the franchise. I think Martin-Green has done a great job with rather poor material. The writing lets them down more often than not.
We'll see what Michelle Paradise brings to the table next season.
Only if one has no desire to give people a chance to breathe and accept maybe they're allowed to like something. Seriously, I've never understood "the writers hate the fans and the show!" because, even if I'm being cynical and jaded as hell, who in their right damned mind would purposely sabotage their source of income? I have no doubt the writers care. A writer cares about their stories, or they don't stay professional writers very long.That's debatable...
What has made it worse this season is the emerging trope of Burnham going off on some personal mission, dragging the narrative focus away from the ship and therefore the rest of the cast, and the decision in the last third of the season to make most of Burnham's interactions with temporary or guest characters (Pike, Spock, Georgiou), further reducing the role of the regulars.The writers do Martin-Green no favors by having the character of Burnham act as if she is the person whose sole responsibility is to solve all the problems that come up in the show, and thus usually leaves everyone else out of the solution to the problem.
That character attitude the writers have given to Burnham is an impediment to the rest of the characters working together -- which would normally give the characters a reason to interact with each other in fun and entertaining ways, which is what I think many people want in a TV show.
As it is, we often get Burnham trying to carry the weight of the world on her shoulders, while the other characters often just work on the "B plot".
I don't think Calypso needs to be an integral part of this season, nor any season.Hrmm...looking over the transcript from Calypso, we know the following:
Given all of that, it doesn't seem like it can square up with what's going to happen in the last episode this season. I suppose that I could see the crew all abandoning Discovery at the last second in all but one of the shuttlecrafts. But it's hard for me to see why it would be ordered to hold position in particular inside this nebula.
- Zora's been waiting for the crew for "almost 1,000 years." She says this twice. It's clear that it's not that she jumped 1,000 years, but that this is the time which has passed subjectively.
- The last shuttle onboard was delivered just before the crew abandoned ship, and was never used
- Zora's last order from the captain was to "maintain position."
However, I suspect there will be a twist and they don't end up in the time frame they're expecting--which will be revealed at the end of the next episode.
The writers certainly care.
Me too. It's definitive Star Trek. Everything else is basically an afterthought to me.
Kor
Their care hasn’t translated into cohesive writing though.The writers certainly care.
They still need to acquire a new, unnamed shuttle.I'm starting to think the mystery of "Calypso" won't be solved by the end of the season. Maybe I'm wrong.
I'm also still wondering how the crew gets separated from Discovery? Do they end up in the future and Discovery has to catch up to them? Is Discovery like the DeLorean in Back to the Future, Part III? "It's been buried here for 70 years, 2 months, and 13 days! Astounding."
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